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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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{\an8}<i>YOU DON'T LIKE ME BECAUSE</i>
<i>I DON'T SIGN AUTOGRAPHS.</i>

4
00:00:48,282 --> 00:00:51,252
YOU DON'T LIKE ME BECAUSE
I DON'T SMILE FOR THE CAMERA.

5
00:00:52,153 --> 00:00:55,423
YOU DON'T LIKE ME BECAUSE
I DON'T SUCK UP TO THE PRESS.

6
00:00:57,057 --> 00:01:00,394
{\an8}<i>YOU DON'T LIKE ME</i>
<i>BECAUSE I MAKE A LOT OF MONEY.</i>

7
00:01:03,231 --> 00:01:04,865
BUT YOU LOVE ME...

8
00:01:04,898 --> 00:01:09,137
BECAUSE I'M ONE OF
THE GREATEST HITTERS ALIVE.

9
00:01:16,076 --> 00:01:17,811
{\an8}<i>Announcer:</i>
<i>WE'RE BACK IN MILWAUKEE,</i>

10
00:01:17,845 --> 00:01:20,047
{\an8}<i>AND THE SOUND YOU HEAR</i>
<i>REVERBERATING</i>

11
00:01:20,080 --> 00:01:22,416
{\an8}<i>ACROSS THE CITIES AND FARMS</i>
<i>OF THE GREAT STATE OF WISCONSIN</i>

12
00:01:22,450 --> 00:01:25,119
{\an8}<i>IS THE ROAR</i>
<i>OF THE BREWER FAITHFUL</i>

13
00:01:25,153 --> 00:01:28,256
{\an8}<i>FOR THEIR LONGTIME HERO,</i>
<i>STAN ROSS.</i>

14
00:01:28,289 --> 00:01:32,426
{\an8}<i>AND HERE HE COMES WITH THAT</i>
<i>TRADEMARK ARROGANT SCOWL.</i>

15
00:01:32,460 --> 00:01:37,565
{\an8}<i>2,999 HITS TO DATE</i>
<i>IN HIS ILLUSTRIOUS CAREER.</i>

16
00:01:37,598 --> 00:01:40,901
{\an8}<i>WILL THIS AT-BAT,</i>
<i>JULY 29, 1995,</i>

17
00:01:40,934 --> 00:01:43,103
{\an8}<i>AGAINST THE ROOKIE</i>
<i>RIGHT-HANDER BILLY EARLL,</i>

18
00:01:43,137 --> 00:01:45,005
{\an8}<i>BE THE HISTORIC MOMENT</i>

19
00:01:45,038 --> 00:01:48,075
{\an8}<i>WHEN ROSS JOINS</i>
<i>ONLY 20 OTHER MAJOR LEAGUERS</i>

20
00:01:48,108 --> 00:01:51,245
{\an8}<i>IN THAT ELITE 3,000-HIT CLUB?</i>

21
00:01:53,013 --> 00:01:55,082
STAN...

22
00:01:55,115 --> 00:01:58,018
YOU'RE GONNA BE THE BEST-LOOKING
CAT IN THE HALL OF FAME,

23
00:01:58,051 --> 00:02:00,087
THAT'S FOR DOGGONE SURE.

24
00:02:00,120 --> 00:02:01,455
YO, SCRUB!

25
00:02:02,723 --> 00:02:04,124
{\an8}<i>YOU WANT MY AUTOGRAPH NOW</i>
<i>OR AFTER I MAKE HISTORY?</i>

26
00:02:04,158 --> 00:02:05,959
YOU AIN'T GETTING THIS HIT
OFF ME.

27
00:02:05,993 --> 00:02:07,961
THIS IS GONNA BE
YOUR ONE CAREER HIGHLIGHT.

28
00:02:07,995 --> 00:02:09,963
YOU'RE GONNA BE
A GAME-SHOW ANSWER, PARTNER.

29
00:02:09,997 --> 00:02:11,965
WELL, I'LL TAKE
"KISS MY ASS" FOR $1,000.

30
00:02:11,999 --> 00:02:13,967
{\an8}<i>MAKE IT 3,000.</i>

31
00:02:14,001 --> 00:02:15,436
YOU HEAR THAT "JOE HITTER"
LANGUAGE ON THAT ROOKIE?

32
00:02:15,469 --> 00:02:16,804
KISS MY ASS.

33
00:02:16,837 --> 00:02:18,439
HOW ABOUT YOU, ERNIE?

34
00:02:18,472 --> 00:02:19,807
I GUESS YOU'RE GONNA TELL ME
TO KISS YOUR ASS, TOO?

35
00:02:19,840 --> 00:02:21,609
HEY, WHY DON'T YOU
SUCK MY --

36
00:02:21,642 --> 00:02:23,277
I'LL SHOW YOU
WHAT KISS MY ASS LOOK LIKE.

37
00:02:23,311 --> 00:02:25,145
{\an8}<i>I'LL SHOW HIM.</i>
<i>I'LL PUT UP THIS --</i>

38
00:02:31,319 --> 00:02:33,854
DAMN IT, JOE! HE KNOW BETTER
THAN TO GET ME PISSED OFF!

39
00:02:33,887 --> 00:02:35,956
{\an8}<i>Announcer: WELL, NO PITCHER</i>
<i>WANTS TO BE THE ONE</i>

40
00:02:35,989 --> 00:02:37,391
{\an8}<i>THAT GIVES UP</i>
<i>THAT 3,000th BASE HIT.</i>

41
00:02:37,591 --> 00:02:39,527
{\an8}<i>CLEARLY YOUNG EARLL</i>
<i>JUST SENT THAT MESSAGE --</i>

42
00:02:39,560 --> 00:02:41,462
{\an8}<i>A PURPOSE PITCH</i>
<i>TO GET ROSS ANGRY.</i>

43
00:02:41,495 --> 00:02:44,131
{\an8}<i>COME ON, STAN,</i>
<i>THIS IS THE ONE.</i>

44
00:02:44,164 --> 00:02:46,567
YOU KNOW
WHAT I'M TALKING ABOUT!
{\an8}<i>HOPE HE TRIPS</i>
<i>AND BREAKS HIS LEG.</i>

45
00:03:04,685 --> 00:03:06,854
UHH!
{\an8}<i>Announcer:</i>
<i>OH, MY!</i>

46
00:03:06,887 --> 00:03:08,856
{\an8}<i>IT'S A VICIOUS LINE DRIVE</i>
<i>OFF EARLL'S --</i>

47
00:03:08,889 --> 00:03:10,524
{\an8}<i>WELL, IT'S</i>
<i>A BELL-RINGING BASE HIT.</i>

48
00:03:10,558 --> 00:03:12,426
{\an8}<i>THAT'S WHAT IT IS.</i>

49
00:03:12,460 --> 00:03:15,062
{\an8}<i>STAN ROSS</i>
<i>IS SAFE AT FIRST</i>

50
00:03:15,095 --> 00:03:17,431
HEY, COACH,
GET ME THAT BALL.
{\an8}<i>WITH HIT NUMBER 3,000.</i>

51
00:03:17,465 --> 00:03:20,033
THAT'S THE BALL THAT GOT ME
INTO THE HALL OF FAME.

52
00:03:20,067 --> 00:03:22,403
YOU WANT THIS BALL,
ROSS?
{\an8}<i>YEAH.</i>
<i>THANKS, MAN.</i>

53
00:03:22,436 --> 00:03:24,605
THERE GOES
YOUR DAMN BALL.

54
00:03:26,907 --> 00:03:28,876
YOU SEE THAT, COACH?

55
00:03:28,909 --> 00:03:31,078
YOU SEE WHAT HE JUST DID?

56
00:03:31,111 --> 00:03:33,046
HE THREW MY HALL OF FAME BALL
UP IN THE STANDS.

57
00:03:33,080 --> 00:03:34,515
{\an8}<i>WHAT'S YOUR PROBLEM, MAN?</i>

58
00:03:34,548 --> 00:03:36,083
BACK UP.
BACK UP.
MOVE, MAN!

59
00:03:36,116 --> 00:03:38,185
YOU BE OUT OF HERE
WHEN I GET BACK,

60
00:03:38,218 --> 00:03:40,020
OR SOMEONE WILL HAVE TO PULL
A PIECE OF BASEBALL HISTORY

61
00:03:40,053 --> 00:03:41,522
OUT THE CRACK
OF YOUR ASS!
NOW, COME ON.

62
00:03:41,555 --> 00:03:43,624
WHAT YOU LOOKING AT,
BIG FELLA?

63
00:03:43,657 --> 00:03:45,626
MAKE A MOVE.
YEAH, OKAY,
I'LL SHRINK YOUR BIG ASS.

64
00:03:45,659 --> 00:03:47,395
YOU'LL GET SOME, TOO.

65
00:03:47,428 --> 00:03:50,130
YOU SAW
WHAT HE DID, COACH.

66
00:03:50,163 --> 00:03:51,365
ALL RIGHT, GUYS.

67
00:03:51,399 --> 00:03:53,267
THAT AIN'T GONNA
MEAN NOTHING, BOY.

68
00:03:53,301 --> 00:03:55,102
{\an8}<i>GET BACK IN.</i>

69
00:03:55,135 --> 00:03:56,570
WHO GOT MY BALL?

70
00:03:56,604 --> 00:03:57,605
OPEN THAT GATE.

71
00:03:57,638 --> 00:03:59,973
ALL RIGHT!
HE'S COMING ON UP.

72
00:04:03,444 --> 00:04:05,145
HEY, CONGRATULATIONS, STAN!

73
00:04:06,246 --> 00:04:07,381
G-GIVE ME MY BALL.

74
00:04:07,415 --> 00:04:08,949
WHAT?

75
00:04:08,982 --> 00:04:10,384
Woman:
WHAT'D HE SAY?

76
00:04:10,418 --> 00:04:12,453
GIVE ME
MY 3,000-HIT BALL.

77
00:04:12,486 --> 00:04:14,555
DON'T LOOK AT YOUR DADDY,
DAMN IT.

78
00:04:14,588 --> 00:04:16,490
GIVE ME MY BALL!
HEY, WHOA, MAKE HIM
A TRADE AT LEAST.

79
00:04:16,524 --> 00:04:18,426
GIVE HIM, LIKE, YOUR CAP
OR AN AUTOGRAPHED BAT, MAYBE.

80
00:04:18,626 --> 00:04:20,294
I'M NOT TRADING HIM!
HEY, WHOA!

81
00:04:20,328 --> 00:04:23,230
WHAT THE --
ARE YOU ALL RIGHT, PAL?

82
00:04:23,263 --> 00:04:25,232
WHY DON'T YOU TAKE HIS
COTTON CANDY WHILE YOU'RE AT IT?

83
00:04:25,265 --> 00:04:26,734
SO, STAN, WERE YOU GLAD
TO GET NUMBER 3,000

84
00:04:26,767 --> 00:04:28,602
RIGHT HERE IN MILWAUKEE?
SURE.

85
00:04:28,969 --> 00:04:30,971
YOU ASK ANY
OF THE ALL-TIME GREATS, MAN.

86
00:04:31,004 --> 00:04:33,574
WE ALL GOT A SPECIAL CONNECTION
WITH OUR HOMETOWN FANS.

87
00:04:33,607 --> 00:04:35,242
{\an8}<i>WHAT KIND OF CONNECTION</i>
<i>DID YOU MAKE</i>

88
00:04:35,275 --> 00:04:37,511
WITH THAT KID WHO CAUGHT
THE BALL TONIGHT?

89
00:04:37,545 --> 00:04:39,313
NOW, WHAT YOU TALKIN' ABOUT?

90
00:04:39,347 --> 00:04:41,248
PEOPLE SITTING IN THAT SECTION
SAY YOU THREATENED HIM.

91
00:04:41,281 --> 00:04:43,016
I GAVE HIM GOOD ADVICE.

92
00:04:43,050 --> 00:04:45,419
WHAT THE HELL
WRONG WITH YOU PEOPLE?

93
00:04:45,453 --> 00:04:47,588
I JUST BECAME A LEGEND
LIKE WILLIE MAYS,

94
00:04:47,621 --> 00:04:49,690
STAN MUSIAL,
AND CARL YASTRZEMSKI.

95
00:04:49,723 --> 00:04:52,292
Y'ALL GONNA TRY TO SPEAK
ON SOMETHING NEGATIVE?

96
00:04:52,326 --> 00:04:53,627
THAT'S EXACTLY
WHAT I'M TALKIN' ABOUT.

97
00:04:53,661 --> 00:04:54,762
THAT'S WHY I'M QUITTIN'.

98
00:04:54,795 --> 00:04:56,464
{\an8}<i>HUH?</i>
<i>HAT? WHAT?</i>

99
00:04:56,497 --> 00:04:57,264
{\an8}<i>WHAT DO YOU MEAN,</i>
<i>QUITTING?</i>

100
00:04:57,297 --> 00:05:00,100
{\an8}<i>QUITTIN'.</i>
<i>I'M DONE.</i>

101
00:05:00,133 --> 00:05:01,602
HANGIN' IT UP.

102
00:05:01,635 --> 00:05:03,704
NOW THAT I GOT THIS...

103
00:05:05,406 --> 00:05:07,475
...I AIN'T PLAYIN' NO MORE.

104
00:05:07,508 --> 00:05:10,177
{\an8}<i>AND THAT MEANS NO MORE TALKING</i>
<i>TO YOU STANK-ASS REPORTERS.</i>

105
00:05:10,210 --> 00:05:12,112
{\an8}<i>EXCUSE ME?</i>
<i>YEAH, THAT'S RIGHT.</i>

106
00:05:12,145 --> 00:05:13,046
I'M TALKING TO YOU,
AND I'M TALKING TO YOU.

107
00:05:13,080 --> 00:05:14,482
AND I SAID "STANK-ASS."

108
00:05:14,515 --> 00:05:16,484
W-WHY NOW? THE BREWERS
ARE STILL IN THE RACE.

109
00:05:16,517 --> 00:05:18,519
COULDN'T YOU WAIT
UNTIL AFTER THE SEASON?

110
00:05:18,552 --> 00:05:20,621
MAN, I'D HAVE QUIT LAST SEASON
IF I DIDN'T THINK

111
00:05:20,654 --> 00:05:22,456
YOU-ALL WERE GONNA TRY TO BLOCK
ME FROM THE HALL OF FAME.

112
00:05:22,490 --> 00:05:25,125
BUT IT DON'T MATTER
'CAUSE I GOT MINE.

113
00:05:25,158 --> 00:05:26,727
3,000.

114
00:05:26,760 --> 00:05:29,463
LIKE IT OR NOT,
I'M A CERTIFIED IMMORTAL.

115
00:05:29,497 --> 00:05:31,231
AND THERE AIN'T NOTHIN'
IN THE WORLD

116
00:05:31,264 --> 00:05:34,067
YOU SONS OF BITCHES
CAN DO ABOUT IT.

117
00:05:34,101 --> 00:05:35,335
NOTHIN'.

118
00:05:41,241 --> 00:05:43,377
{\an8}<i>Announcer: ATTENTION,</i>
<i>ALL MILWAUKEE LEPRECHAUNS.</i>

119
00:05:43,411 --> 00:05:44,412
{\an8}<i>Stan: HEY, ALL YOU</i>
<i>MILWAUKEE LEPRECHAUNS.</i>

120
00:05:44,445 --> 00:05:45,813
THIS IS ST. PATTY'S DAY.

121
00:05:45,846 --> 00:05:47,648
GET YOUR SHAMROCK GROOVE ON

122
00:05:47,681 --> 00:05:51,218
AT STAN ROSS'
MR. 3000 SPORTS BAR,

123
00:05:51,251 --> 00:05:54,588
LOCATED ON PEACOCK STREET
IN WAUKESHA COUNTY.

124
00:05:54,622 --> 00:05:56,724
WE GOT 3,000 DIFFERENT KIND
OF BEERS.

125
00:05:56,757 --> 00:05:58,191
WE GOT WILD IRISH ROSE

126
00:05:58,225 --> 00:06:00,327
AND ANYTHING
THAT YOU MIGHT WANT.

127
00:06:00,360 --> 00:06:02,696
BUT WAIT -- THERE'S MORE.

128
00:06:04,364 --> 00:06:07,267
YOU WANT TO GET
THAT HEAVY VIBRATION
FROM THAT SPECIAL SOMEONE?

129
00:06:07,300 --> 00:06:09,770
GET YOUR PAGE ON
AT 3000 BEEPS.

130
00:06:11,371 --> 00:06:15,543
GET YOUR HAIR DYED, FRIED, AND
LAID TO THE SIDE AT 3000 CUTS.

131
00:06:16,577 --> 00:06:19,613
KNICKKNACK PATTY-WHACK,
GET YOUR DOG A BONE.

132
00:06:19,647 --> 00:06:22,716
AND GET YOUR WOOF ON
AT 3000 PAWS.

133
00:06:23,083 --> 00:06:26,787
{\an8}<i>GET YOUR SZECHUAN FEAST ON</i>
<i>AT 3000 WOKS.</i>

134
00:06:27,721 --> 00:06:33,561
BRING THE WHOLE FAMILY DOWN
TO MR. 3000 SHOPPING CENTER.

135
00:06:37,831 --> 00:06:40,200
{\an8}<i>Stan: FIRST YEAR,</i>
<i>I WAS 150 VOTES SHORT.</i>

136
00:06:40,233 --> 00:06:41,268
{\an8}<i>COME HERE.</i>

137
00:06:42,636 --> 00:06:45,405
SECOND YEAR,
I WAS LESS THAN 50 AND SO ON.

138
00:06:45,439 --> 00:06:48,408
LAST YEAR,
I WAS JUST 4 VOTES AWAY.

139
00:06:48,442 --> 00:06:50,143
SPORTSWRITERS HATE ME.

140
00:06:50,177 --> 00:06:51,779
BUT MY NUMBERS DON'T LIE.

141
00:06:51,812 --> 00:06:56,283
I GOT 3,000 UP THERE,
ONE FOR EACH ONE OF MY HITS.

142
00:06:56,316 --> 00:06:57,885
THEY GOTTA LET ME IN.

143
00:06:57,918 --> 00:07:00,220
IT'S MY YEAR,
AND EVERYBODY KNOWS IT.

144
00:07:00,253 --> 00:07:01,822
{\an8}<i>WHAT ABOUT HIM?</i>

145
00:07:01,855 --> 00:07:03,390
{\an8}<i>WHO'S THAT?</i>

146
00:07:03,423 --> 00:07:05,325
YOU KNOW WHO THAT IS.

147
00:07:05,358 --> 00:07:07,895
THAT'S
T-REX PENNEBAKER.

148
00:07:07,928 --> 00:07:10,330
{\an8}<i>BEST PLAYER</i>
<i>ON THE BREWERS.</i>

149
00:07:10,363 --> 00:07:12,500
{\an8}<i>T-REX PENNEBAKER</i>
<i>AIN'T NOTHIN' BUT A YOUNG BULL.</i>

150
00:07:12,533 --> 00:07:14,668
I DON'T EVEN KNOW WHY
YOU BOTHER LEARNING HIS NAME,

151
00:07:14,702 --> 00:07:17,304
ESPECIALLY WHAT YOU GOT IN FRONT
OF YOU -- A LIVING LEGEND,

152
00:07:17,337 --> 00:07:19,339
A CERTIFIED IMMORTAL.

153
00:07:19,372 --> 00:07:21,575
AND I KNOW YOU DON'T KNOW
A WHOLE LOT OF IMMORTALS.

154
00:07:21,609 --> 00:07:24,177
HEY, EASY, OLD MAN.

155
00:07:24,211 --> 00:07:25,513
OLD MAN?

156
00:07:25,546 --> 00:07:29,116
WHAT YOU MEAN IS "AGED,"
LIKE U.S.D.A. BEEF.

157
00:07:29,149 --> 00:07:30,350
IT'S WHAT'S FOR DINNER.

158
00:07:30,383 --> 00:07:32,419
NOT ON MY PLATE.

159
00:07:32,452 --> 00:07:33,621
NO?
NO.

160
00:07:37,791 --> 00:07:39,459
MONSTROUS.

161
00:07:40,694 --> 00:07:42,663
JUST AIN'T LIKE
THE OLD DAYS, HUH, BOCA?

162
00:07:42,696 --> 00:07:44,364
MNH-MNH.

163
00:07:44,397 --> 00:07:45,766
WOW.

164
00:07:45,799 --> 00:07:47,501
SPRING TRAINING.

165
00:07:47,535 --> 00:07:49,803
{\an8}<i>YOU CAN PRACTICALLY SMELL</i>
<i>THE GRASS, CAN'T YOU?</i>

166
00:07:49,837 --> 00:07:52,540
CAN'T SAY I CAN, MAN.

167
00:07:52,573 --> 00:07:54,474
WHAT,
YOU DON'T MISS IT?

168
00:07:54,508 --> 00:07:56,476
{\an8}<i>MISS IT?</i>
<i>Announcer:</i>
<i>YEAH, OVER CENTER FIELD.</i>

169
00:07:56,510 --> 00:07:58,411
NAH.

170
00:07:59,913 --> 00:08:01,148
NAH.

171
00:08:03,651 --> 00:08:07,320
SEE, STAN DIDN'T MAKE
TOO MANY FRIENDS
WHEN HE WAS PLAYING HERE.

172
00:08:07,521 --> 00:08:09,523
HE WASN'T VERY GOOD
WITH THE PRESS.

173
00:08:09,557 --> 00:08:11,725
WE INVITED HIM
TO OLD-TIMERS' DAY

174
00:08:11,759 --> 00:08:13,694
EVERY YEAR
SINCE HE RETIRED --

175
00:08:13,727 --> 00:08:17,297
THAT'S NINE YEARS --
AND HE NEVER RSVP'd ONCE.

176
00:08:17,330 --> 00:08:19,867
LOOK, HE MIGHT NOT
EVEN WANT TO DO THIS,
YOU KNOW WHAT I'M SAYING?

177
00:08:19,900 --> 00:08:21,569
NO.
WHAT ARE YOU SAYING?

178
00:08:21,602 --> 00:08:24,237
I'M JUST SAYING...

179
00:08:24,271 --> 00:08:25,839
"STAN ROSS DAY."

180
00:08:25,873 --> 00:08:29,342
RETIRE HIS NUMBER.

181
00:08:29,376 --> 00:08:31,545
THE FANS, MAN.

182
00:08:38,686 --> 00:08:39,853
DID HE GO FOR IT?

183
00:08:41,354 --> 00:08:43,891
{\an8}<i>DID YOU HIT HIM</i>
<i>WITH THE FANS BIT?</i>

184
00:08:43,924 --> 00:08:46,827
HOW ABOUT THE PART WHERE
YOU SAY YOU DIDN'T KNOW
IF I WOULD DO IT?

185
00:08:46,860 --> 00:08:49,830
BOCA, I SWEAR,
WHEN YOU GET TO GOING,

186
00:08:49,863 --> 00:08:51,464
YOU CAN TALK A STRIPE
OFF A ZEBRA.

187
00:08:51,699 --> 00:08:52,700
MONSTROUS.

188
00:08:57,537 --> 00:09:00,340
{\an8}<i>Man: AND WELCOME</i>
<i>TO BEAUTIFUL MILLER PARK.</i>

189
00:09:00,373 --> 00:09:04,745
{\an8}<i>LADIES AND GENTLEMEN, WE'RE</i>
<i>HERE TODAY TO RETIRE NUMBER 21,</i>

190
00:09:04,778 --> 00:09:08,381
{\an8}<i>WORN BY ONE OF THE BREWERS'</i>
<i>ALL-TIME GREATS.</i>

191
00:09:08,415 --> 00:09:10,618
{\an8}<i>SEVEN TIMES AN ALL-STAR,</i>

192
00:09:10,651 --> 00:09:14,688
{\an8}<i>A MEMBER OF THAT EXCLUSIVE</i>
<i>3,000-BASE-HIT CLUB,</i>

193
00:09:14,722 --> 00:09:16,890
THE WIZARD OF WOOD,

194
00:09:16,924 --> 00:09:18,592
{\an8}<i>THE COUNT OF CONTACT,</i>

195
00:09:18,626 --> 00:09:20,560
{\an8}<i>AND THE KING OF THE SWING,</i>

196
00:09:20,594 --> 00:09:25,032
MILWAUKEE'S OWN MR. 3000,
STAN ROSS!

197
00:09:34,775 --> 00:09:36,877
WOW!

198
00:09:36,910 --> 00:09:38,311
DAMN!

199
00:09:38,345 --> 00:09:39,747
I STILL LOOK GOOD.

200
00:10:00,533 --> 00:10:02,970
{\an8}<i>HE HASN'T LOST HIS TOUCH,</i>
<i>HAS HE?</i>

201
00:10:03,003 --> 00:10:07,507
{\an8}<i>AND JOINING US TODAY</i>
<i>TO PAY TRIBUTE TO STAN,</i>

202
00:10:07,540 --> 00:10:13,480
{\an8}<i>LET'S WELCOME FORMER TEAMMATE</i>
<i>BILL "BIG HORSE" BERELLI.</i>

203
00:10:13,513 --> 00:10:15,615
WHO?

204
00:10:17,050 --> 00:10:19,853
I THINK HE PLAYED WITH YOU
A COUPLE OF MONTHS IN '79.

205
00:10:19,887 --> 00:10:22,589
HE WAS A MIDDLE RELIEVER.

206
00:10:22,622 --> 00:10:25,092
{\an8}<i>Berelli: THANK YOU,</i>
<i>LADIES AND GENTLEMEN.</i>
WHAT HAPPENED
TO PAUL MOLITOR, MAN?

207
00:10:25,125 --> 00:10:28,295
ROBIN YOUNT? CECIL COOPER?
WHAT HAPPENED TO THEM?
THEY DECLINED.

208
00:10:28,328 --> 00:10:31,431
A PLEASURE TO BE BACK HERE
IN MILWAUKEE.
WE'RE LUCKY WE GOT HIM.

209
00:10:31,464 --> 00:10:32,833
YOU KNOW,
A LOT OF PEOPLE SAID

210
00:10:32,866 --> 00:10:36,770
THAT STAN ONLY
LOOKED OUT FOR HIMSELF,

211
00:10:36,804 --> 00:10:39,439
THAT HE WASN'T A TEAM PLAYER.

212
00:10:39,472 --> 00:10:43,944
{\an8}<i>BUT I'M HERE TO TELL YOU,</i>
<i>IF -- IF YOU GOT 3,000 HITS,</i>

213
00:10:43,977 --> 00:10:45,813
YOU DON'T HAVE TO BE
A TEAM PLAYER.

214
00:10:45,846 --> 00:10:46,880
WHAT?

215
00:10:46,914 --> 00:10:50,450
{\an8}<i>IF YOU HAVE A LIFETIME</i>
<i>.314 AVERAGE,</i>

216
00:10:50,483 --> 00:10:52,652
YOU DON'T HAVE TO BE
A GOOD GUY.

217
00:10:52,853 --> 00:10:56,523
IF YOU LEAD THE LEAGUE
IN BATTING FOR THREE YEARS,

218
00:10:56,556 --> 00:10:59,659
YOU CAN BE THE BIGGEST JERK
IN THE WORLD.

219
00:11:01,729 --> 00:11:03,563
H-HE LAUGHIN', MAN.
HE LAUGHIN'.

220
00:11:05,999 --> 00:11:09,036
SO ON BEHALF OF ALL OF US
WHO PLAYED ALONGSIDE OF YOU,

221
00:11:09,069 --> 00:11:12,472
CONGRATULATIONS.

222
00:11:12,505 --> 00:11:14,975
GO ON, GO ON, GO ON,
GO ON, GO ON, MAN. GO ON.
YOU CAN'T HELP ME NOW.

223
00:11:15,008 --> 00:11:17,811
{\an8}<i>ALSO HERE WITH US TODAY --</i>
<i>YOU REMEMBER HIM WELL --</i>

224
00:11:17,845 --> 00:11:20,347
NUMBER 8, ANTHONY CARTER.

225
00:11:20,380 --> 00:11:22,716
ALL RIGHT, NOW, COME ON.
TELL THEM LIKE IT IS, BOCA.

226
00:11:22,750 --> 00:11:24,985
COME ON, BABY.
NOW WE'RE TALKIN'.

227
00:11:29,089 --> 00:11:31,091
ME AND STAN WERE TEAMMATES.

228
00:11:31,124 --> 00:11:32,860
MM-HMM.

229
00:11:34,094 --> 00:11:36,696
MAN, COULD HE
HIT THE BALL.

230
00:11:36,730 --> 00:11:38,065
TELL 'EM, BABY.

231
00:11:38,098 --> 00:11:40,000
AND I LOVED HIM FOR THAT.

232
00:11:40,033 --> 00:11:41,701
I LOVE YOU MORE.

233
00:11:49,609 --> 00:11:51,411
T-THAT'S IT?

234
00:11:51,611 --> 00:11:53,413
I'M TRYING TO GET
ENSHRINED, BOCA.

235
00:11:53,446 --> 00:11:54,915
THAT'S IT?
MAN, Y'ALL KILLIN' ME, MAN.

236
00:11:54,948 --> 00:11:56,683
{\an8}<i>ALL RIGHT, MILWAUKEE,</i>

237
00:11:56,716 --> 00:12:00,687
LET'S HEAR IT FOR OUR BREWERS
AND STAN ROSS!

238
00:12:10,931 --> 00:12:12,866
THANK YOU SO MUCH.

239
00:12:12,900 --> 00:12:14,868
FIRST OF ALL, I WANT
TO THANK YOU, MR. SCHEMBRI,

240
00:12:14,902 --> 00:12:17,437
{\an8}<i>AND THE ENTIRE</i>
<i>MILWAUKEE BREWERS ORGANIZATION.</i>

241
00:12:17,470 --> 00:12:20,107
AND TO MY MAIN MAN,
MY BEST FRIEND,

242
00:12:20,140 --> 00:12:22,709
BOCA CARTER,

243
00:12:22,742 --> 00:12:26,046
AND, UM,
TO YOU-ALL, OLD DONKEY.

244
00:12:26,079 --> 00:12:28,048
BIG HORSE!
WHATEVER!

245
00:12:28,081 --> 00:12:30,117
BUT MOST OF ALL,
I WANT TO THANK YOU-ALL --

246
00:12:30,150 --> 00:12:31,751
THE FANS.

247
00:12:31,919 --> 00:12:34,922
{\an8}<i>YOU WERE ALWAYS THERE FOR ME.</i>

248
00:12:34,955 --> 00:12:36,790
AND I KNOW FOR A FACT,

249
00:12:36,824 --> 00:12:38,959
IF IT WAS UP TO YOU,

250
00:12:38,992 --> 00:12:41,628
I'D HAVE BEEN IN THE HALL
OF FAME A LONG TIME AGO.

251
00:12:43,163 --> 00:12:46,066
{\an8}<i>BUT UNFORTUNATELY, IT'S UP</i>
<i>TO A BUNCH OF SPORTSWRITERS.</i>

252
00:12:47,801 --> 00:12:50,904
SOME METALHEAD HALF-ASSES.

253
00:12:50,938 --> 00:12:52,906
{\an8}<i>HOW THE HELL</i>
<i>DO YOU BAT 3,000</i>

254
00:12:52,940 --> 00:12:55,175
AND NOT BE SELECTED
INTO THE HALL OF FAME?

255
00:12:55,208 --> 00:12:57,777
WHAT TYPE OF BULLSHIT
IS THAT?!

256
00:12:58,711 --> 00:13:00,680
{\an8}<i>LET ME TELL YOU SOMETHING.</i>

257
00:13:00,713 --> 00:13:04,017
YOU-ALL BELIEVED IN ME
WHEN I WAS AT MY BEST.

258
00:13:04,051 --> 00:13:06,954
YOU-ALL BELIEVED IN ME
WHEN I WAS AT MY WORST.

259
00:13:06,987 --> 00:13:10,490
YOU --
THE FANS!

260
00:13:11,558 --> 00:13:13,927
{\an8}<i>THAT'S WHY I KNOW FOR A FACT</i>

261
00:13:13,961 --> 00:13:18,798
I CAN DEPEND ON YOU-ALL
TO BRING ME, STAN ROSS,

262
00:13:18,832 --> 00:13:20,834
TO COOPERSTOWN.

263
00:13:20,868 --> 00:13:22,469
I CAN HEAR
YOU SAY "STAN!"

264
00:13:22,502 --> 00:13:23,636
{\an8}<i>Crowd: STAN!</i>

265
00:13:23,837 --> 00:13:25,138
SAY "STAN ROSS"!

266
00:13:25,172 --> 00:13:26,673
{\an8}<i>STAN ROSS!</i>

267
00:13:26,874 --> 00:13:29,042
STAN ROSS!

268
00:13:29,076 --> 00:13:31,178
HE'S THE BOSS!

269
00:13:31,211 --> 00:13:32,812
SAY "HALL OF FAME"!

270
00:13:33,013 --> 00:13:33,981
{\an8}<i>"HALL OF FAME!"</i>

271
00:13:34,014 --> 00:13:35,883
DAMN SHAME!

272
00:13:35,916 --> 00:13:37,985
OVER HERE,
SAY, "HELL, YEAH"!

273
00:13:38,018 --> 00:13:39,119
HELL, YEAH!

274
00:13:39,152 --> 00:13:40,820
SAY, "HELL, YEAH"!

275
00:13:40,854 --> 00:13:41,989
HELL, YEAH!

276
00:13:42,022 --> 00:13:43,223
SAY, "YOU'RE THE MAN"!

277
00:13:43,256 --> 00:13:44,124
{\an8}<i>YOU'RE THE MAN!</i>

278
00:13:44,157 --> 00:13:46,059
LET ME HEAR IT AGAIN!

279
00:13:46,093 --> 00:13:47,160
{\an8}<i>YOU'RE THE MAN!</i>

280
00:13:47,560 --> 00:13:49,162
THEY LOVE ME.
{\an8}<i>YOU'RE THE MAN!</i>

281
00:14:17,257 --> 00:14:18,058
YOU GOT A MINUTE?

282
00:14:18,091 --> 00:14:20,027
HANG ON.
WHAT?

283
00:14:20,060 --> 00:14:21,728
YOU KNOW HOW WHEN WE THINK
SOMEBODY'S GONNA BE VOTED IN,

284
00:14:21,761 --> 00:14:23,897
WE RUN THE NUMBERS. YEAH.

285
00:14:23,931 --> 00:14:25,865
YOU KNOW, EVERY ONE OF THE WINS,
EVERY HOME RUN, EVERY {\an8}<i>HIT?</i>

286
00:14:26,033 --> 00:14:27,834
YEAH.
YEAH, WELL, WE WERE
RUNNING THAT FOR STAN ROSS --

287
00:14:27,867 --> 00:14:30,070
A LIST OF EVERY ONE
OF HIS 3,000 HITS.

288
00:14:30,103 --> 00:14:31,939
THERE'S AN ERROR.
ONE OF THE HITS
WAS AN ERROR?

289
00:14:31,972 --> 00:14:33,606
NO, ALL THE HITS
WERE HITS.

290
00:14:33,640 --> 00:14:35,675
THERE JUST AREN'T
3,000 OF THEM.

291
00:14:35,708 --> 00:14:37,244
OKAY.

292
00:14:37,277 --> 00:14:38,611
START OVER.

293
00:14:38,645 --> 00:14:40,280
OKAY, THERE WAS A GAME
IN MAY 1982

294
00:14:40,313 --> 00:14:42,582
THAT WAS CALLED FOR CURFEW. CURFEW.

295
00:14:42,615 --> 00:14:44,952
WHEN THEY FINISHED IN AUGUST,
THE HITS WERE RECORDED TWICE --

296
00:14:44,985 --> 00:14:47,720
ONCE IN MAY,
ONCE IN AUGUST.

297
00:14:47,754 --> 00:14:49,856
STAN ROSS HAD THREE HITS
IN THAT GAME.

298
00:14:49,889 --> 00:14:52,225
THAT MEANS THAT THREE
OF THE HITS DON'T COUNT.

299
00:14:52,259 --> 00:14:55,262
SO YOU'RE TELLING ME --
STAN ROSS, MR. 3000,

300
00:14:55,295 --> 00:14:59,099
HAS ONLY 2,997 HITS.
2,997 HITS.

301
00:14:59,132 --> 00:15:02,035
AND AS YAHKO TRIED TO ESCAPE
ACROSS THE ROPE BRIDGE,

302
00:15:02,069 --> 00:15:05,805
HE REALIZED THAT HE WAS TRAPPED
BY BOTH SIDES

303
00:15:05,838 --> 00:15:10,110
BY THE DREADED, EVIL BOARS.

304
00:15:10,143 --> 00:15:13,080
YAHKO KNEW HIS ONLY HOPE
WAS TO DO THE UNTHINKABLE,

305
00:15:13,246 --> 00:15:16,316
AND THAT WAS TO JUMP
FAR, FAR BELOW

306
00:15:16,749 --> 00:15:19,953
INTO THE RAGING, RAGING RIVER.

307
00:15:19,987 --> 00:15:21,321
HOLD ON, KIDS.

308
00:15:21,354 --> 00:15:22,789
HELLO?

309
00:15:23,623 --> 00:15:24,824
HEY --

310
00:15:24,857 --> 00:15:26,659
HEY, MAN, THE PRESS
IS EATING IT UP.

311
00:15:26,693 --> 00:15:28,161
{\an8}<i>WHAT HAPPENS TO YAHKO?</i>

312
00:15:28,195 --> 00:15:29,997
SHH, SHH, SHH, SHH.

313
00:15:30,030 --> 00:15:32,232
{\an8}<i>Children:</i>
<i>WHAT HAPPENED TO YAHKO?</i>
WHAT?

314
00:15:32,265 --> 00:15:36,069
{\an8}<i>WHAT HAPPENED TO YAHKO?</i>
<i>WHAT HAPPENED TO YAHKO?</i>

315
00:15:36,103 --> 00:15:37,971
SHUT UP!

316
00:15:38,005 --> 00:15:40,173
{\an8}<i>Boy:</i>
<i>I CAN'T BELIEVE YOU SAID THAT.</i>

317
00:15:41,141 --> 00:15:43,343
2,997?!

318
00:15:43,376 --> 00:15:44,844
MAN, THAT'S BULLSHIT!

319
00:15:44,877 --> 00:15:46,246
OH, MR. ROSS.
{\an8}<i>Children: OOH!</i>

320
00:15:46,279 --> 00:15:47,647
PLEASE, THE CHILDREN.

321
00:15:47,680 --> 00:15:49,016
MAN, HELL
WITH THE DOGGONE KIDS!

322
00:15:49,049 --> 00:15:50,984
YAHKO'S DEAD!

323
00:15:51,018 --> 00:15:55,188
{\an8}<i>Scott: THE HALL OF FAME VOTE</i>
<i>IS IN, AND STAN ROSS IS NOT.</i>

324
00:15:55,222 --> 00:15:57,324
{\an8}<i>THE ALWAYS-CONTROVERSIAL</i>
<i>EX-BREWER</i>

325
00:15:57,724 --> 00:16:00,260
{\an8}<i>HAD SLOWLY CREPT TO WITHIN</i>
<i>FOUR VOTES OF ENSHRINEMENT,</i>

326
00:16:00,293 --> 00:16:04,797
BUT THIS TIME
FINISHED 147 VOTES SHY,

327
00:16:04,831 --> 00:16:06,933
FOLLOWING A CORRECTION
IN THE RECORD BOOKS

328
00:16:06,966 --> 00:16:10,170
THAT LEFT HIM THREE HITS SHORT
OF THE MAGICAL 3,000.

329
00:16:10,370 --> 00:16:12,939
{\an8}<i>LOOKS LIKE STAN'S GONNA</i>
<i>HAVE TO WAIT TILL NEXT YEAR</i>
TURN IT OFF.

330
00:16:12,972 --> 00:16:14,774
{\an8}<i>TO WAIT TILL NEXT LIFE.</i>

331
00:16:14,807 --> 00:16:16,143
FROM THE GREEN --

332
00:16:24,684 --> 00:16:26,186
I CAN'T LET THEM
DO IT TO ME.

333
00:16:28,721 --> 00:16:31,224
I CAN'T LET THEM
TAKE AWAY MY LEGACY.

334
00:16:38,731 --> 00:16:39,666
{\an8}<i>* WATCH ME!</i>

335
00:16:40,500 --> 00:16:42,835
{\an8}<i>* WATCH ME!</i>

336
00:16:42,869 --> 00:16:44,137
{\an8}<i>* I GOT IT</i>

337
00:16:44,171 --> 00:16:45,805
{\an8}<i>* WATCH ME!</i>

338
00:16:45,838 --> 00:16:49,309
{\an8}<i>* I GOT IT,</i>
<i>HEY! ♪</i>

339
00:16:49,342 --> 00:16:53,980
{\an8}<i>* I GOT SOMETHIN' THAT MAKES ME</i>
<i>WANT TO SHOUT *</i>
<i>YOU LOVE ME BECAUSE I'M ONE</i>
<i>OF THE GREATEST HITTERS ALIVE.</i>

340
00:16:54,013 --> 00:16:57,884
{\an8}<i>* I GOT SOMETHIN' THAT TELLS ME</i>
<i>WHAT IT'S ALL ABOUT *</i>
YOU LOVE ME BECAUSE I'M ONE
OF THE GREATEST HITTERS ALIVE.

341
00:16:57,917 --> 00:17:00,920
{\an8}<i>* I GOT SOUL,</i>
<i>AND I'M SUPER BAD ♪</i>

342
00:17:00,953 --> 00:17:03,223
YOU LOVE ME BECAUSE I'M ONE
OF THE GREATEST HITTERS ALIVE.

343
00:17:03,256 --> 00:17:05,092
{\an8}<i>* I GOT SOUL</i>

344
00:17:06,859 --> 00:17:09,162
{\an8}<i>* AND I'M SUPER BAD</i>

345
00:17:09,196 --> 00:17:09,929
{\an8}<i>* I GOT IT</i>

346
00:17:10,130 --> 00:17:12,199
{\an8}<i>* HEY!</i>

347
00:17:13,366 --> 00:17:14,901
I'M BACK!

348
00:17:14,934 --> 00:17:16,703
{\an8}<i>THE KING WITH THE SWING,</i>

349
00:17:16,736 --> 00:17:18,405
THE RIGHT ARM
THEY CALL "THE GUN,"

350
00:17:18,438 --> 00:17:20,006
STAN ROSS.

351
00:17:20,039 --> 00:17:22,008
{\an8}<i>NITROGLYCERIN HIMSELF.</i>

352
00:17:22,041 --> 00:17:24,844
NUMBER 21, THE MAN WITH SWEETEST
SWING IN THE MAJOR LEAGUE,

353
00:17:24,877 --> 00:17:27,947
IS BACK.
YOU GOTTA BE JOKING.

354
00:17:27,980 --> 00:17:29,349
HOW OLD ARE YOU?

355
00:17:29,382 --> 00:17:30,750
50?

356
00:17:30,783 --> 00:17:32,885
47 AND GETTING YOUNGER.

357
00:17:32,919 --> 00:17:34,087
THAT'S WHY
I LOVE YOU, MAN.

358
00:17:37,090 --> 00:17:38,358
MAN, WHAT THE HELL --

359
00:17:38,391 --> 00:17:39,859
WHAT'S YOUR DAMN
PROBLEM, MAN?

360
00:17:39,892 --> 00:17:44,397
THAT WAS 4/10
OF A SECOND.

361
00:17:44,431 --> 00:17:46,866
{\an8}<i>THAT'S HOW MUCH TIME</i>
<i>YOU HAVE</i>

362
00:17:46,899 --> 00:17:48,868
AFTER THE BALL
LEAVES THE PITCHER'S HAND

363
00:17:48,901 --> 00:17:51,371
TO DECIDE WHETHER
IT'S A FASTBALL,

364
00:17:51,404 --> 00:17:53,906
A SPLIT-FINGER --
WAIT, WAIT, WAIT, WAIT.
HOLD ON, HOLD ON, HOLD ON.

365
00:17:53,940 --> 00:17:55,275
WHAT YOU KNOW
ABOUT THE GAME?

366
00:17:55,475 --> 00:17:56,876
YOU EVER PLAYED
IN THE MAJORS?

367
00:17:56,909 --> 00:17:58,745
FIGURES.
HE'S DRUNK.

368
00:17:58,778 --> 00:18:01,248
NO, I'VE JUST BEEN
A BREWERS FAN MY WHOLE LIFE

369
00:18:01,281 --> 00:18:04,083
WHILE YOU TREATED THE TEAM
AND THE FANS

370
00:18:04,117 --> 00:18:06,486
AND THE CITY LIKE DIRT.

371
00:18:12,359 --> 00:18:15,061
YO, BOCA, GET THIS MAN
ANOTHER BOTTLE.

372
00:18:15,094 --> 00:18:17,096
WELL, THANK YOU.
YOU'RE WELCOME.

373
00:18:17,130 --> 00:18:19,132
I APPRECIATE THAT.
NOW, I WANT YOU
TO TRY IT AGAIN.

374
00:18:19,332 --> 00:18:21,401
WHAT?
SEE, 'CAUSE LAST TIME
I WASN'T STANDING AT THE PLATE.

375
00:18:21,434 --> 00:18:23,836
COME ON, TRY IT AGAIN.

376
00:18:23,870 --> 00:18:24,804
{\an8}<i>YEAH.</i>

377
00:18:35,448 --> 00:18:37,250
BOCA.

378
00:18:37,284 --> 00:18:38,518
{\an8}<i>SEE THAT?</i>

379
00:18:38,551 --> 00:18:40,119
{\an8}<i>THREE MORE OF THESE,</i>

380
00:18:40,153 --> 00:18:41,588
THREE MORE HITS.

381
00:18:41,621 --> 00:18:45,292
AS I SAID BEFORE,
STAN ROSS IS BACK.

382
00:18:45,325 --> 00:18:46,793
BETTER TALK TO HIM, BOCA.

383
00:18:48,461 --> 00:18:51,431
LADIES AND GENTLEMEN,
NUMBER 21,

384
00:18:51,464 --> 00:18:53,966
{\an8}<i>THE GREAT, THE FANTASTIC,</i>

385
00:18:54,000 --> 00:18:55,902
{\an8}<i>MR. INCREDIBLE --</i>
<i>STAN.</i>

386
00:18:56,135 --> 00:18:58,438
{\an8}<i>Man: I THOUGHT</i>
<i>WHEN WE RETIRED HIS NUMBER,</i>

387
00:18:58,471 --> 00:19:00,440
{\an8}<i>WE WOULDN'T HAVE TO SEE</i>
<i>THAT PRICK ANYMORE.</i>

388
00:19:00,473 --> 00:19:02,041
{\an8}<i>Man
<i>HE'S A SENIOR CITIZEN.</i>

389
00:19:02,074 --> 00:19:03,943
{\an8}<i>DO YOU THINK</i>
<i>I WANT HIM HERE?</i>

390
00:19:03,976 --> 00:19:05,945
{\an8}<i>AND HE HASN'T PLAYED THE GAME</i>
<i>IN NINE YEARS.</i>

391
00:19:05,978 --> 00:19:08,047
{\an8}<i>IT'S NOT LIKE WE'RE IN</i>
<i>THE AMERICAN LEAGUE ANYMORE,</i>

392
00:19:08,248 --> 00:19:10,149
{\an8}<i>SO HE'S GOTTA PLAY</i>
<i>THE FIELD.</i>

393
00:19:10,183 --> 00:19:12,219
{\an8}<i>CAN HE EVEN HANDLE FIRST BASE</i>
<i>AT HIS AGE,</i>

394
00:19:12,252 --> 00:19:13,420
{\an8}<i>LET ALONE HIT?</i>

395
00:19:13,653 --> 00:19:15,355
FELLAS...

396
00:19:15,388 --> 00:19:18,358
WE ARE IN FIFTH PLACE,

397
00:19:18,391 --> 00:19:21,027
AND WE ARE NOT
DRAWING FLIES,

398
00:19:21,060 --> 00:19:24,297
AND WE'VE GOT TWO
VERY LONG MONTHS AHEAD OF US.

399
00:19:24,331 --> 00:19:26,633
{\an8}<i>THE BIGGEST CROWD</i>
<i>WE'VE HAD ALL YEAR</i>

400
00:19:26,666 --> 00:19:30,069
WAS THE DAY WE RETIRED
STAN'S NUMBER.

401
00:19:31,204 --> 00:19:32,905
NOW, WE GIVE HIM A PHYSICAL.

402
00:19:33,105 --> 00:19:35,308
GIVE HIM A MONTH
TO GET IN SHAPE.

403
00:19:35,342 --> 00:19:37,577
THEN AFTER THAT SEPTEMBER
ROSTER EXPANSION,

404
00:19:37,610 --> 00:19:40,179
IF HE'S UP TO IT,
WE PUT HIM IN THE LINEUP.

405
00:19:41,514 --> 00:19:43,483
BO, ALL I NEED IS A BAT.

406
00:19:43,516 --> 00:19:44,984
THAT'S IT, BABY.

407
00:19:45,017 --> 00:19:46,353
LOOK AT HIM.

408
00:19:46,386 --> 00:19:48,455
HE AIN'T GOT NO WAIST ON HIM.
HE GOT NOTHIN'.

409
00:19:49,689 --> 00:19:51,891
STAN ROSS. HEY.

410
00:19:51,924 --> 00:19:53,960
EDDIE RICHLING.
I'M THE CONDITIONING COACH.

411
00:19:55,962 --> 00:19:57,430
HE HERE
TO CARRY YOU HOME?

412
00:19:57,464 --> 00:19:59,065
THE ONLY THING
BOCA GONNA CARRY

413
00:19:59,098 --> 00:20:00,199
IS MY PLAQUE
TO THE HALL OF FAME.

414
00:20:00,233 --> 00:20:01,868
THAT'S WHY
I LOVE YOU, MAN.

415
00:20:01,901 --> 00:20:03,202
I LOVE YOU MORE, BABY.
OH, IS THAT RIGHT?

416
00:20:03,236 --> 00:20:04,404
THAT'S RIGHT.
HOW MANY PUSH-UPS
CAN YOU DO?

417
00:20:04,437 --> 00:20:06,172
ONE ARM OR TWO?

418
00:20:06,205 --> 00:20:08,408
WELL, I'LL TELL YOU WHAT, MAN,
LAST TIME I COUNTED, MAN,

419
00:20:08,441 --> 00:20:10,410
WHAT WAS IT,
ABOUT 40, 50?

420
00:20:12,445 --> 00:20:15,448
I GOT 5 BUCKS IN MY POCKET
SAYS YOU CAN'T GIVE ME 10.

421
00:20:15,482 --> 00:20:18,050
THAT'S EASY MONEY.
BACK UP, MAN.

422
00:20:18,217 --> 00:20:21,288
BOCA, YOU BETTER
HELP YOUR BOY DOWN.
HE DIDN'T HELP ME IN.

423
00:20:21,321 --> 00:20:23,055
COME ON,
LET'S SEE WHAT YOU GOT.

424
00:20:26,993 --> 00:20:28,428
OKAY, WELL, THAT'S ONE.

425
00:20:37,069 --> 00:20:38,237
HOW MANY IS THAT?

426
00:20:38,271 --> 00:20:40,407
OH, I DON'T KNOW.
I'D SAY 40, 50.

427
00:20:40,440 --> 00:20:41,941
THAT'S FOUR.

428
00:20:41,974 --> 00:20:43,410
COME ON, STAN.
YOU GOT THIS ONE.

429
00:20:47,580 --> 00:20:49,716
OH, OH, OH!
YOUR KNEE TOUCHED, MAN.

430
00:20:49,749 --> 00:20:51,117
THAT'S A GIRL PUSH-UP.
THAT DON'T COUNT.

431
00:20:51,150 --> 00:20:52,051
YOU SEE MY KNEE TOUCH,
BOCA?

432
00:20:52,084 --> 00:20:54,287
WELL, IT MIGHT HAVE, YEAH.

433
00:20:54,321 --> 00:20:56,556
BUT WHO SAID
GIRL PUSH-UPS DON'T COUNT?

434
00:20:56,589 --> 00:20:59,058
YEAH, WHO SAID
GIRL PUSH-UPS DON'T COUNT?

435
00:20:59,091 --> 00:21:01,127
HOW YOU WANT TO PAY ME,
CASH OR CHECK?

436
00:21:06,098 --> 00:21:09,001
OH, LOOK AT THEM
ARMS STARTING TO SHAKE.

437
00:21:09,035 --> 00:21:10,036
{\an8}<i>COME ON.</i>

438
00:21:10,269 --> 00:21:11,671
{\an8}<i>COME ON.</i>

439
00:21:13,039 --> 00:21:14,974
AAH! OOF!

440
00:21:15,007 --> 00:21:18,511
OKAY, STAN, NOW YOU READY
TO GET STARTED FOR REAL?

441
00:21:18,545 --> 00:21:21,047
{\an8}<i>MAN, WHAT TYPE OF SHIT</i>
<i>IS THIS?</i>

442
00:21:21,280 --> 00:21:23,650
HYDROSTATIC WEIGHING.

443
00:21:23,683 --> 00:21:26,986
IT'S HOW WE'RE GONNA
DETERMINE HOW MUCH BODY
FAT YOU REALLY HAVE.

444
00:21:27,186 --> 00:21:29,489
I DON'T NEED MY BALLS WASHED
TO TELL YOU HOW MUCH I WEIGH.

445
00:21:29,522 --> 00:21:31,257
{\an8}<i>HOLD YOUR BREATH, STAN.</i>

446
00:21:31,290 --> 00:21:33,626
THIS AIN'T NOTHIN'
BUT A SOUTHERN BAPTISM.

447
00:21:33,660 --> 00:21:35,695
IT'S CALLED
MODERN TECHNOLOGY, STAN.

448
00:21:35,728 --> 00:21:38,431
RECENTLY, THE BREWERS HAVE
INCORPORATED NEW METHODS

449
00:21:38,465 --> 00:21:40,967
OF TRAINING
INTO THEIR EXERCISE REGIMEN.

450
00:21:41,000 --> 00:21:43,603
WE'RE GONNA GET YOU STARTED
ON THIS BAD BOY.

451
00:21:43,636 --> 00:21:45,605
LOOK AT THIS.
MM-HMM.

452
00:21:45,638 --> 00:21:47,440
THIS LOOKS LIKE
SOME PUNISHMENT.

453
00:21:47,474 --> 00:21:49,476
{\an8}<i>ACTUALLY,</i>
<i>IT'S VERY GENTLE.</i>

454
00:21:49,509 --> 00:21:51,010
IT'S CALLED PILATES.

455
00:21:51,043 --> 00:21:52,144
PI-WHAT?

456
00:21:53,713 --> 00:21:55,482
BREATHE IN.

457
00:21:56,649 --> 00:21:58,518
OKAY, FEEL
THE EXTENSORS NOW.

458
00:21:58,551 --> 00:22:01,320
I FEEL LIKE FLIPPER.

459
00:22:01,354 --> 00:22:05,057
{\an8}<i>* YOUNG MAN, THERE'S NO NEED</i>
<i>TO FEEL DOWN *</i>
B, THAT'S WHAT
I'M TALKIN' ABOUT.

460
00:22:05,091 --> 00:22:07,159
{\an8}<i>* I SAID, YOUNG MAN,</i>
<i>PICK YOURSELF OFF THE GROUND *</i>
I'M GONNA START OFF REAL LIGHT,
ABOUT 463.

461
00:22:07,193 --> 00:22:09,729
UH, YOU CAN THROW 460 ON
IF YOU WANT TO, CHICKEN CHEST,

462
00:22:09,762 --> 00:22:11,263
BUT YOUR EQUIPMENT
IS RIGHT OVER THERE.

463
00:22:11,498 --> 00:22:14,300
{\an8}<i>* THERE'S NO NEED TO BE...</i>

464
00:22:14,333 --> 00:22:16,068
REMEMBER WHAT I TOLD YOU --
KEEP THAT ASS UP.

465
00:22:16,102 --> 00:22:17,570
{\an8}<i>* YOUNG MAN</i>
ALL RIGHT, PUSH!

466
00:22:17,604 --> 00:22:19,572
WHOA, WHERE YOU GOING?
GET BACK HERE.

467
00:22:19,606 --> 00:22:21,307
IS THIS A JOKE?

468
00:22:21,340 --> 00:22:23,175
IT'S ONLY A JOKE IF YOU THINK
WEAK ABS ARE FUNNY.

469
00:22:23,209 --> 00:22:24,811
FEEL IT
IN YOUR LATS?

470
00:22:24,844 --> 00:22:27,313
YOU ASK ME ABOUT MY LATS.
YEAH, I FEEL IT!

471
00:22:27,346 --> 00:22:29,081
MY SPINE AND MY BUTT, TOO!

472
00:22:29,115 --> 00:22:30,383
PUSH IT! PUSH IT!
PUSH IT!

473
00:22:30,417 --> 00:22:32,819
COME ON!
{\an8}<i>AAAAH!</i>

474
00:22:32,852 --> 00:22:41,661
{\an8}<i>* IT'S FUN TO STAY</i>
<i>AT THE Y.M.C.A. ♪</i>

475
00:22:41,694 --> 00:22:45,064
{\an8}<i>* THEY HAVE EVERYTHING</i>
<i>FOR YOU MEN TO ENJOY *</i>
<i>COME ON, NOW.</i>

476
00:22:45,097 --> 00:22:48,167
{\an8}<i>* YOU CAN HANG OUT</i>
<i>WITH ALL THE BOYS ♪</i>

477
00:22:48,200 --> 00:22:49,769
{\an8}<i>* IT'S FUN TO STAY</i>
<i>AT THE Y.M.C.A. *</i>
WHOA, WHOA, WHOA,
WHERE YOU GOING?

478
00:22:49,802 --> 00:22:52,038
GET BACK HERE.
GET BACK HERE.

479
00:22:52,071 --> 00:22:55,274
{\an8}<i>* IT'S FUN TO STAY</i>
<i>AT THE Y.M.C.A. ♪</i>

480
00:22:55,307 --> 00:22:57,477
WHOOOO! YEAH!

481
00:22:57,710 --> 00:23:00,613
{\an8}<i>* YOU CAN GET YOURSELF CLEAN,</i>
<i>YOU CAN HAVE A GOOD MEAL ♪</i>

482
00:23:00,647 --> 00:23:03,550
{\an8}<i>* YOU CAN DO</i>
<i>WHATEVER YOU FEEL ♪</i>

483
00:23:03,583 --> 00:23:04,584
{\an8}<i>STAND UP.</i>

484
00:23:04,617 --> 00:23:07,119
{\an8}<i>* Y.M.C.A.</i>
<i>SIT DOWN.</i>

485
00:23:07,153 --> 00:23:08,254
{\an8}<i>COME ON, NOW UP.</i>

486
00:23:08,287 --> 00:23:10,122
42.

487
00:23:10,156 --> 00:23:11,591
43.

488
00:23:11,624 --> 00:23:13,560
LOOK AT THIS BOY GO.
COME ON.

489
00:23:13,593 --> 00:23:15,695
LOOK AT YOUR BOY.
WHAT'S YOUR NAME?
STAN ROSS.

490
00:23:15,728 --> 00:23:17,396
TELL 'EM YOUR NAME.
STAN ROSS.

491
00:23:17,430 --> 00:23:18,731
WHO ARE YOU?
STAN ROSS!

492
00:23:19,098 --> 00:23:20,533
LOUDER!
THEY CALL ME THE BOSS.

493
00:23:20,567 --> 00:23:22,535
WHO?
'CAUSE I PAY THE COST.

494
00:23:22,569 --> 00:23:26,706
WHY?
'CAUSE I'M ST-A-A-AN ROSS!

495
00:23:26,739 --> 00:23:30,710
{\an8}<i>* YOU CAN GET YOURSELF CLEAN,</i>
<i>YOU CAN HAVE A GOOD MEAL ♪</i>

496
00:23:30,743 --> 00:23:32,579
{\an8}<i>* YOU CAN DO</i>
<i>WHATEVER YOU FEEL ♪</i>

497
00:23:32,612 --> 00:23:35,314
SO, TOMORROW, MAN,
YOU READY?

498
00:23:35,347 --> 00:23:38,485
GAME'S CHANGED A LOT
SINCE WE LAST PLAYED.

499
00:23:38,685 --> 00:23:40,319
I STILL SEE THE BALL.
I STILL HIT THE BALL.

500
00:23:40,352 --> 00:23:42,254
MM-HMM.

501
00:23:42,288 --> 00:23:43,656
ALL DAY.

502
00:23:45,424 --> 00:23:47,193
BUT I DO MISS PLAYIN'.

503
00:23:48,528 --> 00:23:51,097
I KNOW I ALWAYS SAID
I DIDN'T, BUT I DO.

504
00:23:52,932 --> 00:23:55,735
AIN'T NOTHIN' LIKE HITTIN'
IN THE MAJOR LEAGUES...

505
00:23:55,768 --> 00:23:58,337
BEIN' A PART
OF THAT GREAT TRADITION.

506
00:23:59,606 --> 00:24:01,340
I NEVER FELT THAT TYPE
OF RESPECT

507
00:24:01,373 --> 00:24:03,342
THAT I FELT
ON THE BALL FIELD --

508
00:24:03,375 --> 00:24:05,111
THAT KIND OF ATTENTION.

509
00:24:06,779 --> 00:24:09,782
OH, SHOOT,
THAT REMINDS ME.

510
00:24:09,816 --> 00:24:11,818
YOU GOT A CALL
THIS AFTERNOON.

511
00:24:12,218 --> 00:24:14,821
SOME AD-AGENCY GUY
FROM NEW YORK.

512
00:24:15,221 --> 00:24:16,455
ENDORSEMENT?

513
00:24:16,489 --> 00:24:17,690
WAS IT REEBOK?

514
00:24:18,691 --> 00:24:20,359
IT'S NOT REEBOK.

515
00:24:20,392 --> 00:24:22,394
ADIDAS OR NIKE?

516
00:24:23,796 --> 00:24:25,565
VIAGRA.

517
00:24:26,332 --> 00:24:27,600
WHAT?

518
00:24:27,634 --> 00:24:30,870
VIAGRA, MAN.
YOU'D BE THE SPOKESMAN.

519
00:24:30,903 --> 00:24:33,205
I AIN'T GONNA BE NO DAMN
SPOKESMAN FOR NO VIAGRA.

520
00:24:34,507 --> 00:24:37,276
I CAN STILL
SWING MY BAT, BO.

521
00:24:38,511 --> 00:24:40,146
{\an8}<i>Man:</i>
<i>YOU READY TO ROLL HERE?</i>

522
00:24:41,247 --> 00:24:44,784
{\an8}<i>OKAY, THE MILWAUKEE BREWERS</i>

523
00:24:44,817 --> 00:24:48,821
ARE PLEASED TO BE ABLE TO HELP
A MEMBER OF THE BREWER FAMILY

524
00:24:48,855 --> 00:24:51,691
RECLAIM HIS RIGHTFUL PLACE
IN BASEBALL HISTORY.

525
00:24:51,724 --> 00:24:55,394
{\an8}<i>SO IT IS WITH GREAT PRIDE</i>
<i>THAT I INTRODUCE TO YOU</i>

526
00:24:55,427 --> 00:24:59,866
{\an8}<i>THE ONCE AND FUTURE MR. 3000,</i>
<i>STAN ROSS.</i>

527
00:24:59,899 --> 00:25:01,668
THANK YOU.

528
00:25:04,904 --> 00:25:06,405
THANK YOU, MR. SCHEMBRI,

529
00:25:06,438 --> 00:25:09,208
AND TO THE MILWAUKEE BREWERS ORGANIZATION.

530
00:25:09,241 --> 00:25:10,877
AND I PROMISE YOU,
IT WON'T BE LIKE LAST TIME

531
00:25:10,910 --> 00:25:12,645
WHEN I'M IN FRONT
OF THE MICROPHONE

532
00:25:12,679 --> 00:25:13,813
WITH ALL THAT CUSSIN'
AND SHIT, YOU KNOW?

533
00:25:15,014 --> 00:25:17,383
HEY, STAN. STAN.
{\an8}<i>YES?</i>

534
00:25:17,416 --> 00:25:19,686
{\an8}<i>IS THIS ONLY ABOUT</i>
<i>GETTING BACK TO 3,000 HITS,</i>

535
00:25:19,719 --> 00:25:21,520
OR DO YOU TRULY BELIEVE
YOU CAN HELP MAKE THE BREWERS

536
00:25:21,721 --> 00:25:23,522
MORE COMPETITIVE
ON THE FIELD?

537
00:25:23,556 --> 00:25:25,257
HOW COULD I NOT MAKE THEM
MORE COMPETITIVE?

538
00:25:25,291 --> 00:25:26,726
LET ME BE A LITTLE BIT
POLITE HERE.

539
00:25:26,759 --> 00:25:28,761
THE MILWAUKEE BREWERS
ARE WEAK.

540
00:25:28,961 --> 00:25:30,730
{\an8}<i>Man:</i>
<i>HERE WE GO.</i>
<i>WHO THEY GOT?</i>

541
00:25:30,930 --> 00:25:34,266
THEY'RE A LITTLE LEAGUE TEAM.
YOU ALL KNOW IT.

542
00:25:34,466 --> 00:25:37,770
THEY NEED ME.
{\an8}<i>HOW DO YOU THINK YOU'LL ADJUST</i>
<i>TO THE CONTEMPORARY GAME?</i>

543
00:25:37,804 --> 00:25:40,673
YOU EVER HEARD OF HAROLD MELVIN
and THE BLUE NOTES?

544
00:25:40,707 --> 00:25:42,274
EARTH, WIND and FIRE?

545
00:25:42,308 --> 00:25:45,277
SOME THINGS
JUST ALWAYS PLAY WELL.

546
00:25:45,311 --> 00:25:47,379
{\an8}<i>A LITTLE "OLD SCHOOL" IS</i>
<i>EXACTLY WHAT THIS TEAM NEEDS.</i>

547
00:25:47,413 --> 00:25:49,348
{\an8}<i>YOU NERVOUS?</i>
<i>WHAT IF YOU DON'T HIT?</i>

548
00:25:49,381 --> 00:25:50,617
WHAT'S THAT?

549
00:25:50,650 --> 00:25:53,519
{\an8}<i>I SAID,</i>
<i>"WHAT IF YOU DON'T HIT?"</i>

550
00:25:53,552 --> 00:25:55,554
IF ALL THIS TALK
IS JUST TALK,

551
00:25:55,755 --> 00:25:57,690
{\an8}<i>AND IT BECOMES OBVIOUS</i>
<i>THAT YOU'RE HURTING THE TEAM,</i>

552
00:25:57,724 --> 00:25:59,626
WILL YOU TAKE YOURSELF
OUT OF THE LINEUP?

553
00:25:59,659 --> 00:26:01,694
I SAID I'M GONNA HIT.

554
00:26:01,728 --> 00:26:03,763
AND WHEN I SAY
I'M GONNA DO SOMETHING, I DO IT.

555
00:26:03,796 --> 00:26:05,431
THAT'S NOT ALWAYS
HOW IT WORKS.

556
00:26:05,464 --> 00:26:06,899
WELL, IT IS FOR ME.

557
00:26:06,933 --> 00:26:08,534
NOT THE WAY I REMEMBER.

558
00:26:08,567 --> 00:26:10,369
{\an8}<i>WELL, MAYBE</i>
<i>YOU REMEMBER SOMETHING</i>

559
00:26:10,402 --> 00:26:11,738
YOU THOUGHT I SAID
I WAS GONNA DO,

560
00:26:11,771 --> 00:26:13,873
BUT DIDN'T SAY
I WAS GONNA DO IT,

561
00:26:13,906 --> 00:26:16,776
'CAUSE I COLD-BLOOD DO
EVERYTHING I SAY I'M GONNA DO.

562
00:26:16,809 --> 00:26:18,878
IS THAT THE WAY YOU WERE RAISED?

563
00:26:18,911 --> 00:26:21,380
{\an8}<i>STRAIGHT UP AND DOWN,</i>
<i>LIKE 6:00.</i>

564
00:26:21,413 --> 00:26:24,283
SO WHAT DOES YOUR MAMA
THINK ABOUT ALL THIS
COMEBACK FOOLISHNESS?

565
00:26:24,316 --> 00:26:26,719
W-W-WHY ARE WE GETTING
ON THIS MAMA STUFF?

566
00:26:26,753 --> 00:26:27,654
{\an8}<i>OKAY, OKAY, OKAY,</i>
<i>THAT'S IT FOR TODAY, FOLKS.</i>

567
00:26:27,687 --> 00:26:28,988
THANK YOU VERY MUCH.

568
00:26:29,021 --> 00:26:30,990
{\an8}<i>Man: JUST GET</i>
<i>ONE MORE QUESTION, SIR.</i>

569
00:26:31,023 --> 00:26:32,692
GET IN LINE.

570
00:26:33,926 --> 00:26:35,962
YOU REALLY NAILED HIM
ON THAT ONE.

571
00:26:36,829 --> 00:26:37,964
MAUREEN.

572
00:26:37,997 --> 00:26:40,266
HEY.

573
00:26:40,299 --> 00:26:41,467
WHAT YOU DOING HERE?

574
00:26:41,500 --> 00:26:43,402
WHAT DO YOU THINK?

575
00:26:43,435 --> 00:26:45,304
I'M COVERING THE STORY
FOR ESPN.

576
00:26:45,337 --> 00:26:46,739
UH-HUH.
WHY YOU, THOUGH?

577
00:26:46,773 --> 00:26:49,809
THEY SENT ME.

578
00:26:49,842 --> 00:26:52,411
JUST BY CHANCE,
YOU AIN'T HERE TO SEE ME?

579
00:26:52,444 --> 00:26:54,613
NO, I'M ON ASSIGNMENT.

580
00:26:54,647 --> 00:26:56,983
THEY ASKED ME TO COVER A STORY,
SO I'M COVERING IT, PERIOD.

581
00:26:59,986 --> 00:27:01,788
I'LL SEE YOU
AT THE BALL PARK.

582
00:27:02,789 --> 00:27:05,357
MO, MO, MO, MO.
WAIT, WAIT.

583
00:27:06,826 --> 00:27:08,661
HOW ABOUT AN EXCLUSIVE?

584
00:27:09,696 --> 00:27:10,629
UH-HUH.

585
00:27:10,797 --> 00:27:12,765
SEE?

586
00:27:12,799 --> 00:27:14,466
YOU AND ME?

587
00:27:14,500 --> 00:27:16,635
HUH?

588
00:27:19,672 --> 00:27:21,974
SO YOU THINK YOU'LL GET THREE
HITS IN YOUR FIRST THREE AT-BATS

589
00:27:22,341 --> 00:27:23,609
AND GET THIS THING
OVER WITH?

590
00:27:23,642 --> 00:27:26,645
COME ON, MO,
I'M 47 YEARS OLD.

591
00:27:26,679 --> 00:27:28,815
IT'LL PROBABLY TAKE ME MAYBE...

592
00:27:28,981 --> 00:27:30,016
FOUR AT-BATS.

593
00:27:32,651 --> 00:27:34,520
YOU'RE ONE OF A KIND,
STAN ROSS.

594
00:27:34,553 --> 00:27:36,522
{\an8}<i>THANK YOU FOR SITTING DOWN</i>
<i>WITH US.</i>

595
00:27:36,555 --> 00:27:37,489
GOOD LUCK TONIGHT.

596
00:27:37,523 --> 00:27:38,791
THANK YOU.

597
00:27:38,825 --> 00:27:42,895
THAT'S IT. THANKS, GUYS.
THAT'S A WRAP.

598
00:27:42,929 --> 00:27:44,964
THAT WASN'T TOO BAD, NOW,
WAS IT?
THAT WAS GREAT.

599
00:27:44,997 --> 00:27:46,665
AFTER I GET MY HITS TODAY,

600
00:27:46,699 --> 00:27:48,500
YOU WANT TO COME BY
THE HOUSE AND CELEBRATE?

601
00:27:48,534 --> 00:27:51,738
YOU KNOW, YOU BETTER KEEP
YOUR MIND ON THE GAME, MR. 3000.

602
00:27:51,771 --> 00:27:54,140
YOU THINKIN', EH?

603
00:27:54,173 --> 00:27:55,875
WELL, WE'LL SEE
IN A FEW HOURS, WON'T WE?

604
00:28:02,548 --> 00:28:04,884
STAN, YOU DA MAN.

605
00:28:04,917 --> 00:28:06,819
LIVIN' LEGEND, BABY.

606
00:28:06,853 --> 00:28:10,389
YES, SIR, ALL YOU GOT TO DO
IS WALK UP IN THERE

607
00:28:10,422 --> 00:28:12,458
AND TAKE THOSE YOUNGSTERS
TO SCHOOL.

608
00:28:13,692 --> 00:28:15,661
HEY, OH, GOOD.
BUDDY, BUDDY, COME HERE.

609
00:28:15,694 --> 00:28:18,164
{\an8}<i>HELP ME OUT, PLEASE.</i>
<i>THIS ZIPPER!</i>

610
00:28:18,197 --> 00:28:19,498
UH, HEY,
CAN YOU GIVE ME A HAND?

611
00:28:19,531 --> 00:28:21,533
YOU BEST MEAN HANDSHAKE.

612
00:28:23,102 --> 00:28:24,771
YOU'RE STAN ROSS.

613
00:28:24,804 --> 00:28:26,939
STAN! STAN! HUGE FAN.
YOU GOTTA HELP ME OUT.

614
00:28:26,973 --> 00:28:28,841
YOU GOTTA UNZIP ME.
I'M GONNA TELL ALL MY BUDDIES.

615
00:28:28,875 --> 00:28:30,877
"STAN ROSS
UNZIPPED MY PANTS."

616
00:28:31,043 --> 00:28:32,444
YOU CRAZY.

617
00:28:32,478 --> 00:28:34,380
OH, CRAZY?
THINKIN' I'M CRAZY?

618
00:28:34,413 --> 00:28:36,448
{\an8}<i>WHERE IS HE?</i>

619
00:28:36,482 --> 00:28:37,850
STAN, STAN, STAN, STAN.

620
00:28:37,884 --> 00:28:39,718
LET ME TELL YOU SOMETHING,
STAN -- I AIN'T CRAZY!

621
00:28:39,752 --> 00:28:41,420
CRAZY FOR ASKING YOU
TO GIVE ME A HAND!

622
00:28:54,566 --> 00:28:56,735
{\an8}<i>Woman: YEAH, GOOD LUCK</i>
<i>ON TONIGHT'S GAME.</i>

623
00:29:01,473 --> 00:29:03,876
HA HA,
NOW THIS SHIT IS ALL RIGHT.

624
00:29:03,910 --> 00:29:06,478
{\an8}<i>UH-HUH, SOUND EFFECTS</i>
<i>COULD BE A LITTLE BIT LOUDER</i>

625
00:29:06,512 --> 00:29:07,947
WHEN A BROTHER HIT, THOUGH.

626
00:29:07,980 --> 00:29:10,482
THAT SHIT SHOULD SOUND
LIKE A CANNON!

627
00:29:14,253 --> 00:29:15,687
{\an8}<i>MR. ROSS.</i>

628
00:29:17,123 --> 00:29:18,557
I'M RICK,
THE CLUBHOUSE ASSISTANT.

629
00:29:18,590 --> 00:29:20,726
JUST STAN.
I'M JUST STAN.

630
00:29:20,759 --> 00:29:23,129
ALL RIGHT. THAT'S YOUR LOCKER
RIGHT OVER THERE.
{\an8}<i>THANK YOU.</i>

631
00:29:23,162 --> 00:29:24,831
{\an8}<i>Man on television:</i>
<i>THE ARIZONA DIAMONDBACKS</i>

632
00:29:24,864 --> 00:29:26,532
{\an8}<i>AND THE MILWAUKEE BREWERS.</i>

633
00:29:28,801 --> 00:29:30,669
{\an8}<i>GO AHEAD, MAN,</i>
<i>IT'S IN MY LOCKER.</i>

634
00:30:10,142 --> 00:30:11,944
I'M STAN ROSS.

635
00:30:11,978 --> 00:30:14,981
{\an8}<i>I KNOW VERY WELL</i>
<i>WHO YOU ARE.</i>

636
00:30:15,014 --> 00:30:18,650
I GREW UP WATCHING YOUR
EXCELLENT PLAY ON TELEVISION.

637
00:30:18,851 --> 00:30:21,587
YOU ARE HERO TO MANY
YOUNG JAPANESE PLAYERS.

638
00:30:24,056 --> 00:30:26,625
BUT YOU HAVE HOLE
IN YOUR ASS.

639
00:30:26,658 --> 00:30:28,294
HOLE IN MY ASS?

640
00:30:29,728 --> 00:30:31,864
{\an8}<i>WHAT'S HIS PROBLEM?</i>
THAT'S FUKUDA.

641
00:30:31,898 --> 00:30:34,033
HE WAS TAUGHT ENGLISH
PRETTY GOOD IN SCHOOL IN JAPAN,

642
00:30:34,066 --> 00:30:36,502
BUT THEY NEVER TAUGHT HIM
TO CUSS WORTH A DAMN.

643
00:30:36,535 --> 00:30:38,170
BUT WHY HE CUSS ME OUT?
I AIN'T NEVER DID
NOTHIN' TO HIM.

644
00:30:38,537 --> 00:30:41,007
BROTHER, YOU'RE LOOKING
AT 25 LITTLE LEAGUERS IN HERE

645
00:30:41,040 --> 00:30:42,641
WHO ALL WANT TO GIVE YOU
AN ASS-WHUPPING.

646
00:30:42,674 --> 00:30:45,177
{\an8}<i>OH, 6-3!</i>
<i>6-3, MAN!</i>

647
00:30:45,211 --> 00:30:46,845
6-4.

648
00:30:46,879 --> 00:30:48,814
{\an8}<i>YOU'RE RIGHT, 6-4.</i>
<i>I WAS TRYING TO CHEAT.</i>

649
00:30:48,847 --> 00:30:50,917
MINADEO, SKILLETT --
SECOND AND SHORT.

650
00:30:50,950 --> 00:30:53,319
THEY'LL GO AT IT
OVER ANYTHING.

651
00:30:53,352 --> 00:30:55,854
{\an8}<i>WHAT ARE YOU TALKING ABOUT?</i>
<i>NO! THAT'S OUT --</i>
<i>THAT'S HALF OUT.</i>

652
00:30:55,888 --> 00:30:58,724
IT ALL GOT TO BE
IN THE BASKET.
IT HALF WENT IN.

653
00:30:58,925 --> 00:31:00,692
{\an8}<i>IT HAS TO GO IN,</i>
<i>ALL OF IT.</i>
<i>SKILLETT, YOU'RE ALWAYS</i>
<i>TRYING TO PULL THIS.</i>

654
00:31:00,726 --> 00:31:02,061
WHAT DO YOU SAY, GRANDPA?
DOES THAT COUNT?

655
00:31:02,094 --> 00:31:03,662
GRANDPA?

656
00:31:03,695 --> 00:31:04,897
{\an8}<i>Man:</i>
<i>HERE IT IS.</i>
UH-OH. LINEUP!

657
00:31:07,699 --> 00:31:10,102
BASE HIT,
DINNER'S ON ME.

658
00:31:10,136 --> 00:31:12,738
AH, YES!
NOW BATTING LEADOFF.

659
00:31:12,771 --> 00:31:15,174
{\an8}<i>SKILLS THAT PAY THE BILLS.</i>

660
00:31:15,207 --> 00:31:17,043
{\an8}<i>WHOO!</i>

661
00:31:26,052 --> 00:31:29,255
{\an8}<i>WAS PANAS HERE YET</i>
<i>BACK WHEN YOU WERE PLAYING?</i>

662
00:31:29,288 --> 00:31:31,123
YEAH, HE WAS HERE.

663
00:31:31,157 --> 00:31:33,125
BUT I DON'T THINK I WAS
ONE OF HIS FAVORITES, THOUGH.

664
00:31:33,159 --> 00:31:35,594
{\an8}<i>STAN ROSS, YOU BAT EIGHTH!</i>
<i>HA HA!</i>

665
00:31:35,627 --> 00:31:38,230
EIGHTH?
THAT'S FOR BANJO HITTERS.

666
00:31:38,264 --> 00:31:40,699
MAN, I NEVER BATTED LOWER
THAN FIFTH IN MY LIFE.

667
00:31:40,732 --> 00:31:42,935
{\an8}<i>YOU BAT THAT NOW,</i>
<i>YOU SON OF MY DICK.</i>

668
00:31:42,969 --> 00:31:45,104
SON OF MY DICK?

669
00:32:37,956 --> 00:32:40,659
HEY, WHAT SIZE YOU SWINGING
OVER THERE, OLD SCHOOL?

670
00:32:41,727 --> 00:32:43,329
34 OUNCE,
LIKE I ALWAYS HAVE.

671
00:32:45,697 --> 00:32:47,366
YOU SURE YOU CAN STILL GET
AROUND WITH THAT

672
00:32:47,399 --> 00:32:49,101
AT YOUR OLD AGE?

673
00:32:49,135 --> 00:32:51,103
DON'T YOU WORRY ABOUT ME.

674
00:32:51,137 --> 00:32:53,105
I'VE BEEN SWINGING
THIS THING SWEET

675
00:32:53,139 --> 00:32:54,873
BEFORE YOU KNEW WHICH SIDE
OF THE BAT WAS THE GOOD END.

676
00:32:57,976 --> 00:32:59,145
WHOO!

677
00:33:03,015 --> 00:33:04,783
YEAH,
I SWING A 36 MYSELF.

678
00:33:04,816 --> 00:33:05,817
YEAH, BIG TALK.

679
00:33:07,153 --> 00:33:09,321
I GOT A HAMMER MY DAMN SELF.

680
00:33:10,089 --> 00:33:11,357
WHEW.

681
00:33:11,390 --> 00:33:12,758
COME ON, COACH.

682
00:33:15,394 --> 00:33:17,363
{\an8}<i>Man:</i>
<i>ROSS, YOU SUCK!</i>

683
00:33:19,365 --> 00:33:21,833
HOW'S IT FEEL, STAN?

684
00:33:21,867 --> 00:33:24,370
{\an8}<i>HOW ABOUT AN INTERVIEW</i>
<i>AFTER THE GAME?</i>
<i>HOW YOU FEEL</i>
<i>PHYSICALLY, STAN?</i>

685
00:33:24,403 --> 00:33:26,172
COME ON, NOW, DON'T DISTRACT ME
WHEN I'M HITTIN'.

686
00:33:27,339 --> 00:33:29,007
HITTING'S MY BUSINESS.

687
00:33:36,014 --> 00:33:39,685
THAT'S WHAT
I'M TALKIN' ABOUT.
{\an8}<i>YEAH, THERE YOU GO.</i>
<i>LOOKIN' GOOD, STAN.</i>

688
00:33:39,718 --> 00:33:41,487
{\an8}<i>Man: STAN!</i>
<i>STILL THE WIZARD OF WOOD!</i>

689
00:33:41,520 --> 00:33:42,921
{\an8}<i>BINGO.</i>

690
00:33:44,190 --> 00:33:45,691
OH, YEAH.

691
00:33:45,724 --> 00:33:48,794
I'M ABOUT TO TAKE CARE
OF BUSINESS.

692
00:33:51,963 --> 00:33:53,865
{\an8}<i>Crowd:</i>
<i>CHARGE!</i>

693
00:33:56,068 --> 00:33:58,370
CHARGE!

694
00:33:59,938 --> 00:34:02,441
CHARGE!

695
00:34:04,210 --> 00:34:06,712
{\an8}<i>Announcer: BOTTOM OF THE THIRD,</i>
<i>AND THE CHEERS YOU HEAR --</i>

696
00:34:06,745 --> 00:34:08,947
AND THE BOOS,
FOR THAT MATTER --

697
00:34:08,980 --> 00:34:10,749
ARE FOR STAN ROSS.

698
00:34:10,949 --> 00:34:13,719
{\an8}<i>IT'S THE REASON</i>
<i>MOST OF THE 38,000-PLUS FANS</i>

699
00:34:13,752 --> 00:34:15,187
{\an8}<i>ARE HERE TONIGHT.</i>

700
00:34:18,124 --> 00:34:23,529
{\an8}<i>Man onFIRST BASEMAN,</i>
<i>NUMBER 21, STAN ROSS.</i>

701
00:34:43,014 --> 00:34:44,750
THIS GUY THROWS
PRETTY HARD, POPS.

702
00:34:44,783 --> 00:34:46,418
IS THAT RIGHT?

703
00:34:46,452 --> 00:34:48,754
WELL, I HIT PRETTY HARD, SON.

704
00:34:53,825 --> 00:34:54,993
STRIKE ONE.

705
00:34:59,431 --> 00:35:02,000
COME ON, STAN.
BE AGGRESSIVE.

706
00:35:02,033 --> 00:35:03,269
I AM.

707
00:35:03,469 --> 00:35:04,903
JUST STAY FOCUSED.
KEEP YOUR EYE ON THE BALL.

708
00:35:04,936 --> 00:35:06,472
I'M LOOKING DEAD AT IT.

709
00:35:06,505 --> 00:35:07,105
I DON'T NEED YOU
TO TELL ME WHAT TO DO.

710
00:35:07,139 --> 00:35:08,174
COME ON IN.

711
00:35:08,374 --> 00:35:09,975
I'VE BEEN HERE BEFORE.

712
00:35:10,008 --> 00:35:12,010
THIS AIN'T
MY FIRST PICNIC, BABY.

713
00:35:15,447 --> 00:35:17,416
{\an8}<i>STRIKE!</i>
OOH! STAN WAS A HAIR OFF

714
00:35:17,449 --> 00:35:20,352
TIMING THAT BIG BREAKING BALL
FROM HAMILTON.

715
00:35:20,386 --> 00:35:22,354
{\an8}<i>OF COURSE, ALL SEASON LONG,</i>
<i>A LOT OF HITTERS,</i>

716
00:35:22,388 --> 00:35:24,423
{\an8}<i>WHO AREN'T 47 YEARS OLD,</i>

717
00:35:24,456 --> 00:35:26,525
{\an8}<i>HAVE BEEN FOOLED</i>
<i>BY HAMILTON.</i>

718
00:35:26,558 --> 00:35:28,494
AND WE'RE
THE LITTLE LEAGUERS?

719
00:35:29,995 --> 00:35:31,997
NOT SO AGGRESSIVE, BABY.

720
00:35:32,030 --> 00:35:33,832
WHEW. FOCUS.

721
00:35:37,002 --> 00:35:38,304
{\an8}<i>HE PLAYIN' TO YOU.</i>

722
00:35:38,337 --> 00:35:39,871
{\an8}<i>LET HIM PLAY TO YOU, BABY.</i>
<i>COME ON.</i>

723
00:35:40,972 --> 00:35:43,542
COME ON, STAN.
COME ON, BABY.

724
00:35:46,845 --> 00:35:48,113
STRIKE!

725
00:35:48,146 --> 00:35:50,115
{\an8}<i>Announcer:</i>
<i>INSIDE FASTBALL,</i>

726
00:35:50,148 --> 00:35:52,818
{\an8}<i>AND STAN ROSS IS OUT OF THERE</i>
<i>ON THREE STRAIGHT PITCHES.</i>

727
00:35:52,851 --> 00:35:55,287
{\an8}<i>IT LOOKS LIKE IT COULD BE</i>
<i>A LONG NIGHT</i>

728
00:35:55,321 --> 00:35:57,489
{\an8}<i>FOR THE KING OF SWING.</i>

729
00:36:07,533 --> 00:36:09,535
WHAT UP?
WELCOME TO "SportsCenter."

730
00:36:09,935 --> 00:36:11,903
STUART SCOTT WITH YOU.
WE GOT SOME MORE BASEBALL.

731
00:36:11,937 --> 00:36:13,505
BRAVES AND BREWERS.

732
00:36:13,539 --> 00:36:14,973
WHO CARES?

733
00:36:15,006 --> 00:36:16,308
WELL, STAN ROSS CARES.

734
00:36:16,342 --> 00:36:18,244
THE FIRST WEEK AT BAT

735
00:36:18,277 --> 00:36:20,346
WAS A LOT LIKE THE FIRST WEEK
OUT OF THE WOMB FOR STAN --

736
00:36:20,379 --> 00:36:21,980
A WHOLE LOT OF DROOLING

737
00:36:22,013 --> 00:36:23,849
AND A WHOLE LOT
OF JUST FLAILING AROUND

738
00:36:23,882 --> 00:36:25,551
FOR THE ERSTWHILE KING OF SWING.

739
00:36:25,584 --> 00:36:28,086
{\an8}<i>LET'S CHECK OUT THE HIGHLIGHTS.</i>

740
00:36:28,119 --> 00:36:30,522
{\an8}<i>WELL, STAN THE MAN</i>
<i>MORE LIKE STAN THE STATUE,</i>

741
00:36:30,922 --> 00:36:32,558
{\an8}<i>JUST CHILLIN' AT A CURVE</i>
<i>FOR STRIKE ONE.</i>

742
00:36:32,591 --> 00:36:35,227
{\an8}<i>NEXT PITCH --</i>
<i>NOW, WAIT A SECOND.</i>

743
00:36:35,261 --> 00:36:37,596
{\an8}<i>WHAT WAS IT THAT STAN SAID</i>
<i>ABOUT THE REST OF HIS TEAM?</i>

744
00:36:37,629 --> 00:36:39,665
THE MILWAUKEE BREWERS
ARE WEAK.

745
00:36:39,698 --> 00:36:41,032
WHO THEY GOT?

746
00:36:41,066 --> 00:36:43,101
THEY'RE
A LITTLE LEAGUE TEAM.

747
00:36:43,134 --> 00:36:44,035
THEY NEED ME.

748
00:36:44,069 --> 00:36:46,405
{\an8}<i>UH-HUH.</i>
<i>LITTLE LEAGUERS, HUH?</i>

749
00:36:46,438 --> 00:36:48,274
{\an8}<i>WELL, MY 9-YEAR-OLD, I THINK,</i>
<i>HAS A BETTER SWING</i>

750
00:36:48,307 --> 00:36:50,041
{\an8}<i>AND BETTER EYES THAN THAT.</i>

751
00:36:50,075 --> 00:36:52,544
{\an8}<i>OH! JUST CHILLIN'</i>
<i>AT A CALLED STRIKE THREE,</i>

752
00:36:52,578 --> 00:36:56,181
{\an8}<i>AND, WELL, THAT'LL GET YOU</i>
<i>SOME HALITOSIS ACTION.</i>

753
00:36:56,214 --> 00:36:59,084
{\an8}<i>YEAH, WHEN YOU GET JUST A</i>
<i>LITTLE TOO CLOSE TO THE UMPIRE.</i>

754
00:36:59,285 --> 00:37:01,587
{\an8}<i>STAN'S NOT DONE.</i>
<i>I THINK HE DECIDED TO DO A</i>
<i>LITTLE BIT OF SPRING CLEANING.</i>

755
00:37:01,987 --> 00:37:04,189
{\an8}<i>EITHER THAT,</i>
<i>OR HE JUST WANTS TO SYMBOLIZE</i>

756
00:37:04,222 --> 00:37:06,091
{\an8}<i>HOW WELL HE'S BEEN PLAYING.</i>

757
00:37:06,124 --> 00:37:08,126
{\an8}<i>YEAH, GARBAGE!</i>

758
00:37:08,159 --> 00:37:11,129
{\an8}<i>NOW, I'M NOT GONNA</i>
<i>SAY THAT EVERY BREWER</i>
<i>BUT STAN HAD A HIT,</i>

759
00:37:11,162 --> 00:37:14,633
BUT I AM GONNA SAY THAT EVERY
BREWER BUT STAN THAT {\an8}<i>PLAYED</i>

760
00:37:14,666 --> 00:37:16,101
HAD A HIT.

761
00:37:16,134 --> 00:37:17,536
OUR MAUREEN SIMMONS
WAS AT THE GAME

762
00:37:17,569 --> 00:37:19,271
AND HAD POSTGAME DUTY.

763
00:37:19,471 --> 00:37:23,074
NOT THE DAY STAN ROSS OR
THE MILWAUKEE FANS HAD IN MIND.

764
00:37:23,108 --> 00:37:26,044
WORD AROUND THE ORGANIZATION
IS THAT MANAGER GUS PANAS

765
00:37:26,077 --> 00:37:28,914
{\an8}<i>IS PARTICULARLY UNHAPPY HAVING</i>
<i>ROSS BACK IN THE LINEUP.</i>

766
00:37:28,947 --> 00:37:30,616
APPARENTLY HE
HASN'T FORGOTTEN THE WAY

767
00:37:30,649 --> 00:37:32,451
THAT STAN ABANDONED THE TEAM

768
00:37:32,484 --> 00:37:35,220
IN THE MIDDLE OF
THE PENNANT RACE NINE YEARS AGO.

769
00:37:35,253 --> 00:37:36,221
STUART.

770
00:37:36,254 --> 00:37:39,257
{\an8}<i>THE PRESS IS HAVING</i>
<i>A FIELD DAY.</i>

771
00:37:39,291 --> 00:37:41,627
HEY, THEY'RE JUST
GETTING EVEN WITH STAN

772
00:37:41,660 --> 00:37:43,429
FOR ALL THOSE YEARS
OF ABUSE...

773
00:37:43,462 --> 00:37:45,230
FOR TURNING THIS TEAM
INTO A LAUGHINGSTOCK.

774
00:37:45,263 --> 00:37:48,434
FIVE GAMES AND HASN'T
GOTTEN CLOSE TO A HIT.

775
00:37:48,467 --> 00:37:50,669
HOW LONG
DO WE LET THIS GO ON?

776
00:37:52,504 --> 00:37:56,041
WE GOT 35,000 PEOPLE
IN THE PARK TODAY.

777
00:37:58,344 --> 00:38:00,946
WE'RE COMMITTED TO THIS...

778
00:38:00,979 --> 00:38:03,949
WHETHER STAN ROSS
EVER GETS ANOTHER HIT OR NOT.

779
00:38:06,485 --> 00:38:08,987
YOU SURE YOU DON'T
WANT ANYTHING STRONGER
THAN THAT CLUB SODA?

780
00:38:09,020 --> 00:38:10,622
OH, NO, I'M GOOD.

781
00:38:10,656 --> 00:38:12,458
THANKS, BOCA.

782
00:38:12,491 --> 00:38:14,192
WHY YOU CALL HIM BOCA?

783
00:38:14,225 --> 00:38:16,194
LOOK AT HIM.

784
00:38:16,227 --> 00:38:18,597
HE LOOK LIKE HE'S READY
FOR BOCA RATON WITH
THEM TRACKSUITS ON.

785
00:38:18,630 --> 00:38:20,031
STAN DON'T APPRECIATE
MY VELOUR.

786
00:38:20,065 --> 00:38:22,033
{\an8}<i>THAT'S ALL HE WEARS.</i>

787
00:38:22,067 --> 00:38:24,536
MO, I SWEAR, HE HAS
A BLACK ONE FOR FUNERALS.

788
00:38:24,570 --> 00:38:26,538
JUST COMIN' FROM ME,
I THINK MY MAN

789
00:38:26,572 --> 00:38:28,640
TAKE HIS OLD REEBOK ENDORSEMENT
DEAL A LITTLE BIT TOO SERIOUS.

790
00:38:29,040 --> 00:38:31,477
HEY, A LIFETIME SUPPLY.
THAT'S WHY I LOVE YOU.

791
00:38:31,643 --> 00:38:33,445
NO, NO,
THAT'S WHY I LOVE YOU.
{\an8}<i>NO, I LOVE YOU MORE.</i>

792
00:38:33,479 --> 00:38:35,113
{\an8}<i>NO, NO, I LOVE YOU MORE.</i>

793
00:38:35,146 --> 00:38:37,115
NO. NO, NO,
I STARTED THE LOVE.
{\an8}<i>YOU --</i>

794
00:38:37,148 --> 00:38:39,117
{\an8}<i>AND YOUR LIFE'S BEEN RICHER</i>
<i>EVER SINCE.</i>

795
00:38:39,150 --> 00:38:40,486
I HEAR YOU.

796
00:38:40,519 --> 00:38:42,153
NICE TO SEE YOU
AGAIN, MO.

797
00:38:42,187 --> 00:38:43,589
MM, YOU TOO, TONY.

798
00:38:45,824 --> 00:38:47,993
SO...

799
00:38:48,026 --> 00:38:50,629
YOU HIRE A FANCY DECORATOR
TO HELP YOU DO THIS PLACE?

800
00:38:50,662 --> 00:38:52,431
GIRL, YOU NEED TO
QUIT FIGHTIN'.

801
00:38:52,664 --> 00:38:54,500
YOU KNOW DOGGONE WELL

802
00:38:54,533 --> 00:38:56,735
YOU THOUGHT I WAS GONNA BE OLD
AND TIRED WHEN I QUIT THE GAME.

803
00:38:56,768 --> 00:38:59,337
HONESTLY, I NEVER
REALLY THOUGHT ABOUT IT.
OH, YEAH, YOU THOUGHT IT.

804
00:38:59,371 --> 00:39:01,039
BUT I GOT NEWS FOR YOU.

805
00:39:01,072 --> 00:39:03,041
I OWN THIS PLACE, AND I OWN
ALL THE STORES NEXT DOOR.

806
00:39:03,074 --> 00:39:05,677
3000 SUDS, 3000 WOKS,
AND 3000 BEEPS.

807
00:39:06,044 --> 00:39:08,046
MM-HMM. THAT'S WHY
YOU'RE COMIN' BACK --

808
00:39:08,079 --> 00:39:09,648
SO ALL THEM NAMES
STILL MAKE SENSE.

809
00:39:09,681 --> 00:39:12,183
SISTER, YOU KNOW
WHY I'M COMIN' BACK.

810
00:39:12,217 --> 00:39:13,685
'CAUSE I DESERVE TO BE
IN THE HALL OF FAME

811
00:39:13,719 --> 00:39:15,186
WITH ALL
THE OTHER IMMORTALS.

812
00:39:15,220 --> 00:39:16,522
YOU KNOW...

813
00:39:16,722 --> 00:39:19,324
YOU REALLY SHOULDN'T WORD IT
LIKE THAT.

814
00:39:19,357 --> 00:39:21,192
IS THAT RIGHT?
MM-HMM.

815
00:39:24,195 --> 00:39:26,532
WHAT?
OH, YOU KNOW WHAT.

816
00:39:26,565 --> 00:39:29,334
YOU BETTER HUSH.
YOU EATIN' THAT STEAK.
OOH, LET ME SEE SOMETHING.

817
00:39:29,367 --> 00:39:31,269
COME HERE. FLEX.
MNH-MNH.

818
00:39:31,302 --> 00:39:32,738
MO, MO, BABY, LOOK AT YOU.
COME ON, MO.
I'M EATING, STAN.

819
00:39:33,138 --> 00:39:34,205
LOOK AT YOU, MO.

820
00:39:34,239 --> 00:39:36,174
OHO!

821
00:39:36,207 --> 00:39:37,676
AND QUICK STILL.

822
00:39:37,709 --> 00:39:40,211
YOU GONNA EAT THIS?

823
00:39:40,412 --> 00:39:42,781
YOU SURE GOT TIME TO EAT.

824
00:39:42,814 --> 00:39:44,750
{\an8}<i>BABY, YOU HUNGRIER</i>
<i>THAN A HOSTAGE.</i>

825
00:39:44,783 --> 00:39:47,218
OOH, TAKE A BITE
OUT OF CRIME.

826
00:39:48,720 --> 00:39:50,756
{\an8}<i>THAT KILLED ME THERE,</i>
<i>I'LL TELL YA.</i>

827
00:39:50,789 --> 00:39:53,191
{\an8}<i>I THOUGHT THE LADY</i>
<i>MUST HAVE --</i>

828
00:39:53,224 --> 00:39:55,060
WAIT A MINUTE.
WAIT, WAIT, WAIT.

829
00:39:55,093 --> 00:39:56,628
YOU DON'T TRAIN NO MORE.

830
00:39:56,828 --> 00:39:58,396
YOU DON'T DRINK NO MORE.
MNH-MNH.

831
00:39:58,430 --> 00:39:59,865
NOW, WHAT'S UP
WITH THAT?

832
00:39:59,898 --> 00:40:01,767
'CAUSE I REMEMBER
HOW YOU USED TO DRINK

833
00:40:01,800 --> 00:40:04,636
HALF THE AMERICAN LEAGUE
UNDERNEATH THE TABLE.

834
00:40:04,670 --> 00:40:06,805
NO, I REALIZED I HAD
TO START CUTTIN' LOOSE

835
00:40:06,838 --> 00:40:08,540
FROM THOSE THINGS THAT
WEREN'T GETTING ME ANYWHERE.

836
00:40:08,574 --> 00:40:10,108
WHERE YOU NEED TO BE
GETTIN'?

837
00:40:10,141 --> 00:40:11,443
ON WITH MY LIFE.

838
00:40:11,477 --> 00:40:13,244
WE DON'T STAY YOUNG
FOREVER, STAN.

839
00:40:13,278 --> 00:40:14,646
COME ON, COME ON.
YOU KNOW WE'RE YOUNG ENOUGH.

840
00:40:14,680 --> 00:40:18,216
OOH, I DON'T THINK SO,
MR. ROSS.

841
00:40:18,249 --> 00:40:20,719
COME ON, NOW. I KNOW YOU
REMEMBER WHAT IT WAS LIKE.

842
00:40:20,752 --> 00:40:23,254
YOU CAN'T SAY WE DIDN'T HAVE
SOMETHING PRETTY SPECIAL.
GOOD NIGHT.

843
00:40:23,288 --> 00:40:26,091
WHAT ABOUT KANSAS CITY?
THAT WAS A MIND-BLOWING WEEKEND.

844
00:40:26,124 --> 00:40:28,760
YOU MEAN TO TELL ME
YOU FORGOT ABOUT THAT?
BYE-BYE.

845
00:40:28,794 --> 00:40:32,498
CLEVELAND, WHEN I HAD
YOUR TOENAILS POPPIN'
OFF LIKE REDENBACHER.

846
00:40:32,531 --> 00:40:34,833
BYE.
COME ON, HOW ABOUT TORON--

847
00:40:36,935 --> 00:40:38,504
GOD.

848
00:40:39,471 --> 00:40:41,306
{\an8}<i>UH-HUH.</i>
OH.

849
00:40:41,339 --> 00:40:43,141
COME ON, SAY IT.
{\an8}<i>COME ON, NOW.</i>

850
00:40:43,174 --> 00:40:44,843
YOU KNOW I DIDN'T EXPECT YOU
TO SURPRISE ME IN TORONTO.

851
00:40:44,876 --> 00:40:46,645
YOU KNOW HOW
THOSE CANADIAN GROUPIES ARE.

852
00:40:46,678 --> 00:40:47,646
COME ON, NOW.
YOU KNOW.
YOU KNOW WHAT?

853
00:40:47,679 --> 00:40:49,247
DON'T GIVE ME
THAT CRAP.

854
00:40:49,280 --> 00:40:50,682
YOU'RE A SELFISH MAN.
YOU ALWAYS WERE.

855
00:40:52,618 --> 00:40:54,653
OKAY,
IF YOU SO UPSET,

856
00:40:54,686 --> 00:40:56,287
WHY WAS YOU WILLING TO GET BACK
WITH ME EVERY NOW AND THEN?

857
00:40:56,321 --> 00:40:57,856
YEAH, WE GOT TOGETHER
FOR A NIGHT,

858
00:40:57,889 --> 00:40:59,758
BUT I DIDN'T STAY
FOR BREAKFAST, NOW, DID I?

859
00:40:59,791 --> 00:41:01,927
WE'D STILL BE DOIN' IT IF YOU
DIDN'T TAKE THAT ESPN GIG.

860
00:41:01,960 --> 00:41:04,630
WELL, WHEN THERE'S
A BETTER OFFER ON THE TABLE,

861
00:41:04,663 --> 00:41:06,364
YOU GOTTA TAKE IT.

862
00:41:08,299 --> 00:41:09,434
I'LL PAY FOR IT.

863
00:41:09,467 --> 00:41:10,836
BYE-BYE.

864
00:41:13,839 --> 00:41:16,642
{\an8}<i>Announcer: THE COUNT IS 1-1</i>
<i>ON THE SECOND BASEMAN MINADEO.</i>

865
00:41:16,675 --> 00:41:19,444
{\an8}<i>BREWERS DOWN BY 4.</i>
<i>RUNNER AT FIRST.</i>

866
00:41:19,477 --> 00:41:22,347
{\an8}<i>THEY SURE COULD USE</i>
<i>A LITTLE SPARK HERE.</i>

867
00:41:22,380 --> 00:41:24,950
{\an8}<i>GLICKMAN NOW ON THE MOUND,</i>
<i>WORKING FROM THE STRETCH.</i>

868
00:41:24,983 --> 00:41:26,618
{\an8}<i>THROWS TO FIRST,</i>
<i>AND THEY'VE PICKED HIM OFF.</i>

869
00:41:26,652 --> 00:41:29,320
{\an8}<i>SKILLETT IS CAUGHT NAPPING.</i>

870
00:41:29,354 --> 00:41:31,456
{\an8}<i>WHEN IS THIS BALL CLUB</i>
<i>GOING TO WAKE UP?</i>

871
00:41:31,489 --> 00:41:33,458
{\an8}<i>ANOTHER MISTAKE.</i>

872
00:41:33,491 --> 00:41:36,227
{\an8}<i>MINADEO STEPS BACK IN.</i>

873
00:41:36,261 --> 00:41:38,530
{\an8}<i>HERE'S THE WIND</i>
<i>AND THE PITCH.</i>

874
00:41:38,564 --> 00:41:40,632
{\an8}<i>SWUNG ON, A ONE-HOPPER</i>
<i>BACK TO THE MOUND.</i>
SHIT!

875
00:41:40,666 --> 00:41:42,534
{\an8}<i>HE BOBBLES IT,</i>
<i>BUT WHAT'S MINADEO DOING?</i>

876
00:41:42,568 --> 00:41:44,736
{\an8}<i>HE'S NOT RUNNING.</i>
<i>NOW THEY PICK IT UP.</i>

877
00:41:44,770 --> 00:41:46,738
{\an8}<i>THE THROW TO FIRST,</i>
<i>AND HE'S OUT.</i>

878
00:41:46,772 --> 00:41:48,674
AAH!
COME ON!

879
00:41:49,908 --> 00:41:51,877
{\an8}<i>Stan:</i>
<i>LOOK AT THAT.</i>

880
00:41:51,910 --> 00:41:55,313
{\an8}<i>THERE SHOULD BE A MAN ON FIRST</i>
<i>AND SECOND RIGHT NOW.</i>

881
00:41:55,346 --> 00:41:57,749
BUT EASY, GUS.
DON'T GET EXCITED.

882
00:41:57,783 --> 00:42:01,386
I DON'T WANT YOU
TO POP NO BLOOD VESSEL.

883
00:42:01,419 --> 00:42:03,421
WHAT YOU-ALL HAVIN',
PRAYER?

884
00:42:03,454 --> 00:42:06,191
{\an8}<i>Announcer: THE ONLY SHINING</i>
<i>STAR ON THE TEAM THESE DAYS</i>

885
00:42:06,224 --> 00:42:09,595
{\an8}<i>IS THEIR STRAPPING YOUNG</i>
<i>OUTFIELDER, T-REX PENNEBAKER.</i>

886
00:42:09,628 --> 00:42:11,763
{\an8}<i>BUT EVEN HIS IMPRESSIVE</i>
<i>POWER NUMBERS</i>

887
00:42:11,963 --> 00:42:15,266
{\an8}<i>HAVE DONE LITTLE TO STOP</i>
<i>THE BREWERS' LOSING STREAK.</i>

888
00:42:18,269 --> 00:42:19,805
{\an8}<i>PENNEBAKER DIGS IN.</i>

889
00:42:22,473 --> 00:42:25,577
{\an8}<i>AND HERE'S THE WINDUP</i>
<i>AND THE PITCH.</i>

890
00:42:25,777 --> 00:42:28,614
{\an8}<i>SWUNG ON AND A DEEP, DEEP DRIVE</i>
<i>TO LEFT FIELD.</i>

891
00:42:28,814 --> 00:42:30,248
{\an8}<i>IT'S GOING, GOING...</i>

892
00:42:30,281 --> 00:42:31,750
{\an8}<i>IT IS...</i>

893
00:42:31,783 --> 00:42:33,619
{\an8}<i>GONE!</i>

894
00:42:40,391 --> 00:42:41,960
{\an8}<i>4-1.</i>

895
00:42:41,993 --> 00:42:44,763
{\an8}<i>YET ANOTHER</i>
<i>BASES-EMPTY HOME RUN</i>

896
00:42:44,796 --> 00:42:47,398
{\an8}<i>FOR T-REX PENNEBAKER.</i>

897
00:42:53,571 --> 00:42:54,806
WHAT THE HELL IS THAT?

898
00:42:55,006 --> 00:42:56,808
THAT RIGHT THERE?

899
00:42:56,842 --> 00:42:58,576
THAT'S A LITTLE SOMETHIN'
SOMETHIN' FOR "SportsCenter."

900
00:42:58,610 --> 00:43:01,412
PLUS, THAT'S GONNA LOOK TIGHT
IN NEXT YEAR'S VIDEO GAME.

901
00:43:06,752 --> 00:43:08,620
{\an8}<i>WHAT THE HELL</i>
<i>YOU CALL YOURSELF DOIN'?</i>

902
00:43:10,021 --> 00:43:11,723
YO, I'M PUTTIN' THE SHOW
IN THE SHOW.

903
00:43:11,757 --> 00:43:13,759
BUT YOUR TEAM LOSIN'.

904
00:43:13,792 --> 00:43:15,894
INSTEAD OF YOU PLAYIN',
YOU MAKIN' LIKE MR. BOJANGLES.

905
00:43:15,927 --> 00:43:18,730
I JUST HIT
A HOME RUN, SON.
{\an8}<i>YEAH!</i>

906
00:43:18,764 --> 00:43:21,733
MAYBE YOU WAS TAKIN'
A GRANDPA NAP DURING THAT PART.

907
00:43:22,834 --> 00:43:24,736
BUT YOUR TEAM
GETTIN' PICKED OFF.

908
00:43:24,770 --> 00:43:26,772
YOUR BOYS AIN'T
BEATIN' OUT GROUNDERS.

909
00:43:26,938 --> 00:43:28,640
THERE SHOULD'VE BEEN TWO MEN ON
WHEN YOU HIT THAT HOMER.

910
00:43:28,674 --> 00:43:30,408
IT SHOULD BE
A BALL GAME RIGHT NOW.

911
00:43:30,441 --> 00:43:33,011
YO, SO YELL AT {\an8}<i>THEM,</i>
OLD SCHOOL.

912
00:43:33,044 --> 00:43:35,013
GET UP OUT OF MY FACE, MAN,
'CAUSE I DID MY JOB.
BUT YOU THE --
BUT YOU THE SUPERSTAR!

913
00:43:35,046 --> 00:43:36,414
YOU THE SUPERSTAR.

914
00:43:36,447 --> 00:43:38,083
YOU SET THE TONE.

915
00:43:38,116 --> 00:43:40,018
LISTEN HERE.

916
00:43:40,051 --> 00:43:43,288
WHEN YOU GET A BASE HIT
IN THIS MILLENNIUM,

917
00:43:43,321 --> 00:43:45,757
THEN YOU CAN COME ON DOWN THERE
AND TALK TO ME.

918
00:43:45,791 --> 00:43:47,325
IS THAT RIGHT?

919
00:43:47,358 --> 00:43:48,994
YEAH, THAT'S RIGHT.

920
00:43:58,069 --> 00:44:01,840
{\an8}<i>HEY, STAN, YOU THINK THAT</i>
<i>DIAPER'S AFFECTING YOUR SWING?</i>

921
00:44:02,040 --> 00:44:03,942
MAYBE YOU SHOULD USE
SOMETHING LIGHTER.

922
00:44:03,975 --> 00:44:06,778
HOW ABOUT A WIFFLE BAT?

923
00:44:06,812 --> 00:44:08,479
HOW 'BOUT I SHOVE
MY HALL OF FAME BAT

924
00:44:08,513 --> 00:44:10,381
UP THE CRACK
OF YOUR MASCOT ASS?

925
00:44:10,415 --> 00:44:12,617
MAKE YOU A HOT DOG
ON A STICK, BITCH.

926
00:44:12,650 --> 00:44:14,720
YEAH? I MIGHT BE
A SAUSAGE WITH TEETH,

927
00:44:14,753 --> 00:44:16,855
BUT YOU SURE AS HELL
AIN'T NO HALL OF FAMER.

928
00:44:18,924 --> 00:44:21,459
{\an8}<i>* IF YOU DISRESPECT</i>
WHAT?!

929
00:44:21,492 --> 00:44:25,063
{\an8}<i>* EVERYBODY THAT YOU RUN INTO</i>

930
00:44:25,096 --> 00:44:26,998
{\an8}<i>Stan:</i>
<i>LOOKS FAMILIAR?</i>

931
00:44:27,032 --> 00:44:28,800
{\an8}<i>FAMILIAR?</i>

932
00:44:28,834 --> 00:44:30,869
WELL, YOU AIN'T CHANGED NOTHIN'
SINCE BACK IN THE DAY.

933
00:44:30,902 --> 00:44:34,139
IN FACT, I DON'T THINK
YOU EVEN VACUUMED.

934
00:44:34,172 --> 00:44:36,041
{\an8}<i>WELL, WHY MESS</i>
<i>WITH PERFECTION?</i>

935
00:44:36,441 --> 00:44:38,343
OH, HONEY, NOW, I CAN
THINK OF A LOT OF DESCRIPTIONS

936
00:44:38,509 --> 00:44:40,145
FOR THIS COUCH, AND "PERFECTION"
AIN'T ONE OF 'EM.

937
00:44:43,514 --> 00:44:45,483
SO, WHAT'S THE DEAL
OVER THERE?

938
00:44:45,516 --> 00:44:46,885
HOW COME I HARDLY EVER SEE YOU
ON "SportsCenter" ANYMORE?

939
00:44:46,918 --> 00:44:48,987
OH, YOU KNOW.

940
00:44:49,020 --> 00:44:51,890
THEY GOT SOME PRETTY YOUNG THING
THEY TRYIN' TO GROOM.

941
00:44:51,923 --> 00:44:53,859
THAT'S SOME BULL.
THEY CAN'T TREAT YOU LIKE THAT.

942
00:44:53,892 --> 00:44:55,460
OH, NO, NO. I REMEMBER
ONCE UPON A TIME

943
00:44:55,693 --> 00:44:57,162
I PUSHED OUT
THE 40-YEAR-OLD.

944
00:44:57,195 --> 00:44:59,397
LISTEN, I AIN'T BEEN PLAYIN'
THIS GAME LONG ENOUGH

945
00:44:59,430 --> 00:45:01,532
NOT TO KNOW HOW IT GOES.
MM-HMM.

946
00:45:01,699 --> 00:45:04,569
BUT I'VE BEEN THINKIN' AHEAD
TOWARD IT, YOU KNOW?

947
00:45:04,602 --> 00:45:06,504
I'M GONNA START PRODUCING
NEXT YEAR.

948
00:45:06,537 --> 00:45:07,705
I'M GOIN'
BEHIND THE CAMERA.

949
00:45:07,739 --> 00:45:08,907
OH, YOU GO, GIRL.

950
00:45:10,641 --> 00:45:12,377
LIKE I'VE BEEN TELLING YOU,
MR. ROSS,

951
00:45:12,410 --> 00:45:13,945
NOW, YOU CAN'T BEAT
FATHER TIME.

952
00:45:13,979 --> 00:45:16,714
WELL, HOW COME YOU REALLY
HAVEN'T SETTLED DOWN?

953
00:45:20,485 --> 00:45:22,620
THE RIGHT MAN
WASN'T RIGHT.

954
00:45:23,889 --> 00:45:26,557
MM-HMM.

955
00:45:26,591 --> 00:45:28,860
{\an8}<i>* I'VE BEEN REALLY TRYING,</i>
<i>BABY *</i>
OH!

956
00:45:28,894 --> 00:45:30,595
WHAT'S THE MATTER
WITH YOU?

957
00:45:30,796 --> 00:45:32,563
THAT'S MY SONG.

958
00:45:32,730 --> 00:45:35,801
{\an8}<i>* TRYING TO HOLD BACK</i>
<i>THIS FEELING FOR SO LONG ♪</i>

959
00:45:35,834 --> 00:45:37,568
COME ON, BUMP WITH ME, MO.
DON'T LEAVE ME HANGIN'.

960
00:45:37,602 --> 00:45:38,603
COME ON, BABY.
COME ON.

961
00:45:38,804 --> 00:45:39,704
I NEED YOU, NOW.

962
00:45:39,737 --> 00:45:41,539
{\an8}<i>DON'T LEAVE ME HANGIN'.</i>

963
00:45:41,572 --> 00:45:43,474
{\an8}<i>COME ON.</i>
<i>COME ON OUT HERE.</i>

964
00:45:43,508 --> 00:45:45,610
ALL RIGHT, ONLY 'CAUSE
I LIKE THIS SONG, TOO,

965
00:45:45,643 --> 00:45:47,145
NOT 'CAUSE I LIKE YOU.
I'LL TAKE IT.

966
00:45:47,178 --> 00:45:51,149
{\an8}<i>* WHOO, LET'S GET IT ON</i>
COME ON.

967
00:45:51,182 --> 00:45:53,785
{\an8}<i>* OH, BABY</i>

968
00:45:53,819 --> 00:45:55,921
{\an8}<i>* LET'S GET IT ON</i>

969
00:45:55,954 --> 00:45:56,788
HEY.

970
00:45:56,988 --> 00:46:00,058
{\an8}<i>* LET'S LOVE, BABY</i>

971
00:46:00,091 --> 00:46:02,227
{\an8}<i>* LET'S GET IT ON</i>

972
00:46:02,260 --> 00:46:03,761
STILL GOT IT, GIRL.

973
00:46:03,795 --> 00:46:05,596
{\an8}<i>* SUGAR</i>

974
00:46:05,630 --> 00:46:07,732
{\an8}<i>* LET'S GET IT ON</i>
STILL GOT IT.

975
00:46:07,765 --> 00:46:09,000
STAN.
YEAH, BABY?

976
00:46:09,034 --> 00:46:11,469
HONEY, STOP CHASING
THE BUTT.

977
00:46:13,204 --> 00:46:15,106
YOU KNOW WHAT, MO?

978
00:46:15,140 --> 00:46:17,075
THE BEST SEX I EVER HAD
WAS WITH YOU.

979
00:46:17,108 --> 00:46:18,609
WHAT?
YEAH.

980
00:46:18,776 --> 00:46:20,846
YOU HAD GIRLS IN EVERY CITY
IN BASEBALL.

981
00:46:20,879 --> 00:46:22,180
IT WASN'T THE BEST.

982
00:46:22,213 --> 00:46:24,015
WHY IS THAT?
WE DO IT LONGER?

983
00:46:24,049 --> 00:46:25,583
NOT REALLY.

984
00:46:25,616 --> 00:46:27,118
MORE POSITIONS, THEN?

985
00:46:27,152 --> 00:46:28,753
I AIN'T GOIN' THERE.

986
00:46:28,786 --> 00:46:29,787
MM-HMM.

987
00:46:29,821 --> 00:46:31,089
MORE TIMES A NIGHT?

988
00:46:31,122 --> 00:46:32,790
OH, YOU STILL HOLD
THE RECORD.

989
00:46:32,991 --> 00:46:34,993
I DON'T KNOW, BABY.

990
00:46:35,026 --> 00:46:36,261
I GUESS...

991
00:46:36,294 --> 00:46:38,496
I LIKE THE REST OF IT.

992
00:46:38,529 --> 00:46:40,932
THE REST OF IT?
WHAT'S LEFT?

993
00:46:40,966 --> 00:46:42,800
WELL, YOU KNOW.

994
00:46:42,834 --> 00:46:45,103
I LIKE THE SLEEPIN'
AND THE TALKIN'

995
00:46:45,136 --> 00:46:47,472
AND HANGIN' OUT
AND STUFF LIKE THAT.

996
00:46:47,505 --> 00:46:49,774
{\an8}<i>* GIVING YOURSELF TO ME</i>

997
00:46:49,807 --> 00:46:52,110
{\an8}<i>* CAN NEVER BE WRONG</i>
BUT THAT'S NOT SEX.

998
00:46:52,143 --> 00:46:53,811
IT IS TO ME.

999
00:46:53,845 --> 00:46:55,613
NO, IT'S NOT {\an8}<i>SEX.</i>

1000
00:46:55,646 --> 00:46:57,182
WHAT YOU CALL THAT, THEN?

1001
00:46:57,215 --> 00:46:59,784
{\an8}<i>* OOH-OOH</i>

1002
00:46:59,817 --> 00:47:02,120
{\an8}<i>* NOW, DON'T YOU KNOW</i>

1003
00:47:02,153 --> 00:47:06,925
{\an8}<i>* HOW SWEET AND WONDERFUL</i>
<i>LIFE CAN BE? ♪</i>

1004
00:47:07,158 --> 00:47:09,995
{\an8}<i>* OOH-OOH</i>

1005
00:47:11,662 --> 00:47:14,232
{\an8}<i>* I'M ASKING YOU</i>

1006
00:47:14,265 --> 00:47:17,035
BEFORE WE GO TOO FAR,
I WANT YOU TO KNOW
I CAN'T SPEND THE NIGHT.
WHY NOT?

1007
00:47:17,068 --> 00:47:18,503
EARLY FLIGHT.

1008
00:47:20,005 --> 00:47:21,806
WHERE YOU GOT TO GO?

1009
00:47:21,839 --> 00:47:23,641
I GOT THREE GAMES
BEFORE WE GO ON THE ROAD.

1010
00:47:23,674 --> 00:47:25,143
BUT I GOT TO GET BACK.

1011
00:47:25,176 --> 00:47:26,912
YOU GOT TO GET --

1012
00:47:26,945 --> 00:47:29,847
WAIT, WAIT, WAIT,
WAIT, WAIT, WAIT, WAIT.

1013
00:47:31,616 --> 00:47:32,918
ARE YOU GIVIN' UP
ON ME, MO?

1014
00:47:34,352 --> 00:47:36,321
WHAT YOU GOT TO SAY
ABOUT THAT?
YOU KNOW
I DON'T HAVE A SAY.

1015
00:47:36,354 --> 00:47:38,023
I JUST GO WHERE
I'M ASSIGNED.

1016
00:47:38,056 --> 00:47:39,590
YOU TELL 'EM I'M STARTIN' TO
SWING THE BAT GOOD AGAIN?

1017
00:47:39,624 --> 00:47:42,160
MMM, I'M JUST A REPORTER.

1018
00:47:42,193 --> 00:47:44,762
I DON'T MAKE THE NEWS
OR EVEN DECIDE WHAT {\an8}<i>IS</i> THE NEWS.

1019
00:47:44,795 --> 00:47:46,764
YOU'RE GIVIN' UP
ON ME, TOO.
MNH-MNH.

1020
00:47:46,797 --> 00:47:48,833
YOU JUST GOT TO
MAKE THE NEWS, BABY.

1021
00:47:48,866 --> 00:47:50,535
START HITTIN' THAT BALL.
COME ON, COME ON.

1022
00:47:50,735 --> 00:47:52,337
WHAT?
COME ON.

1023
00:47:52,370 --> 00:47:54,039
YOU WANT TO GO UP?
STAY DOWN? WHAT? YOU KNOW...

1024
00:47:54,072 --> 00:47:55,740
NO. NO...

1025
00:47:55,773 --> 00:47:58,743
I-I-I'M NOT IN THE MOOD
RIGHT NOW.

1026
00:48:00,245 --> 00:48:01,579
YOU --

1027
00:48:03,881 --> 00:48:06,051
YOU'RE KIDDIN', RIGHT?
YOU'RE NOT IN THE MOOD?

1028
00:48:06,084 --> 00:48:07,685
NO.
OH, COME ON, BABY.

1029
00:48:07,718 --> 00:48:09,120
NO, I GOT --
I GOT A HEADACHE.

1030
00:48:12,223 --> 00:48:14,759
REALLY? YOU GONNA TELL ME
YOU GOT CRAMPS, TOO?

1031
00:48:14,792 --> 00:48:16,027
MAYBE.

1032
00:48:16,061 --> 00:48:17,095
{\an8}<i>YOU KNOW...</i>

1033
00:48:20,098 --> 00:48:21,666
WHATEVER.

1034
00:48:28,339 --> 00:48:31,142
ALL RIGHT, NOW.
I'M LEAVIN'.

1035
00:48:34,612 --> 00:48:37,983
LORD, JUST WHEN I THOUGHT
I'D SEEN IT ALL.

1036
00:48:48,626 --> 00:48:51,229
{\an8}<i>T-Rex: YOU GET A BASE HIT</i>
<i>IN THIS MILLENNIUM,</i>

1037
00:48:51,262 --> 00:48:52,763
{\an8}<i>THEN YOU CAN COME ON DOWN...</i>

1038
00:48:52,797 --> 00:48:54,832
{\an8}<i>Stan:</i>
<i>I CAN STILL SWING MY BAT.</i>

1039
00:48:54,865 --> 00:48:56,134
{\an8}<i>Mo: SO YOU THINK</i>
<i>YOU'LL GET THREE HITS</i>

1040
00:48:56,167 --> 00:48:57,302
{\an8}<i>IN YOUR FIRST THREE AT-BATS?</i>

1041
00:49:00,972 --> 00:49:03,108
{\an8}<i>Scott:</i>
<i>MORE LIKE STAN THE STATUE.</i>

1042
00:49:03,141 --> 00:49:05,243
{\an8}<i>T-Rex: WHEN YOU GET A BASE HIT</i>
<i>IN THIS MILLENNIUM...</i>

1043
00:49:05,276 --> 00:49:06,777
{\an8}<i>Mo: YOU JUST GOT TO MAKE</i>
<i>THE NEWS, BABY.</i>

1044
00:49:06,811 --> 00:49:08,813
{\an8}<i>START HITTIN' THAT BALL.</i>

1045
00:49:09,014 --> 00:49:11,682
{\an8}<i>Man: ONE, TWO, THREE STRIKES,</i>
<i>YOU'RE OUT!</i>

1046
00:49:14,285 --> 00:49:16,287
OH, UH, BAT BOY.

1047
00:49:17,655 --> 00:49:19,790
OOH, OOH, A LITTLE TESTY.
A LITTLE TESTY.

1048
00:49:19,824 --> 00:49:21,159
ANYBODY HAVE
A STAN ROSS ROOKIE CARD?

1049
00:49:22,827 --> 00:49:24,295
QUITE VALUABLE --
IF YOU LOOK ON THE BACK,

1050
00:49:24,329 --> 00:49:25,696
YOU'LL SEE
IT'S WRITTEN IN LATIN.

1051
00:49:25,896 --> 00:49:26,998
YOU SEE, VERY OLD.

1052
00:49:27,032 --> 00:49:29,867
VERY OLD CARD --
IT'S ON PARCHMENT.

1053
00:49:29,900 --> 00:49:32,870
{\an8}<i>ROSS -- HE'S NOW 0-27</i>
<i>IN HIS COMEBACK.</i>

1054
00:49:32,903 --> 00:49:35,173
AT WHAT POINT, PETER,
DOES THE RUST COME OFF?

1055
00:49:35,206 --> 00:49:36,841
I'M NOT SURE
IT EVER DOES.

1056
00:49:36,874 --> 00:49:38,043
REMEMBER, JIM PALMER
TRIED TO COME BACK

1057
00:49:38,076 --> 00:49:40,045
AFTER HE WAS ALREADY
IN THE HALL OF FAME,

1058
00:49:40,078 --> 00:49:42,313
{\an8}<i>AND HE KEPT HIMSELF IN</i>
<i>A LOT BETTER SHAPE THAN ROSS.</i>

1059
00:49:42,347 --> 00:49:45,116
{\an8}<i>WHY DOES THE MEDIA</i>
<i>HATE THIS GUY SO MUCH?</i>
<i>BECAUSE HE'S A JERK.</i>

1060
00:49:45,150 --> 00:49:48,353
{\an8}<i>BECAUSE T-REX IS THE BEST</i>
<i>IN POWER AND PERFORMANCE.</i>

1061
00:49:48,386 --> 00:49:50,155
{\an8}<i>FIND IT AT RADIO SHACK.</i>

1062
00:49:50,188 --> 00:49:51,222
{\an8}<i>RADIO SHACK --</i>
<i>YOU'VE GOT QUESTIONS.</i>

1063
00:49:51,256 --> 00:49:52,823
{\an8}<i>WE'VE GOT ANSWERS.</i>

1064
00:49:53,024 --> 00:49:55,460
'CAUSE I WANT MY HITS
THAT GOT STOLEN FROM ME.

1065
00:49:55,493 --> 00:49:58,063
THOSE HITS ARE MY TICKET
TO THE HALL OF FAME.
{\an8}<i>HE'S NOT GOING</i>
<i>TO THE HALL OF FAME!</i>

1066
00:49:58,096 --> 00:50:00,465
YOU THINK THREE HITS ARE KEEPING
YOU OUT OF THE HALL OF FAME?

1067
00:50:00,498 --> 00:50:02,200
{\an8}<i>3,000 HITS, BABY,</i>
<i>IT'S AUTOMATIC.</i>
MONSTROUS.

1068
00:50:02,233 --> 00:50:04,235
LOOK AT ME.
{\an8}<i>I'M LOOKIN' AT YOU.</i>
<i>YOU'RE 47 YEARS OLD.</i>

1069
00:50:04,269 --> 00:50:05,836
YOU'RE FAT.
YOU'RE OUT OF SHAPE.

1070
00:50:08,173 --> 00:50:10,308
FAVORITE PORTION OF THE SHOW,
THE COMEDY PORTION.

1071
00:50:10,341 --> 00:50:12,077
{\an8}<i>I'M GONNA SAY IT HERE</i>
<i>ON THE SHOW,</i>

1072
00:50:12,110 --> 00:50:13,344
THE WOMAN THAT PUTS ON
THE SAUSAGE OUTFIT

1073
00:50:13,378 --> 00:50:15,380
THAT RACES AROUND MILLER PARK

1074
00:50:15,413 --> 00:50:16,847
HAS GOT A BETTER CHANCE
OF GETTING A HIT THAN STAN ROSS.

1075
00:50:19,050 --> 00:50:20,718
{\an8}<i>THAT'S NOT FAIR, TOM.</i>
<i>YOU GOT TO UNDERSTAND,</i>
<i>HE'S A BLACK ATHLETE.</i>

1076
00:50:20,918 --> 00:50:22,487
BLACK ATHLETES
AGE SLOWER.

1077
00:50:22,520 --> 00:50:24,955
GEORGE FOREMAN DIDN'T
KNOW WHEN TO GET OUT.

1078
00:50:25,190 --> 00:50:27,258
MIKE TYSON DIDN'T
KNOW WHEN TO GET OUT.
HE'S GONNA DO WELL.

1079
00:50:27,292 --> 00:50:29,227
{\an8}<i>YOU KNOW, MICHAEL JORDAN</i>
<i>STRUGGLED, AND HE WAS</i>
<i>ONLY OUT TWO YEARS.</i>

1080
00:50:29,260 --> 00:50:31,696
{\an8}<i>THIS GUY HASN'T PLAYED SINCE</i>
<i>I WAS MARRIED TO MY FIRST WIFE.</i>

1081
00:50:31,729 --> 00:50:35,032
{\an8}<i>IT JUST ISN'T POSSIBLE</i>
<i>TO GET OUT OF HIS DAY.</i>
<i>BUT HE'S A BAD TEAMMATE.</i>

1082
00:50:35,066 --> 00:50:36,834
{\an8}<i>DON'T SAY THAT, MAN.</i>
<i>STAN ROSS WAS A GREAT ATHLETE.</i>

1083
00:50:36,867 --> 00:50:38,836
{\an8}<i>STAN IS ALL ABOUT STAN.</i>

1084
00:50:38,869 --> 00:50:40,271
{\an8}<i>THE BREWERS KNEW EXACTLY</i>
<i>WHAT THEY WERE GETTING INTO.</i>

1085
00:50:40,305 --> 00:50:41,939
IT'S A PUBLICITY STUNT,

1086
00:50:41,972 --> 00:50:43,908
JUST LIKE WHEN THE WHITE SOX
HIRED THAT MIDGET.

1087
00:50:45,376 --> 00:50:48,012
HE'S SMALL. THAT GUY WAS SMALL
FOR A FRIGGIN' MIDGET, MAN.

1088
00:50:48,045 --> 00:50:50,047
IT'S LIKE IF THE RED SOX
THAWED OUT TED WILLIAMS,

1089
00:50:50,081 --> 00:50:52,183
ALTHOUGH HE'D HIT BETTER
THAN STAN, I BET.

1090
00:50:52,217 --> 00:50:54,452
THAT'S HOW STAN'S PLAYING
RIGHT NOW -- LIKE HE'S FROZEN.

1091
00:50:54,485 --> 00:50:57,255
{\an8}<i>IT IS EMBARRASSING.</i>
<i>HE'S EMBARRASSING ME.</i>
<i>HE'S EMBARRASSING HIM.</i>

1092
00:50:57,288 --> 00:50:59,290
HE SHOULD JUST GIVE IT UP.
BUT, YOU KNOW, WHEN AN
ATHLETE GETS TO THAT POINT,

1093
00:50:59,324 --> 00:51:01,058
HE LOSES ALL HIS PRIDE.

1094
00:51:01,092 --> 00:51:02,393
{\an8}<i>Arnold: YEAH, YOU'RE MAKING</i>
<i>ME CRY, JOHN SALLEY.</i>

1095
00:51:02,427 --> 00:51:04,295
{\an8}<i>I DON'T THINK HE'S EMBARRASSED.</i>

1096
00:51:04,329 --> 00:51:06,964
{\an8}<i>I THINK HE'S HAVING A BIG-ASS</i>
<i>PARTY AT HIS PLACE RIGHT NOW,</i>

1097
00:51:06,997 --> 00:51:09,066
GOT BITCHES ALL AROUND
AND COUNTING ALL HIS MONEY.
I DON'T THINK STAN CARES.

1098
00:51:09,100 --> 00:51:11,068
{\an8}<i>Man: WRONG! HE'S EMBARRASSED,</i>
<i>DOUBLY EMBARRASSED.</i>

1099
00:51:11,102 --> 00:51:13,271
{\an8}<i>HE USED TO BE ABLE TO HIT,</i>
<i>CANNOT HIT NOW.</i>

1100
00:51:13,304 --> 00:51:14,772
{\an8}<i>Salley: IT'S VERY EMBARRASSING,</i>
<i>ESPECIALLY WITH ALL THE BITCHES</i>
<i>HE GOT AROUND HIM.</i>

1101
00:51:28,186 --> 00:51:30,288
HEY, BOCA.

1102
00:51:30,488 --> 00:51:32,790
YOU THINK I SHOULD QUIT?

1103
00:51:34,159 --> 00:51:35,960
DO YOUR THING, MAN.

1104
00:51:38,296 --> 00:51:39,930
YOU THINK?

1105
00:51:39,964 --> 00:51:41,799
I'M JUST SAYING.

1106
00:51:44,835 --> 00:51:47,104
YEAH, YOU'RE RIGHT.

1107
00:51:51,209 --> 00:51:54,145
I GOT THREE HOME GAMES
AGAINST THE ASTROS

1108
00:51:54,179 --> 00:51:55,846
BEFORE WE GO ON THE ROAD.

1109
00:51:57,948 --> 00:52:01,486
I'M GONNA PLAY THOSE GAMES,
AND THAT'S IT.

1110
00:52:01,519 --> 00:52:05,089
IF I DON'T GET A HIT,
IT'S OVER.

1111
00:52:05,122 --> 00:52:06,991
I'M NOT GOIN' ON THE ROAD.

1112
00:52:10,060 --> 00:52:12,297
WHAT YOU THINK, BOCA?

1113
00:52:12,330 --> 00:52:14,131
DO YOUR THING, MAN.

1114
00:52:19,204 --> 00:52:21,105
YOU THINK?

1115
00:52:21,138 --> 00:52:23,040
I'M JUST SAYING.

1116
00:52:26,577 --> 00:52:29,113
YEAH.

1117
00:52:29,146 --> 00:52:30,848
YOU'RE RIGHT.

1118
00:52:35,986 --> 00:52:37,855
YOU WANT TO GET MARRIED?

1119
00:52:38,923 --> 00:52:40,157
YOU THE ONLY ONE
THAT LOVE ME, MAN.

1120
00:52:40,191 --> 00:52:41,359
I'M SERIOUS.

1121
00:52:43,228 --> 00:52:46,364
I'VE BEEN WAITIN' 20 YEARS
FOR YOU TO ASK ME THAT.

1122
00:52:46,397 --> 00:52:49,434
AND NOW THAT YOU HAVE,
I DON'T KNOW.

1123
00:52:51,001 --> 00:52:53,304
YEAH, YOU RIGHT.

1124
00:52:53,338 --> 00:52:55,573
OKAY, ERICA KANE.

1125
00:52:55,606 --> 00:52:57,508
DOG, COME ON.
"ALL MY CHILDREN."

1126
00:52:57,542 --> 00:53:00,077
YOU NEED TO STEP UP THE DEGREE
OF DIFFICULTY, BROTHER.

1127
00:53:00,110 --> 00:53:01,912
ASA BUCHANAN.

1128
00:53:02,380 --> 00:53:03,548
THAT'S ABC, RIGHT?

1129
00:53:03,581 --> 00:53:05,149
I AIN'T TELLING YOU NOTHING.

1130
00:53:05,182 --> 00:53:07,151
OH! OH! OH!
"ONE LIFE TO LIVE."
YEAH.

1131
00:53:07,184 --> 00:53:08,853
OKAY, I GOT ONE FOR YOU.
COME ON.

1132
00:53:09,053 --> 00:53:11,289
DON ROBERTO.

1133
00:53:11,522 --> 00:53:13,157
OH, THAT'S THE DUDE
WITH THE COLOGNE.

1134
00:53:13,190 --> 00:53:15,092
"GUIDING LIGHT."

1135
00:53:15,125 --> 00:53:16,160
WHAT?
WRONG!

1136
00:53:16,193 --> 00:53:17,562
IT'S
{\an8}<i>"AMIGAS Y RIVALES."</i>

1137
00:53:17,595 --> 00:53:19,330
NO, WE'RE NOT DOING
SPANISH SHOWS, MAN.

1138
00:53:21,065 --> 00:53:22,500
I DON'T EVEN KNOW
WHAT YOU'RE SAYING NOW.

1139
00:53:22,533 --> 00:53:23,934
WHAT THE HELL
THEY DOING?

1140
00:53:23,968 --> 00:53:26,337
SEEING WHO CAN NAME
THE SOAPS.

1141
00:53:26,371 --> 00:53:27,605
YOU KNOWN ME
FOR TWO YEARS.

1142
00:53:27,638 --> 00:53:30,241
HAVE I EVER
SPOKE SPANISH?
HEY.

1143
00:53:30,275 --> 00:53:32,510
WHY DON'T YOU-ALL HAVE
A CONTEST GUESSIN' WHICH
TEAM LOSIN' THIS GAME?

1144
00:53:32,543 --> 00:53:34,345
STUPID.
{\an8}<i>Man: COME ON, STAN.</i>

1145
00:53:34,379 --> 00:53:35,880
{\an8}<i>GET A HIT, GRANDPA.</i>

1146
00:53:38,316 --> 00:53:39,417
{\an8}<i>STRIKE!</i>

1147
00:53:48,293 --> 00:53:50,094
Crowd:
CHARGE!

1148
00:53:50,127 --> 00:53:52,229
{\an8}<i>Woman:</i>
<i>COME ON, BREWERS!</i>

1149
00:53:56,401 --> 00:53:58,235
{\an8}<i>OH!</i>
<i>STRIKE THREE!</i>

1150
00:53:59,570 --> 00:54:01,639
HE TUCKS HIS ARM IN
ON THE CURVE.

1151
00:54:01,672 --> 00:54:05,209
{\an8}<i>Man on
<i>NUMBER 21, STAN ROSS.</i></i>

1152
00:54:29,033 --> 00:54:30,668
OUT!

1153
00:54:34,605 --> 00:54:36,607
YOU SEE THAT?
HEY, SKILLETT!

1154
00:54:36,641 --> 00:54:38,476
YOU SEE THAT?

1155
00:54:38,509 --> 00:54:41,178
I WAS ALL OVER THAT
NICKEL CURVE BALL --
I MEAN, ALL OVER IT.

1156
00:54:41,211 --> 00:54:43,113
{\an8}<i>T-Rex: LOOKED LIKE</i>
<i>A GROUNDOUT TO ME.</i>
SAY WHAT, PARTNER?

1157
00:54:44,382 --> 00:54:46,283
I SAID, "IT LOOKED LIKE
A GROUNDOUT TO ME."

1158
00:54:46,317 --> 00:54:47,685
YOU DON'T SEE IT.

1159
00:54:47,718 --> 00:54:49,587
HE TIPPED HIS PITCH,
AND I CALLED IT.

1160
00:54:49,620 --> 00:54:51,522
{\an8}<i>KORON, HOW LONG HAS THIS</i>
<i>PITCHER BEEN IN THE LEAGUE?</i>

1161
00:54:51,556 --> 00:54:53,358
TWO YEARS.
{\an8}<i>TWO YEARS, MAN!</i>

1162
00:54:53,391 --> 00:54:55,192
HE'S SHOWIN' HIS PITCH,
AND HE DON'T EVEN KNOW IT.

1163
00:54:55,225 --> 00:54:56,527
LOOK HERE --
WATCH HIS RIGHT ARM.

1164
00:54:56,561 --> 00:54:58,629
HIS ELBOW GO IN LIKE THIS.
HE GRIP THE BALL.

1165
00:54:58,996 --> 00:55:00,264
HE THROWIN' A CURVE BALL.

1166
00:55:00,297 --> 00:55:02,132
{\an8}<i>DIP, GRIP, CURVE BALL.</i>

1167
00:55:02,166 --> 00:55:03,133
COME ON, MAN!

1168
00:55:03,334 --> 00:55:04,435
SKILLETT!

1169
00:55:04,469 --> 00:55:05,503
COME ON, BABY!

1170
00:55:05,536 --> 00:55:07,137
COME ON!

1171
00:55:22,152 --> 00:55:23,788
{\an8}<i>Announcer:</i>
<i>RUNNERS LEAD AWAY,</i>

1172
00:55:23,821 --> 00:55:26,190
{\an8}<i>AND FUKUDA WORKING</i>
<i>FROM THE STRETCH.</i>

1173
00:55:26,223 --> 00:55:29,394
{\an8}<i>THE PITCH, AND A SWING</i>
<i>AND A SOLID LINE-DRIVE SINGLE</i>

1174
00:55:29,427 --> 00:55:31,429
{\an8}<i>TO LEFT FIELD.</i>
DAMN!

1175
00:55:34,832 --> 00:55:37,301
{\an8}<i>AND ANOTHER RUN SCORES.</i>

1176
00:55:37,334 --> 00:55:41,506
{\an8}<i>THE ASTROS IN A POSITION NOW</i>
<i>TO BREAK THIS GAME WIDE-OPEN.</i>

1177
00:55:44,274 --> 00:55:45,476
HEY!

1178
00:55:45,510 --> 00:55:46,577
YOU OKAY?

1179
00:55:54,351 --> 00:55:56,687
I DON'T WANT PANAS
TO TAKE ME OUT.

1180
00:55:57,755 --> 00:56:00,024
I HAD A FEW BAD OUTINGS
IN A ROW,

1181
00:56:00,057 --> 00:56:02,259
AND IF I DON'T GET MY FACE
OUT MY ASS

1182
00:56:02,292 --> 00:56:04,495
AND GET OUT THIS INNING,

1183
00:56:04,529 --> 00:56:07,197
I KNOW THE TEAM IS GOING TO
GIVE ME THE SHOE.

1184
00:56:07,231 --> 00:56:08,666
GIVE YOU THE SHOE?

1185
00:56:08,699 --> 00:56:10,034
YEAH, THE SHOE.

1186
00:56:11,869 --> 00:56:14,572
LOOK, DON'T BE THINKIN'
NEGATIVE OUT HERE, OKAY?

1187
00:56:14,772 --> 00:56:16,674
JUST KEEP THE BALL
LOW AND AWAY.

1188
00:56:16,707 --> 00:56:18,509
WE'LL GET YOU
OUT THE INNING, OKAY?

1189
00:56:18,543 --> 00:56:20,210
THEN I'M GONNA WORK ON
YOUR CUSSIN', ALL RIGHT?

1190
00:56:20,244 --> 00:56:21,278
COME ON.

1191
00:56:21,311 --> 00:56:22,780
LET'S GO, BABY.
LET'S GO.

1192
00:56:22,813 --> 00:56:27,251
{\an8}<i>Man onSHORTSTOP,</i>
<i>NUMBER 3, CECIL GERVIS.</i>

1193
00:56:27,284 --> 00:56:29,386
{\an8}<i>Announcer: GERVIS,</i>
<i>WITH A 6-GAME HITTING STREAK,</i>

1194
00:56:29,420 --> 00:56:31,556
{\an8}<i>AT THE PLATE.</i>

1195
00:56:31,589 --> 00:56:33,390
{\an8}<i>FUKUDA CHECKS HIS SIGN.</i>

1196
00:56:33,424 --> 00:56:35,426
{\an8}<i>THE RIGHT-HANDER</i>
<i>FROM THE STRETCH,</i>

1197
00:56:35,460 --> 00:56:38,128
{\an8}<i>CHECKS THE RUNNERS NOW,</i>
<i>AND HERE'S THE PITCH.</i>

1198
00:56:38,328 --> 00:56:41,532
{\an8}<i>A BIG SWING AND A SLOW ROLLER</i>
<i>TOWARDS SHORT.</i>

1199
00:56:41,566 --> 00:56:44,635
{\an8}<i>SKILLETT CHARGES.</i>
<i>HIS ONLY PLAY IS TO FIRST.</i>
<i>SAFE!</i>

1200
00:56:44,669 --> 00:56:46,737
{\an8}<i>HE'S SAFE.</i>
<i>THE BASES ARE LOADED.</i>
<i>BULL! HE WAS OUT!</i>
<i>HE'S OUT!</i>

1201
00:56:46,771 --> 00:56:48,473
{\an8}<i>AND ROSS IS HOT.</i>
<i>THAT'S THE THIRD OUT!</i>

1202
00:56:48,506 --> 00:56:50,608
THAT'S
THE THIRD DAMN OUT!

1203
00:56:50,641 --> 00:56:52,710
RAY CHARLES
COULD'VE CALL THAT CALL!
LAST WARNING.
LAST WARNING.

1204
00:56:52,743 --> 00:56:54,278
DAMN YOU, MAN!

1205
00:57:09,460 --> 00:57:11,261
BE WITH ME.

1206
00:57:11,428 --> 00:57:13,297
JUST BE WITH ME.

1207
00:57:13,330 --> 00:57:14,431
COME ON, LET'S GO.

1208
00:57:14,465 --> 00:57:15,633
LET'S GO!

1209
00:57:15,666 --> 00:57:17,267
{\an8}<i>TWO OUT!</i>

1210
00:57:17,301 --> 00:57:19,403
{\an8}<i>I DON'T EVEN KNOW WHY</i>
<i>I BOTHERED COMIN' BACK.</i>

1211
00:57:19,436 --> 00:57:22,106
YOU CAN'T PLAY.
YOU DEFINITELY CAN'T, UMP.

1212
00:57:23,140 --> 00:57:25,342
YOU NEED TO RELAX, OLD MAN,
BEFORE YOU POP A VALVE.

1213
00:57:25,375 --> 00:57:26,911
YOU NEED TO
SIT YOUR ASS DOWN.
OH, YEAH?
WHY'S THAT?

1214
00:57:26,944 --> 00:57:28,846
BECAUSE YOU OUT,
SUCKER PUNK!

1215
00:57:28,879 --> 00:57:30,247
HE'S OUT!
RIGHT HERE.
RIGHT HERE, BABY!

1216
00:57:30,280 --> 00:57:31,649
GRAB SOME, BITCH!

1217
00:57:31,849 --> 00:57:38,689
{\an8}<i>* WHOOMP, THERE IT IS!</i>

1218
00:57:38,889 --> 00:57:41,191
{\an8}<i>* WHOOMP, THERE IT IS!</i>

1219
00:57:48,666 --> 00:57:51,869
{\an8}<i>Crowd:</i>
<i>LET'S GO, BREWERS, LET'S GO.</i>

1220
00:57:52,302 --> 00:57:54,705
{\an8}<i>Stan: THEIR MAN KEEP THROWING</i>
<i>CURVES, BUT IT'S ALL HE GOT.</i>

1221
00:57:54,739 --> 00:57:57,608
HE DONE LOST HIS SLIDER.
HE DONE LOST HIS FASTBALL.

1222
00:57:57,642 --> 00:57:59,644
{\an8}<i>CURVE BALL.</i>
<i>CURVE BALL.</i>

1223
00:57:59,677 --> 00:58:01,779
{\an8}<i>WATCH THIS.</i>
<i>WATCH THIS.</i>

1224
00:58:01,812 --> 00:58:03,313
{\an8}<i>WATCH.</i>
<i>HERE YOU GO.</i>

1225
00:58:04,682 --> 00:58:06,150
{\an8}<i>WHAT'D I TELL YOU?</i>

1226
00:58:06,183 --> 00:58:07,251
WHAT'D I --

1227
00:58:09,520 --> 00:58:10,454
CURVE BALL.
CURVE BALL.

1228
00:58:10,487 --> 00:58:12,389
{\an8}<i>THIS IS WHAT</i>
<i>I'M TALKIN' ABOUT.</i>

1229
00:58:12,422 --> 00:58:13,791
IF HE THROW
ANOTHER CURVE BALL,

1230
00:58:13,824 --> 00:58:16,260
I'M GONNA SLAP
THE SHIT OUT OF T-REX.
YEP.

1231
00:58:17,928 --> 00:58:19,864
{\an8}<i>WATCH HIM. WATCH. WATCH.</i>
<i>WATCH. WATCH. WATCH HIM.</i>

1232
00:58:22,700 --> 00:58:24,735
YES!
CURVE BALL!

1233
00:58:32,677 --> 00:58:33,811
{\an8}<i>* GROOVIN'</i>

1234
00:58:33,844 --> 00:58:37,181
{\an8}<i>* AIN'T NO STOPPING US NOW</i>

1235
00:58:37,214 --> 00:58:38,983
{\an8}<i>* GROOVIN'</i>

1236
00:58:39,016 --> 00:58:41,652
AAH, WHAT'D I TELL YOU?

1237
00:58:41,686 --> 00:58:44,254
WHAT'D I TELL YOU, BABY?
WHAT'D I TELL YOU?

1238
00:58:44,288 --> 00:58:46,657
YO, HOMES. YO, WHAT ARE YOU
JAWIN' ABOUT NOW, OLD SCHOOL?

1239
00:58:46,691 --> 00:58:48,726
HE TIPPED HIS PITCH.
I KNOW YOU SAW IT.

1240
00:58:48,759 --> 00:58:51,228
{\an8}<i>ARE YOU STILL TALKING ABOUT</i>
<i>THAT WEAK-ASS GROUND BALL, MAN?</i>

1241
00:58:51,261 --> 00:58:52,863
{\an8}<i>YEAH, I'M TALKING</i>
<i>ABOUT IT.</i>

1242
00:58:53,731 --> 00:58:55,700
ALL RIGHT, LET ME TELL YOU
SOMETHING, MAN.

1243
00:58:55,733 --> 00:58:58,603
ALL RIGHT?
I HIT 43 HOME RUNS.
WHAT?

1244
00:58:58,636 --> 00:59:02,339
43 HOME RUNS BEFORE
YOU EVER EVEN GOT HERE, MAN.

1245
00:59:02,372 --> 00:59:03,741
SO I DON'T NEED
NONE OF THAT.

1246
00:59:03,941 --> 00:59:05,542
SO SAVE IT!

1247
00:59:05,576 --> 00:59:07,377
{\an8}<i>T-REX.</i>
<i>T-REX.</i>

1248
00:59:07,411 --> 00:59:10,414
IT'S THE 31st TIME THIS YEAR
THAT YOU'VE HOMERED

1249
00:59:10,447 --> 00:59:11,882
BUT YOUR TEAM'S LOST.

1250
00:59:11,916 --> 00:59:13,350
DOES THAT GET TO YOU?

1251
00:59:13,383 --> 00:59:14,752
MY TEAM LOST, HUH?

1252
00:59:17,421 --> 00:59:20,290
YOU KNOW WHAT, MAN?

1253
00:59:20,324 --> 00:59:21,592
THIS AIN'T MY TEAM.

1254
00:59:21,626 --> 00:59:23,694
IF THIS WAS MY TEAM,

1255
00:59:23,728 --> 00:59:25,796
THESE FOOLS WOULD BE HITTIN'
HOME RUNS LIKE I'M HITTIN'.

1256
00:59:25,830 --> 00:59:28,232
AND THEY'D BE STEALIN' BASES
LIKE I'M OUT THERE STEALIN'.

1257
00:59:28,265 --> 00:59:29,967
I'M THE ONLY ONE OUT THERE
GETTIN' MINE.

1258
00:59:30,000 --> 00:59:31,869
WHAT THE REST OF THESE FOOLS
DOIN', HUH?

1259
00:59:31,902 --> 00:59:33,771
DOG, THEY AIN'T DOIN' CRAP!
TALK ABOUT A TEAM!

1260
00:59:33,971 --> 00:59:35,640
WE GO OUT THERE EVERY DAY, YEAH,
BUT THERE AIN'T NO NINE GUYS.

1261
00:59:35,673 --> 00:59:37,642
WE AIN'T NO TEAM.
THIS IS ME UP IN HERE.

1262
00:59:37,842 --> 00:59:40,711
THERE'S EIGHT OTHER CATS
THAT CAN'T EVEN --
{\an8}<i>Stan: WHOA!</i>

1263
00:59:40,745 --> 00:59:43,614
{\an8}<i>BOY, THAT PUP SOUND JUST LIKE</i>
<i>ME BACK IN THE DAY, I SWEAR.</i>

1264
00:59:43,648 --> 00:59:45,449
BOY, I'M TELLIN' YOU.

1265
00:59:45,482 --> 00:59:47,985
BUT YOU-ALL DIDN'T
CATCH THE REAL STORY
ON TONIGHT'S GAME.

1266
00:59:48,018 --> 00:59:49,720
{\an8}<i>WHAT'S THAT?</i>
NO, COME HERE.
LET ME ASK YOU-ALL A QUESTION.

1267
00:59:49,754 --> 00:59:52,389
{\an8}<i>Man:</i>
<i>MOVE IT OVER THERE.</i>

1268
00:59:52,422 --> 00:59:55,059
{\an8}<i>WHEN WAS THE LAST TIME</i>
<i>YOU-ALL SAW A 47-YEAR-OLD MAN</i>

1269
00:59:55,092 --> 00:59:57,728
{\an8}<i>END AN INNING WITH</i>
<i>THE HIDDEN-BALL TRICK, HUH?</i>

1270
00:59:57,762 --> 00:59:59,964
{\an8}<i>IS THAT THE FIRST TIME</i>
<i>YOU EVER PULLED THAT OFF</i>

1271
00:59:59,997 --> 01:00:01,298
IN A GAME?
ARE THE BREWERS GOIN'
TO THE WORLD SERIES?

1272
01:00:03,367 --> 01:00:06,270
{\an8}<i>IT WAS 1989,</i>
<i>AGAINST THE MARINERS.</i>

1273
01:00:10,808 --> 01:00:11,976
YO, T-REX.

1274
01:00:12,009 --> 01:00:13,377
HOLD UP.

1275
01:00:17,381 --> 01:00:19,616
YOU KNOW WHY I STEPPED IN
TONIGHT WITH THEM REPORTERS?

1276
01:00:19,650 --> 01:00:22,319
YEAH.

1277
01:00:22,352 --> 01:00:25,622
BECAUSE YOU CAN'T STAND
TO SEE ANOTHER BROTHER
GETTIN' SOME ATTENTION.

1278
01:00:25,656 --> 01:00:28,325
BOY, THAT'S WHAT YOU THINK?

1279
01:00:28,358 --> 01:00:30,661
YEAH, MAN,
THAT'S WHAT I THINK.

1280
01:00:32,529 --> 01:00:33,964
LET ME TELL YOU SOMETHING.

1281
01:00:33,998 --> 01:00:36,701
YOU KEEP TALKING ABOUT
YOUR TEAMMATES THE WAY YOU DO,

1282
01:00:36,734 --> 01:00:38,368
BOASTIN' ABOUT YOURSELF,

1283
01:00:38,402 --> 01:00:40,871
YOU'RE GONNA END UP
ALL BY YOURSELF...

1284
01:00:40,905 --> 01:00:45,042
ALL ALONE AND EMPTY,
LIKE YOU ARE RIGHT NOW.

1285
01:00:46,643 --> 01:00:48,645
YOU KNOW
WHAT'S GONNA HAPPEN?

1286
01:00:48,679 --> 01:00:51,348
THEY'RE GONNA RETIRE
YOUR NUMBER SOMEDAY,

1287
01:00:51,381 --> 01:00:54,952
AND BIG HORSE BERELLI
GONNA BE STANDIN'
RIGHT UP THERE WITH YOU.

1288
01:00:54,985 --> 01:00:57,755
YEAH? WHO THE HELL
IS BIG HORSE BERELLI?

1289
01:00:58,889 --> 01:01:00,825
THAT'S MY POINT EXACTLY.

1290
01:01:04,862 --> 01:01:06,663
NICE CAR.

1291
01:01:16,073 --> 01:01:18,075
{\an8}<i>Announcer:</i>
<i>HE'S PICKING UP HIS STRIDE,</i>

1292
01:01:18,108 --> 01:01:20,811
{\an8}<i>BLOWING AWAY THE COMPETITION.</i>

1293
01:01:20,845 --> 01:01:22,713
{\an8}<i>LOOKS LIKE THE BRATWURST</i>
<i>IS GETTING SMOKED.</i>

1294
01:01:22,747 --> 01:01:24,648
{\an8}<i>NO PUN INTENDED, KIDS.</i>

1295
01:01:24,681 --> 01:01:28,385
{\an8}<i>LOOKS LIKE NUMBER 3,</i>
<i>THE ITALIAN SAUSAGE, HAS WON.</i>

1296
01:01:38,863 --> 01:01:42,366
{\an8}<i>NOW BATTING, FIRST BASEMAN,</i>

1297
01:01:42,399 --> 01:01:46,603
{\an8}<i>NUMBER 21, STAN ROSS.</i>

1298
01:02:01,819 --> 01:02:02,820
COME ON, MAN.

1299
01:02:07,557 --> 01:02:09,860
{\an8}<i>Crowd:</i>
<i>CHARGE!</i>

1300
01:02:09,894 --> 01:02:11,595
HA!

1301
01:02:15,800 --> 01:02:17,734
YEAH!
WHOO!

1302
01:02:26,476 --> 01:02:27,978
HEY, STAN!

1303
01:02:33,617 --> 01:02:35,953
{\an8}<i>* YEAH</i>

1304
01:02:36,153 --> 01:02:37,587
{\an8}<i>* HEY</i>

1305
01:02:39,623 --> 01:02:42,659
{\an8}<i>* WHEN YOU WISH UPON A STAR</i>

1306
01:02:44,594 --> 01:02:46,630
{\an8}<i>* DREAMS WILL TAKE YOU</i>
<i>VERY FAR ♪</i>

1307
01:02:46,663 --> 01:02:48,632
{\an8}<i>* YEAH</i>

1308
01:02:48,665 --> 01:02:51,101
Crowd:
STAN! STAN!
{\an8}<i>* YOU'RE A SHINING STAR</i>

1309
01:02:51,135 --> 01:02:53,770
{\an8}<i>* NO MATTER WHO YOU ARE</i>

1310
01:02:53,804 --> 01:02:56,073
{\an8}<i>* SHINING BRIGHT TO SEE</i>

1311
01:02:56,106 --> 01:02:58,608
{\an8}<i>* WHAT YOU CAN TRULY BE</i>

1312
01:02:58,642 --> 01:03:00,577
{\an8}<i>* YOU'RE A SHINING STAR</i>

1313
01:03:00,610 --> 01:03:02,646
{\an8}<i>* NO MATTER WHO YOU ARE</i>

1314
01:03:02,679 --> 01:03:05,082
{\an8}<i>* SHINING BRIGHT TO SEE</i>

1315
01:03:05,115 --> 01:03:07,751
{\an8}<i>* WHAT YOU CAN TRULY BE</i>

1316
01:03:07,784 --> 01:03:10,520
{\an8}<i>* YOU'RE A SHINING STAR</i>

1317
01:03:10,554 --> 01:03:11,956
YO, LISTEN UP, Y'ALL.

1318
01:03:14,124 --> 01:03:16,526
YO! YO!
LISTEN UP!

1319
01:03:17,962 --> 01:03:19,997
{\an8}<i>THAT WAS A GOOD GAME, Y'ALL.</i>

1320
01:03:21,131 --> 01:03:22,867
HEY, STAN ROSS.

1321
01:03:25,135 --> 01:03:27,071
I GOT ONE QUESTION
FOR YOU, MAN.

1322
01:03:31,175 --> 01:03:33,777
YO, MAN,
WHAT THE HELL WAS YOU THINKIN'?

1323
01:03:38,648 --> 01:03:40,484
{\an8}<i>Y'ALL SAW OLD MAN RIVER</i>

1324
01:03:40,517 --> 01:03:43,620
SWIMMIN' ALL UP IN THE DIRT
FOR A HIT TODAY!

1325
01:03:47,157 --> 01:03:48,959
YO, BUT LISTEN, MAN.

1326
01:03:48,993 --> 01:03:51,128
{\an8}<i>HOW MANY GAMES WE GOT LEFT</i>
<i>IN THIS SEASON?</i>

1327
01:03:51,161 --> 01:03:52,963
{\an8}<i>Koron: 11.</i>

1328
01:03:52,997 --> 01:03:55,499
11 GAMES LEFT, Y'ALL.

1329
01:03:55,532 --> 01:03:58,202
{\an8}<i>AND HOW MANY GAMES</i>
<i>OUT OF THIRD PLACE ARE WE?</i>

1330
01:03:58,235 --> 01:03:59,669
7.

1331
01:04:01,771 --> 01:04:04,108
7 GAMES.

1332
01:04:05,542 --> 01:04:07,011
{\an8}<i>ONLY 7 GAMES OUT, Y'ALL.</i>

1333
01:04:07,044 --> 01:04:09,813
NOW, I DON'T SEE A DAMN REASON

1334
01:04:09,846 --> 01:04:12,582
WHY WE SHOULD SETTLE FOR
BEING IN FIFTH PLACE, YO!

1335
01:04:12,782 --> 01:04:14,184
- YEAH!
- YEAH!
- YEAH!
- YEAH!

1336
01:04:14,218 --> 01:04:15,719
{\an8}<i>SO, COME ON,</i>
<i>LET'S GET IT TOGETHER</i>

1337
01:04:15,752 --> 01:04:17,721
AND LET'S DO THIS
LIKE IT'S OCTOBER!

1338
01:04:17,754 --> 01:04:20,190
YEAH! YEAH!

1339
01:04:20,224 --> 01:04:22,927
YEAH!

1340
01:04:29,866 --> 01:04:31,868
HEY! LET'S GET
A "BREWERS" ON THREE!

1341
01:04:31,902 --> 01:04:33,337
{\an8}<i>BREWERS ON THREE!</i>

1342
01:04:33,370 --> 01:04:35,005
1, 2, 3!
{\an8}<i>All: BREWERS!</i>

1343
01:04:35,039 --> 01:04:39,176
1, 2, 3!
{\an8}<i>BREWERS!</i>

1344
01:04:39,209 --> 01:04:41,678
OHHH, BUT LIS-- LISTEN.

1345
01:04:41,711 --> 01:04:43,680
I'M ON THIRD BASE, RIGHT?

1346
01:04:43,713 --> 01:04:46,016
NOLAN RYAN LOOKING AT ME LIKE
HE WANT TO KILL ME, RIGHT?

1347
01:04:46,050 --> 01:04:47,751
BOCA'S GETTING
READY TO BUNT.

1348
01:04:47,784 --> 01:04:49,219
NOW, THE MANAGER
DIDN'T CALL IT OR NOTHIN'.

1349
01:04:49,253 --> 01:04:51,055
BUT I KNOW
BOCA'S A BALLPLAYER.

1350
01:04:51,088 --> 01:04:53,723
HE'S THE REAL DEAL.
PLUS, I KNOW WHAT HE THINKIN'.

1351
01:04:53,757 --> 01:04:56,693
YEAH, YEAH, HE WAS THINKIN'
THAT I WAS THINKIN' WHAT
HE WAS THINKIN'.

1352
01:04:56,726 --> 01:04:58,862
WELL, LOOK, I'M GETTING READY
TO SPRINT TOWARDS HOME.

1353
01:04:58,895 --> 01:05:00,730
AS I'M TEARIN'
DOWN THE LINE,

1354
01:05:00,764 --> 01:05:02,599
BOCA DECIDED
HE WANTED TO SWING AWAY.

1355
01:05:02,632 --> 01:05:03,867
I WASN'T THINKIN'.

1356
01:05:03,900 --> 01:05:05,702
MAN, WASN'T THINKIN'!

1357
01:05:05,735 --> 01:05:08,272
I MEAN, HIT A SCREAMIN' LINER
RIGHT PAST MY HEAD.

1358
01:05:08,305 --> 01:05:09,906
ALL I HEARD --

1359
01:05:13,010 --> 01:05:15,946
OH, HOLD ON, FELLAS.
HOLD ON.

1360
01:05:15,980 --> 01:05:18,082
UH-OH.

1361
01:05:18,115 --> 01:05:20,117
{\an8}<i>* DA-DA-DAH, DA-DA-DAH!</i>

1362
01:05:26,690 --> 01:05:29,093
SO, YOU'RE
THE STORY AGAIN.

1363
01:05:31,095 --> 01:05:32,896
STILL MAD AT ME?

1364
01:05:32,929 --> 01:05:35,265
HMM?

1365
01:05:36,266 --> 01:05:38,335
NAH.

1366
01:05:38,368 --> 01:05:40,137
I'M HITTIN' NOW.

1367
01:05:45,942 --> 01:05:50,347
{\an8}<i>* I'VE BEEN REALLY TRYING,</i>
<i>BABY *</i>
<i>MM. MM.</i>

1368
01:05:50,380 --> 01:05:54,084
{\an8}<i>* TRYING TO HOLD BACK</i>
<i>THIS FEELING *</i>
MM?
MM-HMM.

1369
01:05:54,118 --> 01:05:57,421
{\an8}<i>* FOR SO LONG</i>
MMMM.

1370
01:05:57,454 --> 01:06:02,692
{\an8}<i>* AND IF YOU FEEL</i>
<i>LIKE I FEEL, BABY *</i>
MM-HMM.
MM-MMM.

1371
01:06:02,726 --> 01:06:05,095
{\an8}<i>* COME ON</i>

1372
01:06:05,129 --> 01:06:07,164
{\an8}<i>* OH, COME ON</i>
SEE, THIS IS THE PART
I'M TALKIN' ABOUT.

1373
01:06:07,197 --> 01:06:10,134
{\an8}<i>* LET'S GET IT ON</i>

1374
01:06:10,167 --> 01:06:13,003
{\an8}<i>* OH, BABY</i>

1375
01:06:13,037 --> 01:06:15,772
{\an8}<i>* LET'S GET IT ON</i>

1376
01:06:15,805 --> 01:06:18,975
{\an8}<i>* LET'S GO, BABY</i>
YEAH.

1377
01:06:19,009 --> 01:06:22,879
{\an8}<i>* LET'S GET IT ON</i>
WELL...

1378
01:06:22,912 --> 01:06:24,314
HEY, W-WHERE YOU --
WHERE YOU GOIN'?

1379
01:06:24,348 --> 01:06:27,184
I GOTTA GO.

1380
01:06:27,217 --> 01:06:29,119
YOU GOTTA GO WHERE?

1381
01:06:29,153 --> 01:06:30,287
{\an8}<i>I JUST...</i>

1382
01:06:30,320 --> 01:06:33,457
GOTTA GO.

1383
01:06:33,490 --> 01:06:34,858
WHAT'S UP?

1384
01:06:34,891 --> 01:06:38,228
LOOK, STAN,
IT WAS JUST SEX, RIGHT?

1385
01:06:38,262 --> 01:06:41,031
I MEAN, BEST SEX I EVER HAD,
TOO, BUT...

1386
01:06:41,065 --> 01:06:42,132
THAT'S ALL IT WAS.

1387
01:06:42,166 --> 01:06:44,000
WHOA, WHOA, WHOA.

1388
01:06:44,034 --> 01:06:45,735
WHAT ABOUT THE SLEEPIN',
TALKIN' AND HANGIN' OUT PART?

1389
01:06:45,935 --> 01:06:48,872
WHAT ABOUT THAT?
THAT'S YOUR IDEA OF SEX.

1390
01:06:48,905 --> 01:06:50,974
WELL, HOLD ON.
A MAN COULD BE WRONG, NOW.

1391
01:06:51,007 --> 01:06:53,043
YOU SAID IT WASN'T SEX.
I'M JUST TRYING TO GO WITH THAT.

1392
01:06:53,077 --> 01:06:55,011
NO, BUT IT WAS
REALLY NICE, STAN.

1393
01:06:55,045 --> 01:06:56,480
WAIT, WAIT, WAIT. HOLD ON.
LET ME TALK TO YOU FOR A MINUTE.

1394
01:06:56,513 --> 01:06:58,148
OH, OH, HOLD ON NOW.

1395
01:06:58,182 --> 01:06:59,349
WHAT?

1396
01:06:59,383 --> 01:07:00,817
WAIT, LOOK.

1397
01:07:00,850 --> 01:07:02,386
LOOK, UH...

1398
01:07:02,419 --> 01:07:03,720
WHAT?

1399
01:07:03,753 --> 01:07:06,022
I WAS THINKIN'
ABOUT THAT PRODUCER,

1400
01:07:06,056 --> 01:07:08,058
THE BEHIND-THE-CAMERA STUFF
YOU WAS TALKIN' ABOUT.
YEAH?

1401
01:07:08,092 --> 01:07:11,361
A-AND I'M JUST WONDERIN',
UM...

1402
01:07:11,395 --> 01:07:13,963
AIN'T THAT SOMETHING YOU CAN DO
RIGHT HERE IN MILWAUKEE?

1403
01:07:15,532 --> 01:07:16,900
STAN.

1404
01:07:18,968 --> 01:07:20,404
STAN.

1405
01:07:21,871 --> 01:07:23,807
STAN, YOU'RE BEING
VERY SWEET.

1406
01:07:25,875 --> 01:07:28,445
BUT WE BOTH KNOW THAT, UH, YOU
AIN'T NEVER BEEN SERIOUS ENOUGH

1407
01:07:28,478 --> 01:07:30,447
TO GO BRINGIN' UP
SOMETHING LIKE THAT.

1408
01:07:30,480 --> 01:07:32,749
SO I'LL SEE YOU
AT THE BALL PARK...

1409
01:07:32,782 --> 01:07:34,451
SLUGGER.

1410
01:07:36,986 --> 01:07:40,224
{\an8}<i>* OH</i>

1411
01:07:40,390 --> 01:07:43,260
{\an8}<i>* GET YOURSELF TOGETHER</i>

1412
01:07:43,293 --> 01:07:45,395
{\an8}<i>* OR WE MIGHT AS WELL</i>
<i>SAY GOODBYE ♪</i>

1413
01:07:45,429 --> 01:07:48,865
{\an8}<i>* WHAT GOOD IS A LOVE AFFAIR</i>

1414
01:07:48,898 --> 01:07:52,736
{\an8}<i>* WHEN YOU CAN'T SEE</i>
<i>EYE TO EYE, HEY ♪</i>

1415
01:07:52,936 --> 01:07:54,304
{\an8}<i>* IF YOU DON'T KNOW ME BY NOW</i>

1416
01:07:58,575 --> 01:08:02,112
{\an8}<i>♪</i>

1417
01:08:24,268 --> 01:08:25,469
HEY, STAN. YO.

1418
01:08:25,502 --> 01:08:27,904
SAY, "1, 2, 3, GO."
1, 2, 3, GO.

1419
01:08:27,937 --> 01:08:30,073
{\an8}<i>* TAKE ME OUT TO THE BALL GAME,</i>
<i>TAKE ME OUT WITH THE CROWD ♪</i>

1420
01:08:30,106 --> 01:08:31,175
{\an8}<i>* BUY ME SOME PEANUTS</i>
<i>AND CRACKER JACK ♪</i>

1421
01:08:31,208 --> 01:08:31,508
{\an8}<i>* I DON'T CARE</i>
<i>IF I EVER GET BACK ♪</i>

1422
01:08:31,541 --> 01:08:32,509
YO, YO!

1423
01:08:33,877 --> 01:08:36,280
COME ON, MAN,
WITH THAT NOISE, MAN.
I'M TRYIN' TO WATCH A BALL GAME.

1424
01:08:36,313 --> 01:08:37,414
WHAT ARE YOU TALKIN'
ABOUT, {\an8}<i>PAPI?</i>

1425
01:08:37,447 --> 01:08:38,948
THIS SONG IS BASEBALL.

1426
01:08:38,982 --> 01:08:41,084
THAT AIN'T NO REAL
BASEBALL SONG.

1427
01:08:41,117 --> 01:08:42,452
YOU WANT TO HEAR
A REAL BASEBALL SONG?
YEAH.
YEAH.

1428
01:08:42,486 --> 01:08:43,987
{\an8}<i>* DA DA-DA-DA DA DA DA</i>

1429
01:08:44,020 --> 01:08:45,489
{\an8}<i>* DA-DA-DA-DA DA DA DA</i>

1430
01:08:45,522 --> 01:08:46,823
{\an8}<i>* DA-DA-DA DA-DA DA-DA</i>

1431
01:08:47,023 --> 01:08:48,425
{\an8}<i>* DA-DA-DA-DA DA DA DA</i>

1432
01:08:48,458 --> 01:08:52,929
{\an8}<i>* DA DA DA DA-DA-DA</i>

1433
01:08:52,962 --> 01:08:54,531
{\an8}<i>* DA DA-DA DA DA</i>

1434
01:08:54,564 --> 01:08:57,133
{\an8}<i>* DA-DA-DA DA-DA DA-DA</i>
<i>WHAT THE HELL IS THAT?</i>

1435
01:08:57,167 --> 01:08:58,868
WHAT?
{\an8}<i>IS THAT THE ICE-CREAM SONG?</i>

1436
01:08:58,902 --> 01:08:59,969
MAN, LET ME
TELL YOU SOMETHING, MAN.

1437
01:09:00,003 --> 01:09:01,871
WHEN I WAS A KID
ON SOUTH SIDE CHICAGO,

1438
01:09:01,905 --> 01:09:04,941
WE USED TO PLAY BASEBALL, MAN,
WHEN WE GOT OUT OF SCHOOL, MAN,

1439
01:09:04,974 --> 01:09:07,477
TILL IT GOT DARK, WHEN
YOU COULDN'T EVEN SEE YOUR
HAND IN FRONT OF YOUR FACE.

1440
01:09:07,844 --> 01:09:09,613
I USED TO PLAY CENTER FIELD,

1441
01:09:09,646 --> 01:09:12,516
AND EVERY SINGLE DAY, MAN,
MISTER SOFTEE ICE CREAM TRUCK

1442
01:09:12,549 --> 01:09:14,284
USED TO PARK
RIGHT BEHIND ME

1443
01:09:14,318 --> 01:09:16,119
AND PLAY THAT DAMN SONG.
TOLD YOU!

1444
01:09:16,152 --> 01:09:18,121
{\an8}<i>* DA-DA-DA DA-DA --</i>

1445
01:09:18,154 --> 01:09:19,823
YO!
HEY, YO!

1446
01:09:19,856 --> 01:09:21,458
{\an8}<i>YO! YO! YO!</i>

1447
01:09:21,491 --> 01:09:24,060
FELLAS, COME ON, NOW.
WE GOT A GAME GOIN' ON OUT HERE.

1448
01:09:24,093 --> 01:09:26,162
COME ON, WE GOT A SHOT
AT THIRD PLACE, RIGHT?

1449
01:09:26,196 --> 01:09:27,897
YOU'RE RIGHT. YOU'RE RIGHT.
YOU'RE RIGHT.

1450
01:09:27,931 --> 01:09:29,299
BESIDES, DOG,
THAT WAS WACK!

1451
01:09:30,534 --> 01:09:32,969
FAIRMOUNT PARK,
PHILLY, SON.

1452
01:09:33,002 --> 01:09:34,971
{\an8}<i>WE HAD</i>
<i>THAT GOOD HUMOR TRUCK.</i>

1453
01:09:35,004 --> 01:09:38,308
AND THIS IS WHAT BASEBALL MUSIC
SOUNDS LIKE.

1454
01:09:38,342 --> 01:09:40,377
{\an8}<i>* DA-DA-DA SKA-DA-DA DA-DA</i>

1455
01:09:40,410 --> 01:09:42,312
{\an8}<i>* DA-DA-DA-DA-DA DA DA</i>

1456
01:09:42,346 --> 01:09:44,481
{\an8}<i>* SKA-DA-DA DA-DA DA</i>

1457
01:09:44,514 --> 01:09:46,550
{\an8}<i>BOO!</i>
<i>BOO!</i> BOO!

1458
01:09:46,583 --> 01:09:54,991
{\an8}<i>* DA DA DA DA DA-DA-DA-DA</i>

1459
01:09:55,024 --> 01:09:56,660
I'M NOT PLAYIN' TODAY
'CAUSE OF THAT SONG.

1460
01:09:56,693 --> 01:09:58,528
YOU'RE WRONG FOR THAT.
DON'T MAKE NO ERRORS.

1461
01:10:12,075 --> 01:10:14,544
IT WAS WRONG THE WAY I QUIT
ON THE TEAM BACK THEN.

1462
01:10:16,480 --> 01:10:19,015
I WAS YOUNG, SKIP.

1463
01:10:19,048 --> 01:10:20,484
I WAS YOUNG.

1464
01:10:22,151 --> 01:10:26,523
{\an8}<i>Man onNOW BATTING,</i>
<i>SHORTSTOP, NUMBER 46,</i>

1465
01:10:26,556 --> 01:10:29,926
{\an8}<i>THURMAN YOST.</i>

1466
01:10:29,959 --> 01:10:32,195
MOW HIM DOWN, FU!

1467
01:10:32,228 --> 01:10:33,330
{\an8}<i>* HIT IT!</i>

1468
01:10:33,563 --> 01:10:43,907
{\an8}<i>* YEAH!</i>

1469
01:10:44,107 --> 01:10:47,911
{\an8}<i>* IT TAKES TWO</i>
<i>TO MAKE A THING GO RIGHT ♪</i>

1470
01:10:47,944 --> 01:10:50,414
{\an8}<i>* IT TAKES TWO</i>
<i>TO MAKE IT OUT OF SIGHT ♪</i>

1471
01:10:52,148 --> 01:10:56,553
{\an8}<i>* IT TAKES TWO</i>
<i>TO MAKE A THING GO RIGHT ♪</i>

1472
01:10:56,586 --> 01:10:59,222
{\an8}<i>* IT TAKES TWO</i>
<i>TO MAKE IT OUT OF SIGHT ♪</i>

1473
01:10:59,255 --> 01:11:00,624
{\an8}<i>* HIT IT</i>

1474
01:11:00,657 --> 01:11:02,959
{\an8}<i>* I WANT TO ROCK RIGHT NOW</i>

1475
01:11:02,992 --> 01:11:04,661
{\an8}<i>* I'M ROB BASE,</i>
<i>AND I CAME TO GET DOWN ♪</i>

1476
01:11:04,694 --> 01:11:06,496
{\an8}<i>* I'M NOT</i>
<i>INTERNATIONALLY KNOWN ♪</i>

1477
01:11:06,530 --> 01:11:08,665
{\an8}<i>* BUT I'M KNOWN</i>
<i>TO ROCK THE MICROPHONE ♪</i>

1478
01:11:08,698 --> 01:11:11,034
{\an8}<i>* BECAUSE I GET STUPID,</i>
<i>I MEAN OUTRAGEOUS ♪</i>

1479
01:11:11,267 --> 01:11:13,337
{\an8}<i>* STAY AWAY FROM ME</i>
<i>IF YOU'RE CONTAGIOUS ♪</i>

1480
01:11:13,370 --> 01:11:15,439
{\an8}<i>* 'CAUSE I'M THE WINNER,</i>
<i>I'M NOT THE LOSER ♪</i>

1481
01:11:15,472 --> 01:11:17,173
{\an8}<i>* TO BE AN EMCEE</i>
<i>IS WHAT I CHOOSE-A ♪</i>

1482
01:11:17,206 --> 01:11:19,643
SON OF A...

1483
01:11:19,676 --> 01:11:20,677
BITCH.

1484
01:11:20,710 --> 01:11:21,978
GOOD. GOOD. GOOD.

1485
01:11:22,011 --> 01:11:25,114
AFTER THE GAME,
WE PICK UP A...

1486
01:11:25,615 --> 01:11:26,583
BEYATCH.

1487
01:11:26,616 --> 01:11:29,085
ALL RIGHT!
THAT'S PIMP STUFF.

1488
01:11:29,118 --> 01:11:31,020
KISS MY...

1489
01:11:31,054 --> 01:11:32,356
BLACK ASS!

1490
01:11:32,389 --> 01:11:33,657
NO, NO,
DON'T GET PERSONAL.
WHOA!

1491
01:11:33,690 --> 01:11:35,492
DON'T GET PERSONAL. RIGHT.

1492
01:11:35,525 --> 01:11:37,327
NO, NO, NO.
{\an8}<i>Skillett:</i>
<i>THAT'S TOO MUCH.</i>

1493
01:11:37,361 --> 01:11:38,027
I DIDN'T MEAN IT.
NO, NO, I KNOW.
I KNOW YOU DIDN'T.

1494
01:11:38,061 --> 01:11:39,629
STAN'S BATTING AVERAGE IN...

1495
01:11:41,297 --> 01:11:43,633
1985.

1496
01:11:43,667 --> 01:11:46,670
COME ON, COME ON,
COME ON, COME ON, COME ON.

1497
01:11:46,703 --> 01:11:48,271
.327.

1498
01:11:48,304 --> 01:11:49,439
YEAH.
YEAH, OKAY.

1499
01:11:49,473 --> 01:11:51,441
OKAY, MY TURN. UM...

1500
01:11:51,475 --> 01:11:54,611
STAN ROSS' RBIs
IN 1981.

1501
01:11:54,644 --> 01:11:55,712
91.

1502
01:11:55,745 --> 01:11:57,347
OH, NO -- 93!

1503
01:11:57,381 --> 01:11:58,548
BULLCRAP!
LET ME SEE THAT.

1504
01:11:58,582 --> 01:12:00,149
YEAH, RIGHT.

1505
01:12:00,183 --> 01:12:02,018
CRAP!
93.

1506
01:12:02,051 --> 01:12:03,453
LET'S PLAY AGAIN.
YOUR TURN.

1507
01:12:03,487 --> 01:12:04,521
I DON'T WANT TO PLAY ANYMORE.

1508
01:12:04,554 --> 01:12:06,490
YOU DON'T WANT TO PLAY
ANYMORE?

1509
01:12:06,523 --> 01:12:08,124
WE GOT A GAME.
GET SERIOUS.
OH, NOW WE HAVE
A BALL GAME.

1510
01:12:08,157 --> 01:12:11,060
YOU'RE A SORE LOSER.
Y-YOU KNOW WHAT?

1511
01:12:13,162 --> 01:12:15,499
CRYBABY!

1512
01:12:15,532 --> 01:12:18,702
HE'S SUCH A CRYBABY.

1513
01:12:22,772 --> 01:12:24,541
STRIKE!
OH!

1514
01:12:26,510 --> 01:12:28,011
UHH!

1515
01:12:28,044 --> 01:12:29,746
{\an8}<i>Announcer:</i>
<i>GAME TIED AT 4.</i>

1516
01:12:29,779 --> 01:12:32,015
JUST ONE OUT AND THE WINNING RUN
AT THIRD BASE.

1517
01:12:32,048 --> 01:12:33,650
THE ASTRO INFIELD MOVING IN.

1518
01:12:33,683 --> 01:12:35,652
{\an8}<i>AND HERE COMES STAN ROSS.</i>

1519
01:12:35,685 --> 01:12:37,721
{\an8}<i>HE COULD WIN THE GAME RIGHT</i>
<i>HERE WITH A LONG FLY BALL,</i>

1520
01:12:38,121 --> 01:12:40,657
{\an8}<i>BUT YOU CAN BET</i>
<i>THAT'S NOT WHAT HE'S THINKING.</i>

1521
01:12:40,690 --> 01:12:43,026
{\an8}<i>INFIELD TIGHT,</i>
<i>HITTER'S DELIGHT.</i>

1522
01:12:43,059 --> 01:12:47,130
{\an8}<i>A GREAT CHANCE TO GET</i>
<i>HIT NUMBER 2,999.</i>

1523
01:12:47,697 --> 01:12:50,166
{\an8}<i>T-Rex: COME ON, Y'ALL.</i>
<i>HERE WE GO, STAN.</i>

1524
01:12:50,199 --> 01:12:52,101
BE A HITTER, BABY.
BE A HITTER.

1525
01:12:52,135 --> 01:12:53,369
COME ON,
JUST RUN THE MAN IN.

1526
01:12:53,537 --> 01:12:54,538
A GOOD FLY BALL, OKAY?

1527
01:13:01,244 --> 01:13:02,779
{\an8}<i>AND HERE COMES THE PITCH.</i>

1528
01:13:02,812 --> 01:13:08,051
{\an8}<i>HE SWINGS, AND IT'S</i>
<i>A HIGH FLY BALL TO RIGHT.</i>

1529
01:13:08,084 --> 01:13:10,654
{\an8}<i>IT'S CARRYING WELL.</i>
<i>IT'S TO THE WARNING TRACK.</i>

1530
01:13:12,155 --> 01:13:14,123
{\an8}<i>TO THE WALL!</i>

1531
01:13:14,323 --> 01:13:16,292
{\an8}<i>IT IS...GONE!</i>

1532
01:13:19,395 --> 01:13:20,764
{\an8}<i>A HOME RUN!</i>

1533
01:13:20,797 --> 01:13:21,765
WHOO!

1534
01:13:21,798 --> 01:13:24,367
{\an8}<i>STAN ROSS TOUCHES THEM ALL.</i>

1535
01:13:24,400 --> 01:13:25,802
I DON'T BELIEVE IT.

1536
01:13:25,835 --> 01:13:27,403
AAH!

1537
01:13:58,468 --> 01:14:01,337
{\an8}<i>* WHOA, I FEEL GOOD</i>

1538
01:14:02,506 --> 01:14:04,641
{\an8}<i>* I KNEW THAT I WOULD, NOW</i>
AAAAH!

1539
01:14:04,674 --> 01:14:05,742
{\an8}<i>* OW!</i>

1540
01:14:05,775 --> 01:14:06,910
{\an8}<i>* FEEL GOOD</i>

1541
01:14:06,943 --> 01:14:08,444
HUH?

1542
01:14:08,478 --> 01:14:10,146
WHO'S THE OLD MAN, BABY?

1543
01:14:10,179 --> 01:14:12,482
21!

1544
01:14:12,516 --> 01:14:15,552
WHO'S THE OLD MAN, BABY?
HUH?

1545
01:14:16,452 --> 01:14:18,421
I GOT YOUR "OLD MAN," BABY.

1546
01:14:18,454 --> 01:14:20,790
I GOT YOUR "OLD MAN."

1547
01:14:21,157 --> 01:14:23,560
I GOT YOUR "OLD MAN"!
WAY TO GO, STAN.
WAY TO GO.

1548
01:14:23,793 --> 01:14:26,262
I GAVE 'EM
THEY MONEY WORTH TONIGHT. OUTSTANDING. OUTSTANDING.

1549
01:14:26,295 --> 01:14:28,131
YOU FEEL GOOD?
I FEEL GREAT.

1550
01:14:28,164 --> 01:14:30,867
YOU LOOK GREAT.
YOU LOOKED LIKE
A CHAMPION OUT THERE.

1551
01:14:30,900 --> 01:14:32,669
{\an8}<i>STAN, LET ME PAINT YOU</i>
<i>A LITTLE PICTURE.</i>
GO AHEAD ON.

1552
01:14:32,869 --> 01:14:34,638
MILLER PARK,
STANDING ROOM ONLY.

1553
01:14:34,671 --> 01:14:35,839
GOT THAT?
I GOT IT.

1554
01:14:35,872 --> 01:14:38,875
43,000 SCREAMING FANS,

1555
01:14:38,908 --> 01:14:41,945
AND THEY'RE THERE FOR ONE REASON
AND ONE REASON ONLY --

1556
01:14:41,978 --> 01:14:46,149
TO WATCH THE LEGENDARY STAN ROSS
STEP TO THE PLATE AND DIG IN.

1557
01:14:46,182 --> 01:14:48,685
SHOOT, THAT AIN'T NO PICTURE.
THAT'S A DAMN REMBRANDT.

1558
01:14:48,885 --> 01:14:52,689
I AGREE, AND THAT'S WHY
I'M TELLING GUS NOT TO
PLAY YOU ON THE ROAD.

1559
01:14:53,489 --> 01:14:55,458
HOLD ON. H-H-HOLD ON, MAN.
CHILL OUT, BABY.

1560
01:14:55,491 --> 01:14:56,693
WHAT ARE
YOU TALKING ABOUT?

1561
01:14:56,726 --> 01:14:58,394
MAN, WE'RE
ON A ROLL, SCHEMBRI.

1562
01:14:58,427 --> 01:14:59,863
MAN, WE'RE GOING
FOR THIRD PLACE.

1563
01:14:59,896 --> 01:15:03,199
YOU'RE ONE HIT AWAY
FROM MAKING HISTORY, STAN.
OH!

1564
01:15:03,232 --> 01:15:05,902
DON'T YOU THINK
YOU OWE IT TO THE FANS
TO DO IT HERE AT HOME?

1565
01:15:05,935 --> 01:15:08,471
HMM?

1566
01:15:08,504 --> 01:15:09,639
I DON'T KNOW, SCHEMBRI.

1567
01:15:09,673 --> 01:15:11,307
Y-YOU'RE TAKIN' HALF
MY AT-BATS AWAY.

1568
01:15:11,340 --> 01:15:13,877
ALTHOUGH I HIT A HOME RUN,
I'M STILL 2 FOR 51.

1569
01:15:13,910 --> 01:15:15,645
{\an8}<i>2 FOR 58!</i>

1570
01:15:15,679 --> 01:15:17,480
{\an8}<i>* STAN ROSS</i>
<i>IS AT THE PLATE ♪</i>

1571
01:15:17,513 --> 01:15:19,182
{\an8}<i>* THE FANS,</i>
<i>THEY SIT AND WAIT ♪</i>

1572
01:15:19,215 --> 01:15:21,317
{\an8}<i>* EVEN THOUGH</i>
<i>HIS SWING'S -- ♪</i>

1573
01:15:21,350 --> 01:15:22,886
LOOK, WHAT I'M SAYIN' IS, MAN,
COME ON, DON'T CUT ME OUT.

1574
01:15:22,919 --> 01:15:24,854
THE TEAM NEED ME.
COME ON, NOW.

1575
01:15:24,888 --> 01:15:27,724
STAN, YOU HEARD THE SAUSAGE.
YOU'RE 2 FOR 58.

1576
01:15:27,757 --> 01:15:29,593
THE TEAM DOESN'T NEED YOU
TO GET IN THIRD PLACE.

1577
01:15:29,626 --> 01:15:31,360
THEY'RE ON FIRE!
COME ON, LET'S FACE IT.

1578
01:15:31,394 --> 01:15:33,329
BUT YOU, MY FRIEND --

1579
01:15:33,362 --> 01:15:36,499
YOU HAVE GOT TO START THINKING
ABOUT LIFE AFTER BASEBALL.

1580
01:15:36,532 --> 01:15:39,869
I'M TALKING ENDORSEMENTS,
PRODUCT LINES.

1581
01:15:39,903 --> 01:15:42,238
A STAN ROSS CANDY BAR.

1582
01:15:45,541 --> 01:15:48,344
I WANT YOU DOING PRESS
ALL WEEK LONG ON THE ROAD, STAN.

1583
01:15:48,377 --> 01:15:49,713
YOU PULL THIS OFF,

1584
01:15:49,913 --> 01:15:53,516
NOTHING'S GONNA KEEP YOU
OUT OF THE HALL OF FAME.

1585
01:15:53,549 --> 01:15:54,784
YOU'RE A CHAMPION.

1586
01:16:00,289 --> 01:16:02,726
{\an8}<i>HEY, STAN, TOM ARNOLD HERE.</i>
<i>CONGRATULATIONS ON EVERYTHING.</i>

1587
01:16:02,759 --> 01:16:04,527
THE TEAM'S ON A TEAR.
YOU WON SEVEN IN A ROW.

1588
01:16:04,560 --> 01:16:06,630
YOU GUYS COULD FINISH THIRD.

1589
01:16:06,663 --> 01:16:08,898
ARE YOU REALLY TALKING
TO US FROM THE CLUBHOUSE
DURING THE GAME?

1590
01:16:08,932 --> 01:16:11,367
WELL, THEY'RE NOT GONNA PLAY ME
UNTIL I COME HOME OFF THE ROAD,

1591
01:16:11,400 --> 01:16:14,337
SO I MIGHT AS WELL DO
SOMETHING ELSE WITH MY TIME.

1592
01:16:14,570 --> 01:16:16,940
STAN, HOW DOES IT FEEL {\an8}<i>NOT</i>
TO BE PLAYING RIGHT NOW?

1593
01:16:17,340 --> 01:16:19,442
IT DON'T FEEL GOOD,
ESPECIALLY THE WAY I'VE
BEEN SWINGING THE BAT,

1594
01:16:19,475 --> 01:16:20,877
BUT THAT'S
THE SKIP'S DECISION.

1595
01:16:20,910 --> 01:16:22,278
I HAVE TO GO WITH IT
BECAUSE, AS YOU SAY,

1596
01:16:22,311 --> 01:16:23,880
WE GOT A CHANCE
TO MAKE THIRD PLACE.

1597
01:16:23,913 --> 01:16:26,282
AND THEY WERE IN FIFTH PLACE
WHEN YOU GOT THERE.

1598
01:16:26,315 --> 01:16:28,785
WELL, I FINALLY GOT THEM PLAYIN'
PATENTED STAN ROSS BASEBALL.

1599
01:16:28,818 --> 01:16:29,819
OKAY, STAN.
{\an8}<i>HEY, STAN.</i>

1600
01:16:29,853 --> 01:16:31,320
STAN ROSS, AT 47,

1601
01:16:31,520 --> 01:16:32,989
THE OLDEST MAN EVER TO HOMER
IN THE MAJOR LEAGUES.

1602
01:16:33,022 --> 01:16:34,991
HOW'S IT FEEL, SLUGGER?

1603
01:16:35,024 --> 01:16:36,993
TO TELL YOU THE TRUTH, STAN, WE
NEVER THOUGHT YOU COULD DO IT,

1604
01:16:37,026 --> 01:16:38,594
AND SOME OF US
HOPED YOU WOULDN'T,

1605
01:16:38,628 --> 01:16:40,563
SO WE OWE YOU
AN APOLOGY BIG-TIME.

1606
01:16:40,596 --> 01:16:42,832
WELL, YOU KNOW, IT TAKES A BIG
MAN TO ADMIT WHEN HE WRONG,

1607
01:16:42,866 --> 01:16:45,869
BUT LIKE MY TEAMMATE
KENJI FUKUDA TAUGHT ME TO SAY...

1608
01:16:48,471 --> 01:16:50,573
{\an8}<i>WHAT THE HELL</i>
<i>IS HE TALKING ABOUT?</i>

1609
01:16:50,606 --> 01:16:51,941
STAN.
{\an8}<i>WHAT DOES THE FUTURE HOLD?</i>

1610
01:16:51,975 --> 01:16:54,310
YEAH, STAN.
{\an8}<i>WHAT ABOUT NUMBER 3,000?</i>

1611
01:16:54,343 --> 01:16:56,312
WHAT ABOUT IT?
{\an8}<i>WHAT GAME ARE YOU</i>
<i>ACTUALLY GONNA GET THIS HIT IN?</i>

1612
01:16:56,345 --> 01:16:57,747
I THINK I'M GONNA GET IT
ON THE NEXT AT-BAT.

1613
01:16:57,781 --> 01:16:59,482
YOU GOT ANOTHER HOMER
LEFT IN YOU?

1614
01:16:59,515 --> 01:17:01,017
KEEP YOUR POPCORN BY YOUR SIDE
'CAUSE IT'S COMIN'.

1615
01:17:02,551 --> 01:17:04,487
STAN ROSS.
{\an8}<i>IS IT GONNA BE A HOME RUN?</i>

1616
01:17:04,688 --> 01:17:06,522
WELL, THE FASTER YOU THROW IT
IN, THE QUICKER IT'S GOIN' OUT.

1617
01:17:06,555 --> 01:17:08,758
{\an8}<i>HEY, STAN.</i>
<i>STAN.</i>

1618
01:17:08,792 --> 01:17:10,927
LISTEN, MAN, I HOPE YOU WEREN'T
LISTENING TO ALL THE TRASH

1619
01:17:10,960 --> 01:17:12,495
WE WERE TALKING ABOUT YOU
BEFORE YOU HIT YOUR GROOVE.

1620
01:17:12,528 --> 01:17:13,730
TOM, YOU WOULDN'T EVEN BE
WHERE YOU ARE

1621
01:17:13,963 --> 01:17:15,098
IF IT WASN'T FOR ROSEANNE.

1622
01:17:16,399 --> 01:17:17,633
YOU KNOW WHAT?

1623
01:17:17,667 --> 01:17:19,302
THAT WOULD HAVE HURT
IF IT WASN'T TRUE.

1624
01:17:19,335 --> 01:17:22,371
STAN ROSS.

1625
01:17:22,405 --> 01:17:23,873
HEY, GIRL,
YOU BEEN WATCHIN'?

1626
01:17:23,907 --> 01:17:25,541
THE WHOLE WORLD
LOVES ME AGAIN, BABY.

1627
01:17:25,742 --> 01:17:27,777
STAN ROSS,
THE KING OF SWING.

1628
01:17:27,811 --> 01:17:29,879
SWEETHEART,
I'M GOIN' NATIONAL.

1629
01:17:29,913 --> 01:17:31,614
YOU KNOW,
YOU'RE STARTING TO SOUND

1630
01:17:31,647 --> 01:17:33,783
A LITTLE LIKE
THE OLD STAN NOW.

1631
01:17:33,817 --> 01:17:35,685
{\an8}<i>No, sweetheart, you're gettin'</i>
<i>the best of both worlds --</i>

1632
01:17:35,719 --> 01:17:37,120
THE OLD AND THE NEW
STAN ROSS.

1633
01:17:37,153 --> 01:17:38,955
TEAM PLAYER, BABY.

1634
01:17:38,988 --> 01:17:40,824
ALL RIGHT, SO AFTER YOU GO
NATIONAL WITH ALL THIS PRESS,

1635
01:17:40,857 --> 01:17:42,859
WHAT'S GONNA BE LEFT
FOR ME?

1636
01:17:42,892 --> 01:17:44,493
{\an8}<i>I'm gonna tell you</i>
<i>what's gonna be left for you.</i>

1637
01:17:44,527 --> 01:17:46,662
I'M GONNA GIVE YOU
A SPECIAL EXCLUSIVE.

1638
01:17:46,696 --> 01:17:50,133
YOU MEET ME AT THE BALL PARK
THURSDAY MORNING AT 9:00.

1639
01:17:50,166 --> 01:17:54,470
{\an8}<i>Just you and me</i>
<i>and the team.</i>

1640
01:17:54,503 --> 01:17:56,672
SEE, I CALLED A SPECIAL PRACTICE
ON MY DAY OFF

1641
01:17:56,706 --> 01:17:58,541
ON OUR LAST HOME STAND.
{\an8}<i>Wait a minute.</i>
<i>Wait a minute.</i>

1642
01:17:58,574 --> 01:18:00,676
STAN ROSS CALLED FOR
AN EXTRA PRACTICE?

1643
01:18:00,710 --> 01:18:03,346
NOW, I NEVER THOUGHT
I'D LIVE TO SEE THIS DAY.

1644
01:18:03,379 --> 01:18:05,982
I GUESS YOU ARE GETTING
A LITTLE SERIOUS, HUH?

1645
01:18:06,015 --> 01:18:08,684
MAYBE I'M GETTIN' SERIOUS
ABOUT YOU.

1646
01:18:13,522 --> 01:18:15,491
I'LL SEE YOU AT PRACTICE.

1647
01:18:15,524 --> 01:18:16,926
BABY,
YOU OWE IT TO YOURSELF.

1648
01:18:16,960 --> 01:18:18,494
BYE.

1649
01:18:21,097 --> 01:18:24,067
OH, BOY.

1650
01:18:24,100 --> 01:18:25,701
WHAT YOU GONNA DO?

1651
01:18:27,603 --> 01:18:29,372
WHOO!

1652
01:18:29,405 --> 01:18:31,540
{\an8}<i>* LET'S GROOVE TONIGHT</i>
HEY, HEY!
<i>HOW YOU DOIN', DOG?</i>

1653
01:18:31,574 --> 01:18:33,576
{\an8}<i>HEY, STAN, GO GET YOUR HIT</i>
<i>THIS SATURDAY, MAN.</i>

1654
01:18:33,609 --> 01:18:35,011
I GOT TICKETS
FOR THAT ONE, HUH?

1655
01:18:35,044 --> 01:18:36,545
NO, I GOT TICKETS
FOR TOMORROW!

1656
01:18:36,579 --> 01:18:38,014
YOU SAVE THE STUBS,
BOYS AND GIRLS,

1657
01:18:38,047 --> 01:18:39,783
BECAUSE I'M GOING DEEP
EVERY GAME,

1658
01:18:39,816 --> 01:18:40,984
AND THEY ALL GONNA BE
COLLECTOR'S ITEMS.

1659
01:18:41,217 --> 01:18:42,685
YOU-ALL WATCH AND SEE.

1660
01:18:42,718 --> 01:18:45,088
COME HERE.
I GOT A NEW IDEA. LISTEN.

1661
01:18:45,121 --> 01:18:48,057
I GOT A NEW PlayStation GAME --
"HALL OF FAME BASEBALL,"

1662
01:18:48,091 --> 01:18:49,959
WHERE I GET A CHANCE TO HIT
AGAINST ALL THOSE PITCHERS

1663
01:18:49,993 --> 01:18:51,861
THAT WERE DEAD
BEFORE I WAS BORN,

1664
01:18:51,895 --> 01:18:53,763
LIKE WALTER JOHNSON
AND CHRISTY MATHEWSON,

1665
01:18:53,797 --> 01:18:55,765
AND THAT CANDY-ASS
CY YOUNG.

1666
01:18:55,799 --> 01:18:57,533
WELL, YOU DRAW UP
THE PLANS.

1667
01:18:57,566 --> 01:19:00,536
YOU GOT A CALL AN HOUR AGO
FROM "THE TONIGHT SHOW."

1668
01:19:00,569 --> 01:19:01,905
THEY WANT YOU ON THERE TOMORROW.

1669
01:19:01,938 --> 01:19:04,540
I'M ON A ROLL, MAN.
I'M TELLIN' YOU.

1670
01:19:04,573 --> 01:19:06,475
THAT'S BIG-TIME EXPOSURE.
BUT HERE'S THE HOOK.

1671
01:19:06,509 --> 01:19:08,878
WHAT?
THEY WANT YOU
AT THE STUDIO AT 9:00.

1672
01:19:08,912 --> 01:19:10,613
THAT'S COOL.
THAT'S COOL.

1673
01:19:10,814 --> 01:19:12,548
BUT YOU GOT THAT EXTRA PRACTICE
IN THE MORNING.

1674
01:19:12,581 --> 01:19:14,750
THAT'S ONE PRACTICE --
ONE PRACTICE.

1675
01:19:14,784 --> 01:19:16,452
I'M TALKING
ABOUT JAY LENO.

1676
01:19:16,485 --> 01:19:18,487
THAT'S BIGGER
THAN THE GAME.

1677
01:19:21,157 --> 01:19:23,426
{\an8}<i>Leno:</i>
<i>STAN ROSS, COME ON OUT HERE!</i>

1678
01:19:25,594 --> 01:19:26,629
WHAT'S UP?

1679
01:19:30,466 --> 01:19:31,968
WHAT'S UP, BABY?

1680
01:19:32,001 --> 01:19:33,602
ALL ON, BABY.

1681
01:19:36,672 --> 01:19:38,174
HAVE A SEAT.

1682
01:19:39,642 --> 01:19:41,911
ALL RIGHT.

1683
01:19:41,945 --> 01:19:43,579
ALL RIGHT, TEAM BREWER
IS ON A ROLL,

1684
01:19:43,612 --> 01:19:44,848
MAKING A PUSH
FOR THIRD PLACE.

1685
01:19:45,048 --> 01:19:46,950
HA HA, BABY,
I'M ON A ROLL, TOO, JAY.

1686
01:19:46,983 --> 01:19:48,251
I'M ON A ROLL, TOO.

1687
01:19:48,284 --> 01:19:49,919
I'M SURE TO STAY
ON THAT ROLL,

1688
01:19:49,953 --> 01:19:51,687
WHAT, ARE YOU TAKING
THE ENSURE EVERY DAY?

1689
01:19:51,888 --> 01:19:53,522
{\an8}<i>IS IT ONCE A DAY</i>
<i>OR TWICE?</i>

1690
01:19:53,556 --> 01:19:55,825
AND THEN YOU HAVE
A SENSIBLE MEAL FOR DINNER.

1691
01:19:55,859 --> 01:19:57,526
I'M NOT SURE.
HOW DOES IT WORK?
I CAN DO ANYTHING
A 20-YEAR-OLD CAN DO.

1692
01:19:57,560 --> 01:19:58,995
ANY DOGGONE THING, BABY.

1693
01:19:59,028 --> 01:20:00,997
ANYTHING, HUH?

1694
01:20:01,030 --> 01:20:02,866
SHOW YOU RIGHT.
AND I CAN DO IT ALL NIGHT.

1695
01:20:03,066 --> 01:20:04,633
DAVE?

1696
01:20:04,667 --> 01:20:07,003
YEAH, THERE'S A LARGE BLACK MAN
HITTING ON YOUR WIFE.

1697
01:20:08,671 --> 01:20:10,606
YEAH, SHOW YOU RIGHT.
SO, WHAT'S NEXT?

1698
01:20:10,639 --> 01:20:12,008
I STARTED MY OWN LITTLE STUFF
RIGHT HERE.

1699
01:20:12,041 --> 01:20:13,943
CHECK THIS OUT.
LOOK AT THAT.

1700
01:20:13,977 --> 01:20:16,846
MY OWN LITTLE CANDY --
ROSS BAR.
"ROSS BAR."

1701
01:20:16,880 --> 01:20:18,982
GET A SHOT OF THAT ONE.

1702
01:20:19,015 --> 01:20:21,985
THAT IS THE MOST RATTY-ASS
CANDY BAR I'VE EVER SEEN.

1703
01:20:22,018 --> 01:20:24,787
{\an8}<i>WHAT IS THAT? IT'S A PIECE</i>
<i>OF LOOSE-LEAF PAPER</i>
<i>YOU WROTE "ROSS BAR" ON.</i>

1704
01:20:24,820 --> 01:20:26,722
IT'S A PROTOTYPE.
{\an8}<i>OH, THE PROTOTYPE.</i>

1705
01:20:26,755 --> 01:20:28,724
{\an8}<i>YOU GOTTA START</i>
<i>SOMEWHERE.</i>

1706
01:20:28,757 --> 01:20:30,960
YOU KNOW,
I'M AN ENTREPRENEUR.

1707
01:20:30,994 --> 01:20:33,629
YOU KNOW, ONCE YOU GET
OVER THE INITIAL MODESTY,
I THINK YOU'LL BE FINE.

1708
01:20:33,662 --> 01:20:35,798
YOU TALKIN' TO THE LADIES' PET
THE MEN REGRET.

1709
01:20:35,831 --> 01:20:37,500
I'M STAN ROSS.

1710
01:20:37,533 --> 01:20:38,301
WHAT'S MY NAME, BABY?

1711
01:20:38,334 --> 01:20:39,835
{\an8}<i>Audience:</i>
<i>STAN ROSS!</i>

1712
01:20:39,869 --> 01:20:42,005
THEY CALL ME WHAT?
{\an8}<i>THE BOSS!</i>

1713
01:20:42,171 --> 01:20:43,639
BECAUSE I...
{\an8}<i>PAY THE COST!</i>

1714
01:20:43,672 --> 01:20:45,141
BECAUSE I'M...
{\an8}<i>STAN ROSS!</i>

1715
01:20:45,174 --> 01:20:47,843
TURN IT UP, BABY!

1716
01:20:47,877 --> 01:20:50,046
STAN ROSS.
BE RIGHT BACK RIGHT AFTER THIS.

1717
01:20:50,079 --> 01:20:51,314
{\an8}<i>DON'T GO AWAY.</i>

1718
01:20:54,683 --> 01:20:56,185
YES, SIR.

1719
01:20:56,219 --> 01:20:58,321
{\an8}<i>BOCA!</i>
<i>YO, BO!</i>

1720
01:20:58,354 --> 01:21:00,890
DID YOU SEE ME, BABY?
HA HA.

1721
01:21:00,924 --> 01:21:03,326
JAY AND I DID OUR THING.
THAT AIN'T NO ESPN.

1722
01:21:03,359 --> 01:21:05,761
I'M TALKIN' BIG-TIME.

1723
01:21:08,197 --> 01:21:10,266
HEY.
HEY, BABY.

1724
01:21:10,299 --> 01:21:12,168
DON'T YOU "BABY" ME.

1725
01:21:12,201 --> 01:21:14,770
I WENT TO THE BALL PARK THIS
MORNING, AND YOU WEREN'T THERE.

1726
01:21:14,971 --> 01:21:17,240
YOUR ENTIRE TEAM WAS THERE,
AND YOU'RE A NO-SHOW.

1727
01:21:17,640 --> 01:21:19,075
WELL, I MEAN...

1728
01:21:19,108 --> 01:21:21,744
"WELL?" DIDN'T YOU CALL
FOR THE PRACTICE?

1729
01:21:21,777 --> 01:21:23,746
AND BESIDES LETTING DOWN
YOUR TEAMMATES,

1730
01:21:23,779 --> 01:21:25,949
YOU TOLD ME
I COULD INTERVIEW YOU.

1731
01:21:25,982 --> 01:21:27,951
WELL, COME ON,
INTERVIEW ME NOW.

1732
01:21:27,984 --> 01:21:29,852
COME ON,
TURN THE CAMERA ON.

1733
01:21:29,885 --> 01:21:31,087
IT'S NOT LIKE
I'M HIDING FROM YOU, BABY.

1734
01:21:31,120 --> 01:21:32,655
I'LL COME RIGHT AROUND.
THAT AIN'T NOTHIN'.

1735
01:21:32,888 --> 01:21:34,557
{\an8}<i>SHOOT.</i>

1736
01:21:34,590 --> 01:21:36,259
{\an8}<i>COME ON, BABY.</i>

1737
01:21:36,292 --> 01:21:38,261
ALL RIGHT, FORGET THIS.
I'LL -- I'LL JUST FREESTYLE IT.

1738
01:21:38,294 --> 01:21:39,895
MARK, STEVE,
ARE YOU READY?

1739
01:21:39,929 --> 01:21:41,998
YOU DIDN'T ASK ME
IF I'M READY.

1740
01:21:42,231 --> 01:21:43,866
WELL, YOU ALWAYS READY.
WELL, LET ME
GET ON THAT SIDE.

1741
01:21:43,899 --> 01:21:45,601
YOU CAN SEE THE BALLS.
IT LOOKS BETTER.

1742
01:21:45,634 --> 01:21:46,702
HEY, HOW YOU DOIN'?
ALL RIGHT, STAN.

1743
01:21:46,735 --> 01:21:48,204
GOOD.

1744
01:21:48,237 --> 01:21:49,738
COME ON, BABY.

1745
01:21:52,275 --> 01:21:54,910
I'M HERE WITH HALL OF FAMER
HOPEFUL STAN ROSS,

1746
01:21:55,078 --> 01:21:56,912
WHO IS NOW JUST ONE HIT

1747
01:21:56,946 --> 01:22:01,317
FROM RECLAIMING HIS CHERISHED
3,000 CAREER HITS.

1748
01:22:01,985 --> 01:22:04,320
BUT LET'S TALK
ABOUT THE NAME "MR. 3000."

1749
01:22:04,353 --> 01:22:06,922
FIT JUST RIGHT,
DOESN'T IT?

1750
01:22:06,956 --> 01:22:09,392
WHY IS THERE SO MUCH EMPHASIS
ON THE NAME?

1751
01:22:09,425 --> 01:22:11,294
WHY DO YOU CARE
SO MUCH ABOUT IT?

1752
01:22:11,327 --> 01:22:13,929
BECAUSE
IT IDENTIFIES GREATNESS.

1753
01:22:13,963 --> 01:22:16,932
WHEN YOU THINK OF MR. 3000,
YOU THINK OF MR. STAN ROSS,

1754
01:22:16,966 --> 01:22:19,402
ONE OF THE GREATEST HITTERS
STRAIGHT UP AND DOWN.

1755
01:22:19,435 --> 01:22:21,737
WHO WERE YOU
BEFORE MR. 3000?

1756
01:22:21,770 --> 01:22:23,339
MR. 3000.

1757
01:22:25,008 --> 01:22:27,143
I'M JUST KIDDING.

1758
01:22:27,176 --> 01:22:29,145
BEFORE THAT,
I WAS A YOUNG BLACK KID

1759
01:22:29,178 --> 01:22:30,779
ON THE SOUTH SIDE OF CHICAGO,
STANLEY ROSS,

1760
01:22:30,813 --> 01:22:32,181
JUST PLAYIN' BASEBALL.

1761
01:22:32,215 --> 01:22:34,950
WHAT DOES STANLEY ROSS
THINK OF MR. 3000?

1762
01:22:34,984 --> 01:22:36,285
HE WANTS HIS AUTOGRAPH.

1763
01:22:37,353 --> 01:22:38,287
REALLY?

1764
01:22:38,321 --> 01:22:39,622
{\an8}<i>REALLY.</i>

1765
01:22:39,655 --> 01:22:42,091
WHAT ABOUT YOUR TEAMMATES?

1766
01:22:42,125 --> 01:22:43,759
THEY DON'T NEED IT.

1767
01:22:43,792 --> 01:22:46,029
THEY GET THE CHANCE TO SEE
HISTORY IN THE MAKING.

1768
01:22:46,062 --> 01:22:47,630
OH, OKAY.

1769
01:22:47,663 --> 01:22:49,765
SO WHAT YOU'RE SAYING IS,

1770
01:22:49,798 --> 01:22:52,701
YOUR TEAMMATES GET TO SEE
YOUR 3,000th HIT,
{\an8}<i>MM-HMM.</i>

1771
01:22:52,735 --> 01:22:54,703
BUT NOT POTENTIALLY MOVE
INTO THIRD PLACE?

1772
01:22:54,737 --> 01:22:56,372
{\an8}<i>WHAT I'M SAYING IS,</i>

1773
01:22:56,405 --> 01:22:58,441
THOUSANDS OF PEOPLE
BOUGHT TICKETS THIS WEEKEND,

1774
01:22:58,474 --> 01:23:00,209
NOT TO SEE US PLAY
FOR THIRD PLACE,

1775
01:23:00,243 --> 01:23:02,778
BUT TO SEE ME GET MY HIT.

1776
01:23:02,811 --> 01:23:04,313
REALLY?
{\an8}<i>DAMN RIGHT.</i>

1777
01:23:04,347 --> 01:23:06,015
{\an8}<i>IT'S THE SAME REASON</i>
<i>WHY EVERYBODY ELSE HERE.</i>

1778
01:23:06,049 --> 01:23:08,184
SAME REASON WHY THEY HERE.
SAME REASON WHY YOU HERE,

1779
01:23:08,217 --> 01:23:09,452
UNLESS YOU'RE HERE
FOR SOMETHING ELSE.

1780
01:23:09,485 --> 01:23:11,387
OH. OH, OKAY.

1781
01:23:12,321 --> 01:23:14,657
YOU SELFISH
SON OF A BITCH!

1782
01:23:14,690 --> 01:23:16,792
YOU DON'T WANT THAT
ON THAT CAMERA.
NO, NO, NO.
I'M FINE.

1783
01:23:16,825 --> 01:23:18,861
BECAUSE I'M NOT THE ONE
WHO'S DESPERATE

1784
01:23:18,894 --> 01:23:20,863
TO LIVE HIS ENTIRE LIFE
IN FRONT OF THE CAMERA.

1785
01:23:20,896 --> 01:23:23,299
WHY DON'T YOU JUST GO ON
AND TELL THEM ABOUT TORONTO

1786
01:23:23,332 --> 01:23:25,000
AND THE HISTORY
YOU LEFT THERE?
OH, COME ON, MO.
THAT'S SO OLD.

1787
01:23:25,034 --> 01:23:27,903
YOU'RE OLD!
YOUR DAMN EGO IS SO OLD!

1788
01:23:27,936 --> 01:23:30,139
IT HASN'T CHANGED, STAN.

1789
01:23:30,173 --> 01:23:32,007
I MEAN...

1790
01:23:32,041 --> 01:23:34,977
HOW AM I SUPPOSED TO EVEN
THINK ABOUT MOVING BACK HERE

1791
01:23:35,010 --> 01:23:36,912
WHEN YOU CAN'T EVEN DO
WHAT YOU SAY YOU'RE GONNA DO?

1792
01:23:36,945 --> 01:23:38,914
MO, IT'S ONLY
ONE DAMN PRACTICE, BABY.

1793
01:23:38,947 --> 01:23:42,017
YOU KNOW IT'S BIGGER
THAN ONE PRACTICE, STAN.

1794
01:23:50,359 --> 01:23:52,228
BUT YOU'RE RIGHT.

1795
01:23:54,029 --> 01:23:56,699
I AM HERE TO RECORD
YOUR HISTORY IN THE MAKING.

1796
01:23:59,034 --> 01:24:02,004
AND IT'S THE SAME
AS IT EVER WAS.

1797
01:24:02,037 --> 01:24:03,806
MO.

1798
01:24:09,212 --> 01:24:10,946
{\an8}<i>Boca:</i>
<i>YOU GONNA RUN AFTER HER?</i>

1799
01:24:17,386 --> 01:24:18,721
NO.

1800
01:24:19,955 --> 01:24:22,291
I'LL CATCH HER LATER.

1801
01:24:22,325 --> 01:24:25,094
I GOT BALL GAMES TO PLAY.

1802
01:24:29,765 --> 01:24:30,533
WHAT?

1803
01:24:30,566 --> 01:24:32,535
WHEW.
{\an8}<i>WHAT?</i>

1804
01:24:32,568 --> 01:24:36,205
NO, I'M -- I'M JUST SAYING, MAN,
THAT'S WHY I LOVE YOU, MAN.

1805
01:24:36,239 --> 01:24:37,906
WAIT A MINUTE.

1806
01:24:37,940 --> 01:24:39,808
WHAT DO YOU MEAN?

1807
01:24:39,842 --> 01:24:43,212
I'M JUST SAYING
THAT I COULD ALWAYS COUNT ON YOU

1808
01:24:43,246 --> 01:24:44,880
TO DO YOUR THING,
YOU KNOW?

1809
01:24:44,913 --> 01:24:47,150
YOU'RE CONSISTENT.
YOU'RE ALWAYS DRIVEN.

1810
01:24:47,183 --> 01:24:49,152
AND YOU'RE ALWAYS
FOR YOURSELF.

1811
01:24:50,286 --> 01:24:52,421
YOU SAYIN'
THAT'S A GOOD THING?

1812
01:24:55,958 --> 01:24:57,293
I'M JUST SAYING.

1813
01:25:05,534 --> 01:25:07,903
{\an8}<i>* COME ON!</i>

1814
01:25:07,936 --> 01:25:09,805
{\an8}<i>Announcer:</i>
<i>JUST TWO WEEKS AGO, FANS,</i>

1815
01:25:09,838 --> 01:25:11,174
{\an8}<i>THE MILWAUKEE BREWERS</i>
<i>SEEMED WILLING</i>

1816
01:25:11,207 --> 01:25:13,108
{\an8}<i>TO ACCEPT</i>
<i>THEIR PERENNIAL POSITION</i>

1817
01:25:13,142 --> 01:25:15,244
{\an8}<i>IN THE DIVISION CELLAR.</i>

1818
01:25:15,278 --> 01:25:16,945
{\an8}<i>IS IT MORE THAN A COINCIDENCE</i>

1819
01:25:16,979 --> 01:25:19,014
{\an8}<i>THAT THEIR SOLID DEFENSE</i>
<i>AND CLUTCH HITTING</i>

1820
01:25:19,047 --> 01:25:24,019
{\an8}<i>STARTED WITH</i>
<i>STAN ROSS' 2,998th HIT?</i>

1821
01:25:24,052 --> 01:25:27,022
{\an8}<i>WELL, ROSS WAS JUST A SPECTATOR</i>
<i>DURING THEIR LAST ROAD TRIP.</i>

1822
01:25:27,055 --> 01:25:31,160
{\an8}<i>T-REX PENNEBAKER HAS EMERGED</i>
<i>AS THE TEAM LEADER.</i>

1823
01:25:31,194 --> 01:25:33,596
{\an8}<i>WE'VE ALL WITNESSED THE</i>
<i>MOUNTING FRUSTRATION FOR ROSS,</i>

1824
01:25:33,629 --> 01:25:35,164
{\an8}<i>WHO HAS GONE HITLESS</i>

1825
01:25:35,364 --> 01:25:36,865
{\an8}<i>IN THE FIRST TWO GAMES</i>
<i>AGAINST THE ASTROS</i>

1826
01:25:36,899 --> 01:25:39,268
{\an8}<i>IN THIS, HIS FINAL HOME STAND.</i>

1827
01:25:39,302 --> 01:25:42,137
{\an8}<i>YOU CAN'T HELP BUT WONDER</i>
<i>WHAT'S GOING THROUGH HIS MIND</i>

1828
01:25:42,338 --> 01:25:44,440
{\an8}<i>AS ROSS' WINDOW OF OPPORTUNITY</i>

1829
01:25:44,473 --> 01:25:46,842
{\an8}<i>TO JOIN THAT ELITE</i>
<i>3,000-HIT CLUB</i>

1830
01:25:46,875 --> 01:25:51,514
{\an8}<i>IS ABOUT TO CLOSE AND CLOSE</i>
<i>BEFORE A NATIONWIDE AUDIENCE.</i>

1831
01:25:51,547 --> 01:25:54,283
{\an8}<i>SO, HERE WE ARE.</i>
<i>THE STAGE IS SET.</i>

1832
01:25:54,317 --> 01:25:57,553
{\an8}<i>A RE-ENERGIZED TEAM PLAYS</i>
<i>FOR RESPECTABILITY,</i>

1833
01:25:57,586 --> 01:26:01,390
{\an8}<i>WHILE STAN ROSS KNOCKS ON</i>
<i>THE DOOR OF BASEBALL GREATNESS.</i>

1834
01:26:01,424 --> 01:26:05,828
{\an8}<i>TONIGHT, 35,000 FANS</i>
<i>WITNESS AS HISTORY UNFOLDS</i>

1835
01:26:05,861 --> 01:26:08,864
{\an8}<i>OVER NINE INNINGS</i>
<i>OF BREWERS BASEBALL.</i>

1836
01:26:21,910 --> 01:26:25,013
LAST CHANCE TO GO OUT THERE
AND GET YOURS.

1837
01:26:36,625 --> 01:26:38,894
{\an8}<i>WE HAVE A LINEUP CHANGE</i>
<i>TONIGHT.</i>

1838
01:26:38,927 --> 01:26:42,197
{\an8}<i>IN HOPES OF SQUEEZING OUT</i>
<i>AN EXTRA AT-BAT FOR ROSS,</i>

1839
01:26:42,231 --> 01:26:45,601
{\an8}<i>HE'S HITTING CLEANUP RIGHT</i>
<i>BEHIND REX PENNEBAKER.</i>

1840
01:26:45,634 --> 01:26:49,338
{\an8}<i>Man onNOW BATTING,</i>
<i>FIRST BASEMAN, NUMBER 21,</i>

1841
01:26:49,372 --> 01:26:52,107
{\an8}<i>STAN ROSS!</i>

1842
01:26:52,140 --> 01:26:54,543
{\an8}<i>Announcer: THIS BIG CROWD</i>
<i>IS CHARGED TONIGHT.</i>

1843
01:26:54,577 --> 01:26:56,445
{\an8}<i>THE RIGHT-HANDER NORTON,</i>

1844
01:26:56,479 --> 01:26:58,046
{\an8}<i>ONE OF THE MOST</i>
<i>FIERCELY COMPETITIVE PITCHERS</i>

1845
01:26:58,247 --> 01:27:00,115
{\an8}<i>IN THE LEAGUE,</i>
<i>WILL DO EVERYTHING HE CAN</i>

1846
01:27:00,148 --> 01:27:03,519
{\an8}<i>TO AVOID BEING A FOOTNOTE</i>
<i>IN BASEBALL HISTORY.</i>

1847
01:27:03,552 --> 01:27:05,921
{\an8}<i>ONE GAME, ONE MORE HIT,</i>

1848
01:27:05,954 --> 01:27:09,157
{\an8}<i>AND HE HAS THAT MAGICAL 3,000.</i>

1849
01:27:27,175 --> 01:27:28,511
BALL.

1850
01:27:32,080 --> 01:27:35,150
{\an8}<i>THEY'RE ON THEIR FEET, ROOTING</i>
<i>FOR ROSS TO GET AHOLD OF ONE,</i>

1851
01:27:35,183 --> 01:27:37,420
{\an8}<i>AS NORTON GETS HIS SIGN.</i>

1852
01:27:40,188 --> 01:27:42,391
{\an8}<i>ROSS PUTS A GOOD SWING ON IT.</i>

1853
01:27:42,425 --> 01:27:44,960
{\an8}<i>IT'S DEEP TO RIGHT FIELD</i>
<i>AND CARRYING WELL.</i>

1854
01:27:48,331 --> 01:27:49,598
DAMN.

1855
01:27:55,270 --> 01:27:57,406
YO, ROSS!

1856
01:27:57,440 --> 01:27:59,074
WHY DON'T YOU TAKE A SEAT?

1857
01:27:59,107 --> 01:28:01,076
YOU AIN'T GETTIN' THAT HIT
OFF ME TONIGHT!

1858
01:28:01,109 --> 01:28:02,545
DEAL WITH IT!

1859
01:28:16,992 --> 01:28:18,661
{\an8}<i>HIS SLIDER SUCKS.</i>

1860
01:28:18,694 --> 01:28:20,429
COME ON, MAN.

1861
01:28:20,463 --> 01:28:22,631
I GUESS SOMEBODY SHOULD HAVE
SHOWED UP TO THAT PRACTICE.

1862
01:28:35,744 --> 01:28:37,380
{\an8}<i>Announcer:</i>
<i>HOME HALF OF THE FOURTH.</i>

1863
01:28:37,413 --> 01:28:39,047
{\an8}<i>IT'S STILL A SCORELESS TIE.</i>

1864
01:28:39,081 --> 01:28:41,116
{\an8}<i>THIS CROWD RIPE</i>
<i>WITH ANTICIPATION</i>

1865
01:28:41,149 --> 01:28:43,652
{\an8}<i>EVERY TIME ROSS</i>
<i>STEPS TO THE PLATE.</i>

1866
01:28:49,658 --> 01:28:51,226
{\an8}<i>ROSS SWINGS.</i>

1867
01:28:51,259 --> 01:28:53,396
{\an8}<i>A SHARP GROUND BALL</i>
<i>UP THE MIDDLE.</i>

1868
01:28:53,429 --> 01:28:56,031
{\an8}<i>SECOND BASEMAN GOMEZ</i>
<i>WITH A DIVING STOP.</i>

1869
01:28:56,064 --> 01:28:58,667
{\an8}<i>HE SCRAMBLES.</i>
<i>IT'S GONNA BE CLOSE.</i>

1870
01:29:01,404 --> 01:29:03,305
{\an8}<i>HE'S OUT!</i>

1871
01:29:03,338 --> 01:29:05,674
{\an8}<i>OH, MY, WHAT A CLOSE PLAY!</i>

1872
01:29:05,708 --> 01:29:08,677
{\an8}<i>FROM OUR ANGLE,</i>
<i>I THOUGHT HE WAS SAFE.</i>

1873
01:29:08,711 --> 01:29:10,746
{\an8}<i>Crowd:</i>
<i>YOU'RE WRONG!</i>

1874
01:29:10,779 --> 01:29:14,316
{\an8}<i>I'M SURPRISED STAN ROSS</i>
<i>ISN'T PROTESTING THE CALL.</i>

1875
01:29:29,297 --> 01:29:31,500
THAT MAN WAS SAFE!
THAT MAN WAS OUT.

1876
01:29:31,534 --> 01:29:33,335
THE MAN IS SAFE!
WHAT GAME ARE YOU WATCHING?
I CALLED THE MAN OUT.

1877
01:29:33,368 --> 01:29:35,538
OH, REALLY?
I'M WATCHING
THE SAME GAME YOU ARE!

1878
01:29:35,571 --> 01:29:38,173
WE ARE PLAYING
FOR THIRD PLACE HERE!
THE MAN WAS OUT!

1879
01:29:38,206 --> 01:29:39,074
WE'RE TRYING TO WIN
A BALL GAME HERE!
DON'T MAKE ME
RUN YOU, GUS.

1880
01:29:39,107 --> 01:29:40,776
YOU GOT YOUR HEAD
SO FAR UP YOUR ASS,

1881
01:29:40,809 --> 01:29:42,745
YOU DIDN'T EVEN SEE
THE PLAY!
HEAD UP MY ASS?

1882
01:29:42,778 --> 01:29:44,413
THAT'S RIGHT!
HEAD UP YOUR ASS!
DID YOU SAY
"HEAD UP MY ASS"?

1883
01:29:44,447 --> 01:29:45,781
THAT'S WHAT I SAID!
THAT'S IT!

1884
01:29:45,814 --> 01:29:47,550
YOU'RE OUTTA HERE!
LET ME TELL YOU SOMETHING!

1885
01:29:47,750 --> 01:29:49,752
GET OFF OF MY FIELD!

1886
01:29:49,785 --> 01:29:51,454
YOU'RE THE WORST UMPIRE
IN THIS WHOLE LEAGUE!

1887
01:29:51,487 --> 01:29:53,121
OUTTA HERE!

1888
01:29:53,155 --> 01:29:55,424
YOU'RE SUCH A JERK!

1889
01:29:57,793 --> 01:29:59,127
THE MAN WAS SAFE!

1890
01:29:59,161 --> 01:30:00,262
THE GUY'S OUT!
HE'S OUT!

1891
01:30:00,295 --> 01:30:01,229
HE WAS SAFE!

1892
01:30:01,396 --> 01:30:02,631
{\an8}<i>WALK HIM OFF THE FIELD!</i>

1893
01:30:02,665 --> 01:30:04,132
GET HIM OFF MY FIELD!

1894
01:30:04,166 --> 01:30:05,734
YOU WERE SAFE!

1895
01:30:05,768 --> 01:30:09,071
YOU WERE BEAUTIFUL.
COME ON, TIGER.
HE WAS SAFE!

1896
01:30:09,271 --> 01:30:12,107
{\an8}<i>Announcer: SO IT BOILS DOWN TO</i>
<i>THE BOTTOM OF THE NINTH INNING,</i>

1897
01:30:12,140 --> 01:30:14,577
{\an8}<i>STILL SCORELESS HERE IN</i>
<i>THE FINAL GAME OF THE SEASON.</i>

1898
01:30:14,777 --> 01:30:18,413
{\an8}<i>"MR. 2999" VERY LIKELY</i>
<i>WILL BE MAKING</i>

1899
01:30:18,447 --> 01:30:22,150
{\an8}<i>HIS LAST PLATE APPEARANCE</i>
<i>OF A STORIED BIG-LEAGUE CAREER.</i>

1900
01:30:23,652 --> 01:30:27,289
{\an8}<i>BUT FIRST THE MAN WHO'S BECOME</i>
<i>SORT OF ROSS' PROTEGE OF LATE,</i>

1901
01:30:27,322 --> 01:30:28,791
{\an8}<i>T-REX PENNEBAKER.</i>

1902
01:30:30,125 --> 01:30:32,495
{\an8}<i>AND WE'VE GOT AN INTERESTING</i>
<i>SITUATION HERE, FANS.</i>

1903
01:30:32,528 --> 01:30:34,429
{\an8}<i>IF PENNEBAKER HOMERS,</i>

1904
01:30:34,463 --> 01:30:37,432
{\an8}<i>THAT'S THE GAME, AND ROSS</i>
<i>WON'T GET ANOTHER SHOT.</i>

1905
01:30:37,466 --> 01:30:39,635
{\an8}<i>Man: COME ON!</i>
<i>COME ON, BABY!</i>

1906
01:30:43,472 --> 01:30:45,240
COME ON, BABY.
GET ON.

1907
01:30:45,273 --> 01:30:48,210
I'LL BRING YOU HOME.
COME ON, GET ON, BABY.

1908
01:30:50,312 --> 01:30:51,647
JUST GET ON.

1909
01:30:59,488 --> 01:31:01,423
{\an8}<i>AND THAT BALL IS CRUSHED --</i>

1910
01:31:01,456 --> 01:31:03,291
{\an8}<i>A LINE DRIVE</i>
<i>TO DEEP LEFT CENTER.</i>

1911
01:31:03,325 --> 01:31:04,760
{\an8}<i>IT'S GOING, GOING.</i>

1912
01:31:04,793 --> 01:31:06,795
{\an8}<i>IT IS...</i>
<i>OFF THE BASE OF THE WALL.</i>

1913
01:31:06,829 --> 01:31:10,165
{\an8}<i>PENNEBAKER ROUNDS FIRST,</i>
<i>HEADING FOR SECOND.</i>

1914
01:31:10,198 --> 01:31:12,668
SAFE!
{\an8}<i>AND HE IS SAFE</i>
<i>WITH A RINGING DOUBLE.</i>

1915
01:31:12,701 --> 01:31:14,436
{\an8}<i>OH, MAN!</i>

1916
01:31:14,469 --> 01:31:17,205
{\an8}<i>HE ALMOST TOOK THE BAT</i>
<i>RIGHT OUT OF STAN ROSS' HANDS.</i>

1917
01:31:17,239 --> 01:31:20,142
BUT NOW ROSS IS UP
WITH NOT ONLY A CHANCE

1918
01:31:20,175 --> 01:31:23,712
{\an8}<i>FOR HIS 3,000th BASE HIT</i>
<i>AND A CALL FROM COOPERSTOWN,</i>

1919
01:31:23,746 --> 01:31:26,314
{\an8}<i>BUT AN OPPORTUNITY</i>
<i>TO DRIVE IN THE WINNING RUN</i>

1920
01:31:26,348 --> 01:31:28,316
{\an8}<i>AND END THE BREWERS' SEASON</i>
<i>ON A HIGH NOTE.</i>

1921
01:31:28,483 --> 01:31:30,686
{\an8}<i>Man:</i>
<i>3,000, BABY!</i>

1922
01:31:37,693 --> 01:31:39,394
ALL RIGHT.

1923
01:31:39,427 --> 01:31:40,896
{\an8}<i>COME ON.</i>

1924
01:31:48,704 --> 01:31:49,638
BALL.

1925
01:31:56,845 --> 01:31:58,313
PITCH TO HIM.
LET'S GO, MAN.

1926
01:31:58,346 --> 01:31:59,548
GET YOUR HIT.

1927
01:32:11,259 --> 01:32:12,494
BALL.

1928
01:32:12,527 --> 01:32:13,896
PITCH TO ME, DAMN IT!

1929
01:32:13,929 --> 01:32:15,397
REACH OUT THERE
AND GET IT, THEN.

1930
01:32:18,366 --> 01:32:19,702
REACH OUT AND GET IT.

1931
01:32:20,969 --> 01:32:23,672
{\an8}<i>Announcer: THOSE FIRST TWO</i>
<i>DELIVERIES, WAY OUTSIDE.</i>

1932
01:32:23,706 --> 01:32:25,574
{\an8}<i>ROSS NOW CROWDING THE PLATE.</i>

1933
01:32:25,608 --> 01:32:26,942
{\an8}<i>2 BALLS, NO STRIKES.</i>

1934
01:32:26,975 --> 01:32:28,577
{\an8}<i>NOTHING CLOSE FROM NORTON.</i>

1935
01:32:38,721 --> 01:32:39,722
RIGHT HERE!

1936
01:32:43,458 --> 01:32:45,293
{\an8}<i>Announcer: HERE WE GO.</i>
<i>THIS IS IT.</i>

1937
01:32:45,327 --> 01:32:46,428
{\an8}<i>3-0, THE COUNT.</i>

1938
01:32:46,629 --> 01:32:48,463
{\an8}<i>THIS CROWD ROARING,</i>

1939
01:32:48,496 --> 01:32:51,900
{\an8}<i>BEGGING NORTON TO CHALLENGE</i>
<i>ROSS WITH A DECENT PITCH.</i>

1940
01:33:01,309 --> 01:33:03,812
{\an8}<i>Boca: I CAN ALWAYS COUNT ON YOU</i>
<i>TO DO YOUR THING, YOU KNOW?</i>

1941
01:33:04,913 --> 01:33:08,383
{\an8}<i>YOU'RE CONSISTENT.</i>
<i>YOU'RE ALWAYS DRIVEN.</i>

1942
01:33:08,416 --> 01:33:09,985
{\an8}<i>AND ALWAYS FOR YOURSELF.</i>

1943
01:33:12,087 --> 01:33:13,622
{\an8}<i>THAT'S WHY I LOVE YOU.</i>

1944
01:33:21,930 --> 01:33:23,899
{\an8}<i>Announcer:</i>
<i>LOOK AT THIS!</i>

1945
01:33:23,932 --> 01:33:26,835
{\an8}<i>ROSS LAYS A SACRIFICE BUNT</i>
<i>UP THE FIRST-BASE LINE,</i>

1946
01:33:26,869 --> 01:33:29,437
{\an8}<i>AND T-REX ISN'T STOPPING</i>
<i>AT THIRD.</i>

1947
01:33:29,471 --> 01:33:31,740
{\an8}<i>HERE'S A THROW TO FIRST BASE,</i>
<i>AND ROSS IS OUT.</i>
<i>YOU'RE OUT!</i>

1948
01:33:31,774 --> 01:33:33,776
{\an8}<i>HERE COMES THE PLAY</i>
<i>TO THE PLATE.</i>

1949
01:33:33,809 --> 01:33:35,010
{\an8}<i>THE SLIDE, THE TAG --</i>
<i>HE IS SAFE! HE IS SAFE!</i>

1950
01:33:35,043 --> 01:33:38,313
{\an8}<i>THE BREWERS WIN!</i>

1951
01:33:40,315 --> 01:33:41,950
{\an8}<i>* WE'RE MOVIN'</i>

1952
01:33:41,984 --> 01:33:43,585
{\an8}<i>* GROOVIN'</i>

1953
01:33:43,618 --> 01:33:46,421
{\an8}<i>* AIN'T NO STOPPING US NOW</i>

1954
01:33:46,454 --> 01:33:50,358
{\an8}<i>* GROOVIN'</i>

1955
01:34:12,981 --> 01:34:16,651
Crowd:
STAN! STAN! STAN! STAN!

1956
01:35:24,552 --> 01:35:26,889
{\an8}<i>Stan:</i>
<i>CORNY ENOUGH FOR YOU?</i>

1957
01:35:26,922 --> 01:35:30,458
{\an8}<i>WELL, IT GETS WORSE.</i>

1958
01:35:30,492 --> 01:35:33,728
{\an8}<i>FIRST OFF, NOW ALL OF A SUDDEN,</i>
<i>THE PRESS LOVES ME.</i>

1959
01:35:33,762 --> 01:35:36,865
{\an8}<i>TOOK 'EM LONG ENOUGH,</i>
<i>THOUGH, HUH?</i>

1960
01:35:36,899 --> 01:35:40,035
{\an8}<i>THE HALL OF FAME VOTED ME IN</i>
<i>ON THE VERY NEXT BALLOT.</i>

1961
01:35:40,068 --> 01:35:43,571
{\an8}<i>AND AS YOU CAN IMAGINE, I HAD</i>
<i>PLENTY OF PEOPLE TO THANK.</i>

1962
01:35:44,439 --> 01:35:45,908
{\an8}<i>AND OLD MO --</i>

1963
01:35:45,941 --> 01:35:49,144
{\an8}<i>SHE DECIDED TO MOVE BACK</i>
<i>TO MILWAUKEE AFTER ALL.</i>

1964
01:35:49,177 --> 01:35:51,713
{\an8}<i>I KNOW SHE SAID</i>
<i>I'D NEVER GET SERIOUS,</i>

1965
01:35:51,746 --> 01:35:54,817
{\an8}<i>BUT THESE DAYS, I'M EVEN</i>
<i>THINKIN' ABOUT GETTIN' MARRIED.</i>

1966
01:35:54,850 --> 01:35:58,053
{\an8}<i>YOU KNOW, SO I CAN HAVE</i>
<i>THAT GREAT SEX ALL THE TIME.</i>

1967
01:35:59,955 --> 01:36:03,826
{\an8}<i>AND HOT DAMN, IF BOCA DIDN'T</i>
<i>JUST UP AND MOVE TO BOCA.</i>

1968
01:36:04,026 --> 01:36:06,628
{\an8}<i>I CAN SEE HIM RIGHT NOW,</i>
<i>HELPING SOME LOST SOUL, SAYIN',</i>

1969
01:36:06,661 --> 01:36:09,064
{\an8}<i>"DO YOUR THING."</i>
DO YOUR THING.

1970
01:36:09,097 --> 01:36:12,801
{\an8}<i>AND ME, I RETIRED AGAIN,</i>
<i>LIKE YOU PROBABLY FIGURED.</i>

1971
01:36:12,835 --> 01:36:14,937
{\an8}<i>BUT I DIDN'T WANT TO GO OUT</i>
<i>WITHOUT LEAVIN' THE FELLAS</i>

1972
01:36:14,970 --> 01:36:17,472
{\an8}<i>A LITTLE SOMETHIN'</i>
<i>TO REMEMBER ME BY.</i>

1973
01:36:20,943 --> 01:36:23,145
{\an8}<i>EVEN THOUGH I LEFT THE GAME,</i>

1974
01:36:23,178 --> 01:36:26,114
{\an8}<i>I COULDN'T STAY TOO FAR FROM</i>
<i>IT, SO I BOUGHT ME THAT SONG.</i>

1975
01:36:43,298 --> 01:36:45,968
{\an8}<i>* OUT OF THE TREE OF LIFE</i>

1976
01:36:46,168 --> 01:36:48,503
{\an8}<i>* I JUST PICKED ME A PLUM</i>

1977
01:36:48,536 --> 01:36:50,205
{\an8}<i>Stan:</i>
<i>AND THAT'S THE WHOLE STORY.</i>

1978
01:36:50,238 --> 01:36:52,107
{\an8}<i>LIKE MY BABY MO SAYS,</i>

1979
01:36:52,140 --> 01:36:54,509
{\an8}<i>"IT'S ALL ABOUT FIGURIN' OUT</i>
<i>WHO YOU ARE."</i>

1980
01:36:54,542 --> 01:36:56,278
{\an8}<i>AND SOME OF THAT'S</i>
<i>JUST A MATTER</i>

1981
01:36:56,311 --> 01:36:59,214
{\an8}<i>OF GETTIN' A LITTLE OLDER</i>
<i>AND ACCEPTIN' IT.</i>

1982
01:36:59,247 --> 01:37:01,850
{\an8}<i>AND I CAN DEAL WITH THAT.</i>

1983
01:37:02,050 --> 01:37:04,786
{\an8}<i>JUST 'CAUSE I'M RETIRED</i>
<i>DON'T MEAN I'M INVISIBLE.</i>

1984
01:37:04,819 --> 01:37:07,956
{\an8}<i>IN FACT, I'M GUESSIN' YOU'VE</i>
<i>PROBABLY SEEN MY COMMERCIAL</i>

1985
01:37:07,990 --> 01:37:09,691
{\an8}<i>ONCE OR TWICE YOURSELF.</i>

1986
01:37:12,060 --> 01:37:14,729
{\an8}<i>* THE BEST IS YET TO COME</i>

1987
01:37:14,762 --> 01:37:18,533
{\an8}<i>* AND, BABE,</i>
<i>WON'T IT BE FINE? ♪</i>

1988
01:37:21,569 --> 01:37:24,672
{\an8}<i>* YOU THINK</i>
<i>YOU'VE SEEN THE SUN ♪</i>

1989
01:37:24,706 --> 01:37:28,210
{\an8}<i>* BUT YOU AIN'T SEEN IT SHINE</i>

1990
01:37:31,079 --> 01:37:35,717
{\an8}<i>* WAIT TILL THE WARM-UP'S</i>
<i>UNDERWAY ♪</i>

1991
01:37:35,750 --> 01:37:40,688
{\an8}<i>* WAIT TILL OUR LIPS HAVE MET</i>

1992
01:37:40,722 --> 01:37:44,993
{\an8}<i>* WAIT TILL YOU SEE</i>
<i>THAT SUNSHINY DAY ♪</i>

1993
01:37:45,027 --> 01:37:48,696
{\an8}<i>* YOU AIN'T SEEN NOTHIN' YET</i>

1994
01:37:50,365 --> 01:37:53,101
{\an8}<i>* THE BEST IS YET TO COME</i>

1995
01:37:53,135 --> 01:37:56,571
{\an8}<i>* AND, BABE,</i>
<i>WON'T IT BE FINE? ♪</i>

1996
01:37:59,942 --> 01:38:02,610
{\an8}<i>* THE BEST IS YET TO COME</i>

1997
01:38:02,810 --> 01:38:06,148
{\an8}<i>* COME THE DAY</i>
<i>THAT YOU'RE MINE ♪</i>

1998
01:38:07,315 --> 01:38:10,885
{\an8}<i>* COME THE DAY YOU'RE MINE</i>

1999
01:38:12,087 --> 01:38:16,724
{\an8}<i>* I'M GONNA TEACH YOU TO FLY</i>

2000
01:38:16,758 --> 01:38:20,728
{\an8}<i>* WE'VE ONLY TASTED THE WINE</i>

2001
01:38:21,763 --> 01:38:27,069
{\an8}<i>* WE'RE GONNA DRAIN</i>
<i>THE CUP DRY ♪</i>

2002
01:38:28,770 --> 01:38:31,706
{\an8}<i>* WAIT TILL YOUR CHARMS</i>
<i>ARE RIGHT ♪</i>

2003
01:38:31,739 --> 01:38:35,277
{\an8}<i>* FOR THESE ARMS TO SURROUND</i>

2004
01:38:38,346 --> 01:38:41,749
{\an8}<i>* YOU THINK</i>
<i>YOU'VE FLOWN BEFORE ♪</i>

2005
01:38:41,916 --> 01:38:45,087
{\an8}<i>* BUT YOU AIN'T LEFT</i>
<i>THE GROUND ♪</i>

2006
01:38:48,156 --> 01:38:52,961
{\an8}<i>* WAIT TILL YOU'RE LOCKED</i>
<i>IN MY EMBRACE ♪</i>

2007
01:38:52,995 --> 01:38:57,899
{\an8}<i>* WAIT TILL I HOLD YOU NEAR</i>

2008
01:38:57,932 --> 01:39:02,737
{\an8}<i>* WAIT TILL YOU SEE</i>
<i>THAT SUNSHINY PLACE ♪</i>

2009
01:39:02,770 --> 01:39:07,709
{\an8}<i>* AIN'T NOTHIN' LIKE IT HERE</i>

2010
01:39:07,942 --> 01:39:10,112
{\an8}<i>* THE BEST IS YET TO COME</i>

2011
01:39:10,145 --> 01:39:14,949
{\an8}<i>* AND, BABE,</i>
<i>WON'T IT BE FINE? ♪</i>

2012
01:39:17,052 --> 01:39:19,921
{\an8}<i>* THE BEST IS YET TO COME</i>

2013
01:39:19,954 --> 01:39:28,330
{\an8}<i>* COME THE DAY YOU'RE MINE</i>

2014
01:39:29,697 --> 01:39:34,902
{\an8}<i>* AND YOU'RE GONNA BE MINE</i>




